{"title":"Avant Garde \/ Experimental","description":"","products":[{"product_id":"skullflower-voltigeurs-black-sun-roof-split-12","title":"Skullflower \/ Voltigeurs \/ Black Sun Roof - Split 12\"","description":"\u003cp\u003eThree way split featuring 3 projects from Matthew Bower and Samantha Davis. 'Hexenturm' from Voltigeurs is a vortex of basement black metal terror, caaried by furious percussion buried beneath layers of metalic riffs and distortion. This leads directly into Black Sunroof's 'Pal Beach Violation', with a crushing distorted layers of guitar and effects. The flip is Skullflower's 'PSH', a tribute to one of the finest actors of our generation. 'PSH' is a much more psych-upped affair than the previous tracks, but remains layered in metaliic effects and swirling dark cosmic tones. It's an interesting listen to have three spearate projects performed by the two core performers, but each have different styles, sounds and approaches.\u003cbr\u003ePressed on 180 gram red vinyl in an edition of 333 copies packaged in full colour UV gloss sleeve.\u003cbr\u003ePlay at 45 or 33. 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The album is 36 minutes in length and consists of three pieces of a triadic whole : Kannon 1, 2 and 3.\u003c\/p\u003e\n\u003cp\u003eThe black vinyl LP is packaged in immaculate tip on gatefold sleeve by long time comrades Stoughton Printing, and pressed at Cascade in Portland, Oregon.\u003c\/p\u003e\n\u003cp\u003eThe album celebrates many SUNN O))) traditions ; Kannon was recorded and mixed with SUNN O)))’s close colleague and coproducer Randall Dunn in Seattle, in Studio Litho, Aleph and Avast! ; and the LP includes performances by long term allies and collaborators Attila Csihar, Oren Ambarchi, Rex Ritter, Steve Moore and others. And at the core the composition centers around the dynamic and intense guitar and bass interplay of SUNN O)))’s founders : Stephen O’Malley \u0026amp; Greg Anderson.\u003c\/p\u003e\n\u003cp\u003eIt’s possibly the most figurative album SUNN O))) has created, which is unusual as they usually dwell in layers of abstraction and subjectivity. On the other hand the album is the most outright “metal” in years, drawing personal associations and memories of cherished albums like Panzerfaust and Twilight of the Gods again to the forefront of consciousness.\u003c\/p\u003e\n\u003cp\u003eAt the third time it is very close to the cyclical character of mantra which the band has evolved into as a living creature, the enormity of intense sensate detail and manifestation of the live in concert face of SUNN O))), the organism that has flourished, metamorphosed and transcended tremendously over the past ten years.\u003c\/p\u003e\n\u003cp\u003eThe literal representation of Kannon is as an aspect of Buddha : specifically “goddess of mercy” or “Perceiving the Sounds (or Cries) of the World”. She is also sometimes commonly known as the Guanyin Bodhisattva (Chinese: 庥錼嗌葑) amongst a plurality of other forms. 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No. 1. Two Virgins’: Turns out the very sound of falling in love is just as abstract, subjective and loopy as the concept itself. Yoko Ono and John Lennon are two of history’s greatest lovers and ‘Two Virgins’ is the document of the pair falling in love in real time. The album is a curious and amazing suite recorded over one weekend in Spring 1968 at Lennon’s Kenwood home: Distant conversations; comedic role playing and footsteps; laughter, birdcalls and plunking piano lines; silly songs and space; tape delay stretching shrieks, bass rumbles and moans to the moon and back again.\u003c\/p\u003e\n\u003cp\u003eThe now-iconic cover (featuring Ono and Lennon standing nude together) notwithstanding, nothing about ‘Two Virgins’ is safe. It would be a risky move today for artists in the larger, pop culture conversation just as it was a risky move in 1969. However, this is an uncomfortably private, two-person dialogue about - and celebration of - experimentation, inspiration and play. These two souls bravely let us look through the keyhole.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eIncludes download card with bonus tracks.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan\u003eSC289LP\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Secretly Canadian\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":22658837317,"sku":"SC289LP","price":18.49,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/MI0002924842.jpg?v=1571438851"},{"product_id":"stars-of-the-lid-avec-laudenum-lp","title":"Stars Of The Lid 'Avec Laudenum' LP","description":"\u003cdiv\u003e\n\u003cp\u003eAvec Laudenum was originally released on the Belgian Sub Rosa label in 2000. Adam Wiltzie and Brian McBride recorded the album via mail and by the time it was released Wiltzie had moved from Austin, TX to Brussells. kranky is making this recording widely available for the first time in North America at domestic prices.\u003c\/p\u003e\n\u003cp\u003eThis reissue follows the band's ambitious double CD\/triple LP set 'The Tired Sounds of Stars of the Lid'.  Avec Laudenum marked a decided expansion of the Stars of the Lid drone methodology. The duo's use of guitars and samplers was more compositionaly directed, creating long, exquisitely stretched out melodies.\u003c\/p\u003e\n\u003cp\u003e\"..sub-aquatiques, majestueusement lancinantes et faussement engourdies...\" Peace Warriors\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCatalogue number: KRANK100\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Kranky\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":26847221968,"sku":"KRANK059","price":23.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/65967.jpg?v=1571438862"},{"product_id":"cabaret-voltaire-drinking-gasoline-lp-dvd","title":"Cabaret Voltaire 'Drinking Gasoline' LP + DVD","description":"\u003cul\u003e\n\u003cli\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e‘Drinking Gasoline’ was released in 1985, consisting of four songs from the legendary ‘Gasoline In Your Eye’ videocassette. These songs rank among Cabaret Voltaire’s more infectious compositions. \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e‘Gasoline In Your Eye’ is now included as a DVD together with both the CD and the LP of ‘Drinking Gasoline’, featuring videos shot and edited by groundbreaking director Peter Care and Richard H Kirk. \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003eAll audio remastered from the original tapes. \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003eVinyl cut by Stefan Betke aka Pole. \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e‘Gasoline In Your Eye’ DVD includes ‘Sensoria’ and promotional videos for ‘I Want You’ and ‘Just Fascination’. \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003eCabaret Voltaire, alongside Human League, Throbbing Gristle, Fad Gadget and The Normal, were at the forefront of the UK electronic movement of the late 1970s. Way ahead of their time, Cabaret Voltaire’s blend of dance music, techno, dub, house and experimental made them, without a doubt, one of the most influential acts of the last 35 years. \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: CABS24\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Mute \u003c\/p\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":27030035152,"sku":"CABS24","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/cabs24.jpeg?v=1571438862"},{"product_id":"cabaret-voltaire-microphonies-lp","title":"Cabaret Voltaire 'Micro-phonies' LP","description":"\u003cdiv\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstrong\u003eTurquoise vinyl.\u003c\/strong\u003e\n\u003cp\u003e‘Micro-Phonies’ is the sixth full-length studio album by Cabaret Voltaire. 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While Two Solo Pieces serves up further evidence of Gibson's centrality to American minimalism – witness its inclusion in Alan Licht's famed Minimal Top Ten list – this profoundly intimate record also reveals the beauty of enclosed spaces and infinite harmonic vistas.\u003c\/p\u003e\n\u003cp\u003eAs its unadorned title suggests, Two Solo Pieces consists of a pair of side-long tracks featuring the composer alone. While \"Cycles,\" an iridescent improvisation on organ, achieves a downright eerie sense of expansiveness, Gibson's captivating alto flute on \"Untitled\" draws the listener inside the instrument itself.\u003c\/p\u003e\n\u003cp\u003eThe photo on the album's back cover – a seated Gibson surrounded by cascading rows of organ pipes and the vaulted ceiling in Manhattan's Peace Church – offers a striking visual complement to these gorgeous recordings.\u003c\/p\u003e\n\u003cp\u003eOriginally released in 1977 on Philip Glass' Chatham Square imprint, this first-time vinyl reissue is recommended for fans of Anthony Moore, Roberto Cacciapaglia and Terry Riley.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklisting:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCycles\u003cbr\u003eUntitled\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCatalogue number:\u003cspan\u003e SV069\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Superior Viaduct\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":35773151888,"sku":"SV069","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/SV069.jpg?v=1571438885"},{"product_id":"arnold-dreyblatt-the-orchestra-of-excited-strings-propellers-in-love-lp","title":"Arnold Dreyblatt \u0026 The Orchestra Of Excited Strings 'Propellers In Love' LP","description":"\u003cp\u003eArnold Dreyblatt has been called \"the most rock 'n' roll of all the composers to emerge from New York's downtown scene in the 1970s.\" Dreyblatt founded the Orchestra Of Excited Strings in 1979, harnessing unusual tuning intervals to an exuberant performance style. Propellers In Love, the Orchestra's second album – originally released in 1986 on the Stasch imprint, in conjunction with the contemporary art space Künstlerhaus Bethanien – develops Dreyblatt's rhythmically exacting exploration of the glittering resonances and overtones generated by an ensemble of uniquely-altered stringed instruments and drums.\u003c\/p\u003e\n\u003cp\u003eOn Propellers In Love, simple song titles – \"Odd \u0026amp; Even,\" \"Harmonics,\" \"Bowing\" – belie intricate harmonic structures. Dreyblatt's modified instruments – a contrabass and miniature piano fitted with piano wire along with violin, all tuned in just intonation – undergo the Orchestra's rapid, staccato attacks. Sparkling timbres dance above interlocking rhythmic patterns moored by sparse yet propulsive percussion (\"Pedal Tone Dance\" and the title track). 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His shambolically virtuosic guitar playing stumbles from music hall tune- smithery to spidery swatches of noise-colour, swathed in amp static and teetering on the edge of feedback.\u003c\/p\u003e\n\u003cp\u003e• His songs are both chucklesome and tragic, rooted in a febrile imagination that references worlds held dear and worlds unknown.\u003c\/p\u003e\n\u003cp\u003e• ‘Nothing Important’, released by Weird World, hypnotises from its tender dark whispers to its wild screams, an unparalleled voice in today’s over-preened and manufactured music world.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan\u003eWEIRD048LP\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Weird World\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"*SIGNED* Vinyl LP","offer_id":41155112534184,"sku":"WEIRD048LPSIGNED","price":21.49,"currency_code":"GBP","in_stock":false},{"title":"Vinyl LP","offer_id":41155112566952,"sku":"WEIRD048LP","price":21.49,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/WEIRD048LP.jpg?v=1571438892"},{"product_id":"richard-dawson-peasant-2xlp","title":"Richard Dawson 'Peasant'","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e\u003cstrong\u003e***LIMITED SIGNED COPIES AVAILABLE***\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBEAR TREE ALBUMS OF THE YEAR 2017 #1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack vinyl.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRichard Dawson will release new album Peasant via Weird World \/ Domino on 2nd June 2017. Coinciding with the announcement, Dawson has shared a video for the album’s first single ‘Ogre’, directed by Matt Stokes.\u003c\/p\u003e\n\u003cp\u003e“A crack team of physicists, leather-workers, synchronised swimmers, sausage-sellers, professional wrestlers and computer games-designers assembled in a remote cleft of the Tyne Valley to portray a community fraying at the edges, eaten from the inside by some fearful sickness, searching for answers in the all the wrong places,” says Dawson of the new video. “Matt Stokes is a fabulous video artist. I've loved his work ever since seeing 'The Gainsborough Packet' almost ten years ago now. I'm very happy that we were able to work together to present to you the first song from the album Peasant. It is only one panel of a larger mural. I hope you will enjoy and find something to take from it.”\u003c\/p\u003e\n\u003cp\u003eNo listener to Dawson’s earlier music has ever discerned a lack of artistic ambition. Whether they got on at the last stop - the 4 track Tyneside-Trout-Mask-through a-Vic and Bob-filter of Nothing Important - or earlier in the journey, with The Glass Trunk’s visceral song cycle or The Magic Bridge’s sombre revels, devotees of his earlier recordings will be at once intrigued by and slightly fearful of the prospect of a record that could make those three landmark releases look like formative work.\u003c\/p\u003e\n\u003cp\u003ePeasant is that album. From its first beguilingly muted fanfare to its spectacular climax exploring a Dark Ages masseuse’s dangerous fascination with a mysterious artefact called the Pin of Quib, it will grab newcomers to Dawson’s work by the scruff of the neck and refuse to let them go until they have signed a pledge of life-long allegiance.\u003c\/p\u003e\n\u003cp\u003eDriven forward by exhilarating guitar flurries, Qawwali handclaps and bursts of choral ferocity, Peasant’s eleven tracks sustain a momentum worthy of the lyrics’ urgent subject matter. Dawson describes the themes of these songs as “Families struggling, families being broken up by circumstance, and - how do you keep it together? In the face of all of these horrors that life, or some system of life, is throwing at you?” The fact that these meticulously wrought narratives all unfold in the pre-mediaeval North Eastern kingdom of Bryneich - “any time from about 450AD to 780AD, after the withdrawal of the Roman Empire”- only makes their contemporary relevance more enduring and vital.\u003c\/p\u003e\n\u003cp\u003eDawson’s objective was to create “A panorama of a society which is at odds with itself and has great sickness in it, and perhaps doesn’t take responsibility – blame going in all the wrong directions”. But encountering Peasant’s captivating sequence of occupational archetypes (‘Herald’, ‘Ogre’, ‘Weaver’, Scientist’), listeners might find themselves wondering if these multitudes could somehow be contained with one person - surely we all have a ‘Shapeshifter’ and a ‘Prostitute’ within us?\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTracklist:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHerald\u003cbr\u003eOgre \u003cbr\u003eSoldier\u003cbr\u003eWeaver\u003cbr\u003eProstitute\u003cbr\u003eShapeshifter\u003cbr\u003eScientist\u003cbr\u003eHob\u003cbr\u003eBeggar\u003cbr\u003eNo-one\u003cbr\u003eMasseuse\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Weird World\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"*SIGNED* Black Vinyl 2xLP","offer_id":41155153526952,"sku":"WEIRD087LPSIGNED","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Black Vinyl 2xLP","offer_id":41155153559720,"sku":"WEIRD087LP","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/WEIRD087LPX.jpg?v=1571438892"},{"product_id":"tony-conrad-ten-years-alive-on-the-infinite-plain-2xlp","title":"Tony Conrad 'Ten Years Alive On The Infinite Plain' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eTen Years Alive On The Infinite Plain is the quintessential work of artist\/filmmaker\/composer Tony Conrad. Comprised of both film installation and minimalist score for amplified strings, Ten Years leaps across genre and medium to connect his revolutionary structural filmmaking with the experiments in long-duration sound that Conrad had begun in the 1960s as part of the Theatre of Eternal Music.\u003c\/p\u003e\n\u003cp\u003e\"Ten Years began with image before sound,\" writes Andrew Lampert, \"a row of quadruple projections arranged side-by-side, all the shuffling stripes cascading into each other. Over the next two hours the music throbbed and the projectors incrementally shifted inwards, their beams gradually uniting to form one pulsating, overlapping picture.\"\u003c\/p\u003e\n\u003cp\u003eFor its 1972 premiere at New York's The Kitchen, Ten Years included Conrad on violin as well as Rhys Chatham and Laurie Spiegel performing on instruments of the composer's own making. Chatham played the Long String Drone – a 6-foot long strip of wood with bass strings, electric pickup, tuning keys, tape, rubber band and metal hardware – while Spiegel carried out an arrhythmic bass pulse throughout.\u003c\/p\u003e\n\u003cp\u003eSuperior Viaduct is honored to present this previously unreleased recording of Ten Years Alive On The Infinite Plain's breathtaking premier performance. As Chatham recounts in the liner notes, \"When I first listened to this recording after not hearing it for over 40 years, it transported me back to the early Kitchen and the heyday of early minimalism, played outside the Dream Syndicate.\"\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: SV049\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Superior Viaduct\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":38149630032,"sku":"SV049","price":39.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/SV049.jpeg?v=1571438892"},{"product_id":"keiji-haino-watashidake-lp","title":"Keiji Haino 'Watashi Dake?' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e\u003cstrong\u003eBEAR TREE ALBUMS OF THE YEAR 2017 #48\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFirst vinyl edition of Keiji Haino’s stunning debut album since 1981, first ever outside of Japan. First ever edition to feature artist’s originally intended metallic gold and silver jacket artwork. Produced in close cooperation with Keiji Haino and legendary photographer Gin Satoh. Housed in custom printed deluxe Stoughton tip-on jackets, including black on black inserts, extras, and hand coloured finishes. Meticulously remastered by Elysian Masters and cut by Bernie Grundman Mastering. Pressed to high quality vinyl at RTI. Over the last fifty years few musicians or performers have created as monumental and uncompromising a body of work as that of Keiji Haino. Through a vast number of recordings and performances Haino has staked out a ground all his own- creating a language of unparalleled intensity that defies any simple classification. For all this, his 1981 debut album \u003c\/span\u003e\u003ci\u003eWatashi Dake?\u003c\/i\u003e\u003cspan\u003e has remained enigmatic. Originally released in a small edition by the legendary Pinakotheca label, the album was heard by only a select few in Japan and far fewer overseas. Original vinyl copies became impossibly rare and highly sought after the world over. \u003c\/span\u003e\u003ci\u003eWatashi Dake?\u003c\/i\u003e\u003cspan\u003e presents a haunting vision – stark vocals, whispered and screamed, punctuate dark silences. Intricate and sharp guitar figures interweave, repeat and stretch, trance-like, emerging from dark recesses. Written and composed on the spot – Haino’s vision is one of deep spiritual depths that distantly evokes 1920’s blues and medieval music- yet is unlike anything ever committed to record before or since. Coupled with starkly minimal packaging featuring the now iconic cover photographs by legendary photographer Gin Satoh, the album is a startling and fully realized artistic statement.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: BE-000\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Black Editions\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":40521667408,"sku":"BE-000","price":31.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/BE-000.jpeg?v=1571438901"},{"product_id":"bill-orcutt-bill-orcutt-lp","title":"Bill Orcutt 'Bill Orcutt' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eFor those not following Bill Orcutt’s drift into increasingly ear-friendly orbits in his recent live sets, Bill Orcutt–his first solo electric studio LP—shocks with its space and sensitivity. On this eponymous record, Orcutt mines the expansiveness and sustain possible on the electric guitar, letting notes spin out and decay at the edge of feedback. His pachinko-parlor pacing, marked by unraveling clockspring accelerandos crashing into unexpectedly suspended tones, is still in evidence. But here, his developing melodicism maps a near-contemplative mental realm, orbiting St. Joan-era Loren Connors more than the cascading treble clatter of his duo LPs with Chris Corsano and others. From the first notes of Ornette Coleman’s “Lonely Woman,” there’s a lucidity and slow-burning lyricism that make Orcutt’s plunges into barbed-wire fingerpicking all the more striking. While no one’s about to mistake Orcutt for Jim Hall, you could probably play this for your jazzbo friends (should you be unlucky enough to have them) without raising any eyebrows.\u003c\/p\u003e\n\u003cp\u003eOrcutt’s track selection mirrors his obsession with American popular song in its most banal manifestations, as radically reimagined via acoustic guitar on a variety of releases, including 2013’s exhaustive Twenty Five Songs 7” box set, and the Mego LP A History of Every One. Many of the songs from those two releases are here–but stretched into new arrangements that explore the upper regions of the guitar neck (hitherto unexplorable on his shakily-intonated acoustic Kay), and lighting up new corners of each arrangement with a sensitivity born from years of reinterpretation. The result is a languid, freeform drift through Orcutt’s internal cosmos into galaxies unknown to their original interpreters–and occasionally, Orcutt himself. Most striking is “White Christmas,” its careening low-register melodies crashing into complex chords that transcend Orcutt’s primitive four-string fretboard.\u003c\/p\u003e\n\u003cp\u003eOrcutt’s original compositions are equally striking. One of them—“The World Without Me”—is unique to this LP, and notable for its trebly flurry of Clapton-esque 12th-fret drizzle. “O Platitudes!” by contrast, spins ever-faster in the cadence of a hand-cranked music box, before grinding to a near halt, its higher-key electricity standing in for the moaning vocalizations on Orcutt’s acoustic rendition as heard on his 2014 VDSQ LP.\u003c\/p\u003e\n\u003cp\u003eWith its deep-space beauty, harmonic complexity, and dark dissonance, Bill Orcutt is a stunning landmark in Orcutt’s form-destroying trajectory.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan\u003ePAL048LP\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Palilalia\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":40711464144,"sku":"PAL048LP","price":22.49,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/PAL048LP.jpg?v=1571438902"},{"product_id":"wolf-eyes-strange-days-12","title":"Wolf Eyes 'Strange Days II' 12\"","description":"\u003cspan\u003eWolf Eyes release their new EP, \u003c\/span\u003e\u003ci\u003eStrange Days II\u003c\/i\u003e\u003cspan\u003e, with two bangers of free abstraction and stretched out otherworldly electronics on Lower Floor Music. The two-track 12-inch from the long-running Michigan trio follows this year's \u003c\/span\u003e\u003ci\u003eUndertow\u003c\/i\u003e\u003cspan\u003e album.\u003c\/span\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: LF002\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.4;\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eLabel: Lower Floors Music\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":41273682000,"sku":"LF002","price":10.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/LF002.jpg?v=1571438921"},{"product_id":"loren-connors-angels-that-fall-lp","title":"Loren Connors 'Angels That Fall' LP","description":"\u003cp\u003eConnors is an avant-garde legend, his singular alien take on the blues is considered on par with John Fahey’s rewrite of American string music. A haunting and volcanic suite of electric guitar and piano from the modern master of the avant blues and the abstract -- Loren Connors. Angels That Fall slips deeper into Loren’s headspace where vocalists in glissando and the swelling romanticism of chamber strings echo from beyond this mortal plane. Transcribed through Connors’ effect-laden six strings, he carries the listener from bluesy violence to sadness, hope and eventually a piano coda. Angels That Fall was recorded May 2016 at First Unitarian Congregational Society in Brooklyn, NY.\u003c\/p\u003e\n\u003cp\u003eThis 500 edition 1-sided LP features cover art by Connors and a full-color inner sleeve with portraits of Connors. Includes download coupon.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cdiv id=\"reviews\" class=\"visible-lg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: FV100LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Family Vineyard\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":41923664656,"sku":"FV100LP","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/FV100LP.jpg?v=1571438925"},{"product_id":"nazoranai-beginning-to-fall-in-line-before-me-so-decorously-the-nature-of-all-that-must-be-transformed-lp","title":"Nazoranai 'Beginning To Fall In Line Before Me, So Decorously, The Nature Of All That Must Be Transformed' LP","description":"\u003cp\u003eNazoranai is the supergroup of Keiji Haino, Oren Ambarchi and Stephen O'Malley. For close to four decades, Haino has been a legendary figure in Japan's avant-garde community through his commanding presence in the band Fushitsusha and numerous solo ventures. Ambarchi, a prolific electro-acoustic composer of heavy ambience and hypno-rock, has long stood at the leading edge of Australia's experimental music scene, while O'Malley remains a principle architect for the drone \/ doom metal project Sunn O))) in harnessing extreme sub-harmonic frequencies.\u003c\/p\u003e\n\u003cp\u003eCollectively, Nazoranai operates as a live recorded collaboration, although Haino is quick to point out the difference between the words \"nazoranai\" (which in Japanese calligraphy means \"not repeating,\" as in developing a distinct, individual style) and \"sokkyō\" (referring specifically to improvisation). In this parsing of terms, the group separates themselves from the free-music scene, which can be just as convention-bound as the established genres from which improvisers hope to escape.\u003c\/p\u003e\n\u003cp\u003eOn the trio's third album, Beginning To Fall In Line Before Me, So Decorously, The Nature Of All That Must Be Transformed, Nazoranai explore two side-long tracks of superb abstraction. Ambarchi and O'Malley provide the perfect brute-rock rhythm section to Haino's wrecklessly pure expression through instrument and voice. Blurred noise, dark hurdy-gurdy and thunderous harmonics build an accretive mantra of jagged electricity.\u003c\/p\u003e\n\u003cp\u003eWhile Haino's extensive discography resists easy interpretation, he constantly challenges himself to further his art by channeling the unknown. Shifting from his native Japanese to English, he asks: \"Do you still have a mystery?\" This existential plea could apply to the artist's own deep inquisitions or stand to confront his audience about that which eludes their understanding.\u003c\/p\u003e\n\u003cp\u003eW.25TH \/ Superior Viaduct is proud to present Nazoranai's latest work, recorded at SuperDeluxe in Tokyo, which marks the band's first release on an American label.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCatalogue number: \u003cspan class=\"cat_number\"\u003eW25-02\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: W. 25th\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":43369635088,"sku":"W25-02","price":27.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/W25-02.jpg?v=1571438961"},{"product_id":"david-grubbs-creep-mission-lp","title":"David Grubbs 'Creep Mission' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eIf ‘mission creep’ refers to a long haul fatigue cited with increasingly regularity in the present political moment, David Grubbs imagines ‘creep mission’ to be a talismanic utterance in the effort to turn this ship around.\u003c\/p\u003e\n\u003cp\u003e‘Creep Mission’ is an album of instrumental compositions with Grubbs’s effortlessly recombinant electric guitar at its core, and its modus operandi is to go both deep and wide. The album goes deep in the sense that the guitar becomes the relentless, meditative focus of these songs without words and it goes wide in that these pieces utilize a discontinuous set of arrangements that make the most out of an extraordinary group of musicians convened for the mission at hand.\u003c\/p\u003e\n\u003cp\u003eDrummer and most simpatico sparring partner Eli Keszler picks up where his brilliant contributions to Grubbs’s 2016 ‘Prismrose’ left off; trumpeter Nate Wooley defies you to identify his range of sounds as coming from a single player; and Jan St. Werner (Mouse on Mars, Lithops) can hardly contain his joy in transforming the proceedings into electro-prismatic splinters. For his part, Grubbs’ guitar playing has never before so confidently mangled commonsensical distinctions between composed and improvised music.\u003c\/p\u003e\n\u003cp\u003eThe album’s opener, ‘Slylight’, wends its way through a sequence of instrumental combinations in a manner redolent of Gastr del Sol’s ‘Camoufleur’. Before the album has concluded with the melancholy country raga of ‘The C In Certain’, waystations between have assumed the character of sludge- rock power trio (‘Creep Mission’, ‘Return Of The Creep’), pointillistic electroacoustic improv (‘Jeremiadaic’), and bejeweled nylon string guitar miniatures (‘The Bonapartes Of Baltimore’, ‘Jack Dracula In A Bar’).\u003c\/p\u003e\n\u003cp\u003eDavid Grubbs’s solo albums often have a “the band has left the building” quality of dramatic left turns in the final act; on ‘Creep Mission’, peripatetic playing is basic strategy.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: BC29\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Blue Chopsticks\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":43433389968,"sku":"BC29","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/BC29.jpg?v=1571438961"},{"product_id":"throbbing-gristle-the-second-annual-report-of-throbbing-gristle-40th-anniversary-lp","title":"Throbbing Gristle 'The Second Annual Report Of Throbbing Gristle (40th Anniversary)' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eLimited white vinyl with stickers, 8 page booklet and download including additional material.\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eThrobbing Gristle's first album - the 'second' refers to it coming out at the end of their second year together - must have sounded like it came from another planet upon its 1977 release. Later industrial bands arguably introduced too much 'normal' musical content, but very little about \u003ci\u003eSecond Annual Report\u003c\/i\u003e could be called normal. From its deadpan sleeve to the peculiar choice of structuring the album with three live versions of the horrific \u003ci\u003eSlug Bait\u003c\/i\u003e and four of the more straightforward \u003ci\u003eMaggot Death\u003c\/i\u003e, it's a startling document. Simply essential.\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eThrobbing Gristle are Chris Carter, Peter 'Sleazy' Christopherson (who sadly passed away on 25 November 2010), Cosey Fanni Tutti and Genesis Breyer P-Orridge, their impact on music, culture and the arts is immeasurable and still felt today.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: TGLP2\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Mute\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":43575400656,"sku":"TGLP2","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/TGLP2.jpg?v=1571438963"},{"product_id":"throbbing-gristle-the-taste-of-tg-a-beginners-guide-to-the-music-of-throbbing-gristle-2xlp","title":"Throbbing Gristle 'The Taste Of TG (A Beginner's Guide To The Music Of Throbbing Gristle)' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eThrobbing Gristle are Chris Carter, Peter 'Sleazy' Christopherson (who sadly passed away on 25 November 2010), Cosey Fanni Tutti and Genesis Breyer P-Orridge, their impact on music, culture and the arts is immeasurable and still felt today.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: TGLP14\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Mute\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":43575726800,"sku":"TGLP14","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/TGLP14.JPG?v=1571438963"},{"product_id":"john-duncan-klaar-lp","title":"John Duncan 'Klaar' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eBlack Truffle is thrilled to announce the first ever vinyl reissue of legendary performance and sound artist John Duncan’s forgotten gem Klaar, originally released by Extreme in 1991 and partly created in collaboration with Andrew McKenzie (The Hafler Trio).\u003c\/p\u003e\n\u003cp\u003eDuncan is perhaps most well known for his notorious early performances pieces, which explored violence, self-denial, and the establishment of extreme psychological and physical states in both artist and audience. Alongside these transgressive experiments, Duncan began to create audio works primarily using short wave radio. Where some of Duncan’s earlier recordings are composed of magnificently sculpted but abrasive walls of noise, Klaar, recorded while Duncan was living in Amsterdam, occupies a more meditative territory.\u003c\/p\u003e\n\u003cp\u003eOpening with ‘Delta’, which layers long tones seemingly sourced from slowed down voices over a distant, watery field recording, the remainder of the first side is occupied with the epic title piece, which arranges shortwave radio abstraction, vocal experiments, and field recordings (street sounds, fireworks, monastic chants) into an episodic cinema for the ear. The second side is dominated by the long, brooding ‘The Immense Room’, where layers of shortwave interference and field recordings are gradually built up into a pulsing, wavering bed of sound infused with a subtly disturbing sense of psychological unrest. This rises to the surface near the end of the piece as sexual moans and ominous rumbles crisscross the stereo image before being abruptly brought to a halt.\u003c\/p\u003e\n\u003cp\u003eA singular work of electroacoustic composition, Klaar is both compositionally sophisticated and infused with a sense of mystery and a vital reality often lacking in more academic experimental music; it sits proudly alongside contemporaneous recordings by Duncan’s friends and collaborators Jim O’Rourke and Christoph Heemann and is a must for anyone interested in their work.\u003c\/p\u003e\n\u003cp\u003e- Francis Plagne\u003cbr\u003e- Klaar sits proudly alongside contemporaneous recordings by Duncan’s friends and collaborators Jim O’Rourke and Christoph Heemann and is a must for anyone interested in their work.\u003cbr\u003e- Cover image and John Duncan portrait by Traianos Pakioufakis. LP design via Stephen O’Malley\u003cbr\u003e- Mastered and cut by Rashad Becker at D\u0026amp;M, Berlin May 2017\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: BlackTruffle031LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Black Truffle\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":43825001872,"sku":"BlackTruffle031LP","price":18.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/BlackTruffle031LP.jpg?v=1571438965"},{"product_id":"charles-hayward-and-thurston-moore-improvisations-lp","title":"Charles Hayward and Thurston Moore 'Improvisations' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eEarlier this year iconic artists Charles Hayward (This Heat) and Thurston Moore (Sonic Youth) spent an afternoon improvising. Charles Hayward on drums and Thurston Moore on guitar.\u003c\/p\u003e\n\u003cp\u003eThis LP is the result.\u003c\/p\u003e\n\u003cp\u003eImprovisations is a vinyl only release, limited to 500 copies worldwide.\u003c\/p\u003e\n\u003cp\u003eThe seven tracks are unnamed but are identified by the side and order in which they appear ie., A1-3 and B1-4.\u003c\/p\u003e\n\u003cp\u003eThis was the third time Hayward and Moore played together. The session was recorded at Lynchmob studios through the famous 1969 Neve console originally built for the BBC.\u003c\/p\u003e\n\u003cp\u003eCharles Hayward has been a prominent figure in British music over the last 40 years: Gong at 19 years of age, Quiet Sun with Phil Manzanera and Brian Eno, Camberwell Now and of course the revered This Heat now touring the world in its phoenix-like rebirth as This Is Not This Heat.\u003c\/p\u003e\n\u003cp\u003eThurston Moore spent thirty years fronting the groundbreaking and massively influential Sonic Youth, in addition to numerous collaborative and experimental side-projects and running the SYR imprint as well as his own Ecstatic Peace label.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: CARE112LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Care In The Community\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":43827566224,"sku":"CARE112LP","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/CARE112LP.jpg?v=1571438965"},{"product_id":"hogni-two-trains-lp","title":"Hogni 'Two Trains' LP","description":"\u003cdiv class=\"modal-body\"\u003eLimited coloured vinyl.\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eIntroducing Icelandic composer and singer Högni, better known as the front man of indie rock band Hjaltalín and previous member of electronic group GusGus, as the newest addition to Erased Tapes with his solo debut album Two Trains – available worldwide on October 20th 2017.\u003c\/p\u003e\n\u003cp\u003eAmidst destruction on the mainland, the two locomotives Minør and Pionér transported wagons full of rock and gravel to the Icelandic seaside during the construction of the Reykjavík harbour in 1913-1917. The two metallic giants ushered in a new age in Iceland. However, soon after construction ceased the two trains were parked and have never driven since. Now they only serve to remind us of the grandeur of a bygone future. They are the only trains ever to have graced the Icelandic landscape.\u003c\/p\u003e\n\u003cp\u003eThe music in Two Trains embraces the spirit of the original European avant-garde and invokes these concepts in its chugging rhythms, metallic clangs and brooding choral arrangements (men's choruses are a distinctly Icelandic phenomena related to the national\/romantic politics of the 19th and 20th century) while the lyrics speak of ominous clouds on the war-ridden eastern horizon and freight cars filled with gravel and dreams.\u003c\/p\u003e\n\u003cp\u003eWords from Högni, July 2017:\u003c\/p\u003e\n\u003cp\u003e“The music on Two Trains is a blue-print of a period in my life where I collided with my own self, and at that point I felt the indifference between the personal and the universal, the absolute consciousness of life’s unconsciousness. Perhaps it’s a feeling that cannot be conveyed, like watercolours that just seem to wash off into the sea. But also a flashing mirage that you can enjoy before you arrive at your last destination.\"\u003c\/p\u003e\n\u003cp\u003eAs time went on, the two trains also began to bear a psychological implication to Högni and came to represent the different incarnations of his persona during a difficult period in his life. As a society we are also quite often faced with a fork in the road and a decision to make, and most importantly the acceptance of one’s self.\u003c\/p\u003e\n\u003cp\u003eToday, the real Minør and Pionér are unemployed, mere relics. Minør is on display near the Reykjavík waterfront and Pionér is parked in an outdoor museum on a hill. But for Högni, with this release, the two trains have ushered in a new chapter in his own life.\u003c\/p\u003e\n\u003cp\u003eThe cover art incorporates a distorted portrait photograph taken by Anna Maggy with the help of Sigurður Oddsson’s art direction, using projected features to reflect the idea of duality.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"reviews\" class=\"visible-lg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: ERATP103LE\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Erased Tapes\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":43891980944,"sku":"ERATP103LE","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/ERATP103LE.jpg?v=1571438966"},{"product_id":"franco-battiato-pollution-lp","title":"Franco Battiato 'Pollution' LP","description":"\u003cp\u003e\u003cstrong\u003eWAS £29.99 NOW £15.00\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFranco Battiato is often heralded as Italy's answer to Brian Eno. A quizzical composer\/lyricist, Battiato turned pop music upside down in the early '70s with three classic LPs – Fetus, Pollution and Sulle Corde Di Aries – that formed a confluence of avant-folk sensibilities and analog electronics.\u003c\/p\u003e\n\u003cp\u003ePollution from 1972 is the captivating follow-up to Fetus. Like its predecessor, the album features Baroque textures, motorik rhythms, weird tape effects and Battiato's perfectly oblique vocals. Upon hearing Pollution, Frank Zappa joyfully proclaimed it \"genius.\"\u003c\/p\u003e\n\u003cp\u003eWhile Battiato's core group of collaborators remains largely the same as on his debut, this phenomenal band (joined by an eighteen-year-old Roberto Cacciapaglia on keys) appears even more in the foreground on Pollution. Out of the Ash Ra Tempel-like riffs and urgent guitar strumming emerge hypnotic grooves and cinematic flourishes, suggesting a futuristic meeting point between Stereolab and Ennio Morricone.\u003c\/p\u003e\n\u003cp\u003eDedicated to the Centro Internazionale Studi Magnetici, Pollution touches on themes of environmental catastrophe. Futurist allusions seep in through eccentric lyrics (at times sung backwards) about hydraulics, magnetic fields, etc., yet listeners don't need to speak the artist's language to grasp his melancholy vision. With Pollution, Battiato solidifies not only his cult figure status, but also many of his forward-thinking ideas on rock 'n' roll.\u003c\/p\u003e\n\u003cp\u003eSuperior Viaduct is honored to present the first-time domestic release of Pollution on vinyl. Reproducing the original gatefold jacket, this reissue is part of an archival series that chronicles Franco Battiato's masterful body of work from 1971 to 1978.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cdiv id=\"reviews\" class=\"visible-lg\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: SV132\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Superior Viaduct\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":118627663888,"sku":"SV132","price":15.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/SV132.jpg?v=1571438969"},{"product_id":"otto-lindholm-alter-lp","title":"Otto Lindholm 'Alter' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eAlter is the new album from Belgium-based double bass player and electronic producer Otto Lindholm.\u003c\/p\u003e\n\u003cp\u003eDivided into four colour-inspired, long-form movements, Alter takes off from Lindholm’s previous work - a self-titled album released in 2015 on Icarus Records, and pushes the already abundant palette of sounds even further. This new work is more brooding and hypnotic. A deep, resonating bass is present - hinting at the likes of Greek, chamber-doom merchants Mohammad but perhaps with more attention placed upon textures and melody.\u003c\/p\u003e\n\u003cp\u003eThe record moves at a funereal pace and opener Fauve hits abyssal depths from the outset. A bowed melody is coaxed through the throbbing bass with dissonant harmonics drawing you in and holding you close. The ghostly beginnings of Alyscamps create an overwhelmingly tense atmosphere where acoustic and electronic elements collide and evolve into a heaving, ceremonious drone. Shafts of light emerge through the fog but the tone remains a haunted one. Closer, Heliotrope, strikes a more hopeful note. A lighter, more open feel emerges - bringing to mind early work of The Rachels or perhaps Deaf Center.\u003c\/p\u003e\n\u003cp\u003eAlter is a triumphant record in its entirety. Seamlessly moving from light to shade and back again, experimenting in heavy atmosphere and ultimately drawing you into its deep and mysterious world.\u003c\/p\u003e\n\u003cp\u003eSome words from Otto Lindhom on the album:\u003cbr\u003e“My original idea was to work on the melody and the play of the arco, looking for expressive music from this combination. To do it, I first decided to work on 'modes' and their specific color. With these modes I could work on tensions, frictions and color shading. Working on the melody aspect, I was looking to go beyond the romantic, easy listening or sentimentalizing, trying to suggest more than an expression of concrete emotions.\u003c\/p\u003e\n\u003cp\u003eNaturally, a kind of impressionist, musical approach appeared to me where I could simply develop and enhance the music I was playing\/writing. With my daughter about to born and my strong wish to record new music, this spurred me to work efficiently. I had no time or space for deviations, forcing me to sculpt the music as it came out, enjoying and contemplating a sort of rawness in my play and direction.”\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eCatalogue number: GZH78\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Gizeh\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":475544715280,"sku":"GZH78","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/GZH78.jpg?v=1571438996"},{"product_id":"pierre-henry-messe-pour-le-temps-lp","title":"Pierre Henry 'Messe Pour Le Temps' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eThis is the much admired, somewhat groovy and extremely experimental Messe Pour Le Temps Present from French composer Pierre Henry - one of the pioneers of the music concrete movement. Recorded in 1967, Messe Pour Le Temps Present was originally scored for a Maurice Bejart ballet, Henry being an ardent admirer of the French choreographers work. Messe Pour Le Temps Present was one of a handful of collaborations with Bejart and Pierre Henry even travelled the world as sound engineer with Bejart's group. The first five tracks of this LP are really nice and groovy (with some cool electronics thrown in!) and the rest, as you can expect from one of the original exponents of music concrete, is very experimental. Philips. 2005.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: 28948003778\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Decca\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Universal","offers":[{"title":"Default Title","offer_id":609941782544,"sku":"28948003778","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/28948003778.jpg?v=1571439018"},{"product_id":"eric-chenaux-slowly-paradise-lp","title":"Eric Chenaux 'Slowly Paradise' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 1\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eEric Chenaux makes conceptual music that’s not meant to sound conceptual. He operates among various ‘traditions’ but perhaps most broadly, Chenaux’s records grapple with the relationship between improvisation and structure in very particular, unique, idiosyncratic ways – and quite without irony or cynicism, through love. Because fundamentally, Chenaux writes love songs, which he sings in a voice honeyed and clear, while his guitar gently bends, frazzes, chortles, diverges and decomposes. This juxtaposition of his mellow, dexterous crooning and his highly experimental (and equally dexterous) guitar explorations, explodes even unconventional notions of singing and accompaniment, of tonal and timbral interplay between guitar and voice. As a solo artist, Chenaux’s improvisation methods are in certain literal ways solipsistic: as a singer-songwriter, he plays his guitar around and against his voice, challenging easy notions of harmony\/harmoniousness, improvising ‘with himself’ in pursuit of surprising himself (and his listeners) as he unfurls ribbons of voice and instrument often to the point of seeming independence, all the better to capture – and be captured by – unforeseen, intimate moments of interdependence: a definition of freedom, as a profoundly intentional state of openness, presence and play. Even within avant-garde currents of folk and jazz balladry, Eric Chenaux feels like an outlier. Yet his music remains wonderfully warm, generous and fundamentally accessible in spite of its irrefutable iconoclasm. Slowly Paradise is Eric Chenaux’s new solo record. It is a lovely collection of mostly long songs guided by soothing, buttery singing and bent, fried fretwork. It is arguably Chenaux’s most assured and essential solo work, building on the critical acclaim his previous releases Guitar \u0026amp; Voice and Skullsplitter have rightly garnered.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: CST131LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Constellation\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":613338185744,"sku":"666561013110","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/666561013110.jpg?v=1571439018"},{"product_id":"tashi-dorji-and-tyler-damon-leave-no-trace-live-in-st-louis-lp","title":"Tashi Dorji and Tyler Damon 'Leave No Trace (Live In St Louis)' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eAs live albums go, Tashi Dorji and Tyler Damon nail it down. No matter the crowd -- head thrashers, Instagram zombies, shaken jazzniks -- the shadow lines of feedback and bombastic percussive bombs are always at peak intensity. Through telepathic engagement the Bhutanese-born guitarist Dorji and Midwestern drummer Damon act with one-mind destruction as Leave No Trace: Live In St. Louis perfectly captures. It's a pure sound for these disruptive, politically tumultuous times. Or Marc Master's describes it as, a power lurching at you \"in ways that feel dangerously uncontrolled, like someone playing with a plugged-in toaster over a filled-up bathtub.\" Leave No Trace -- a companion release to their hyper-acclaimed debut Both Will Escape -- was recorded at Gaslight in St. Louis.\u003c\/p\u003e\n\u003cp\u003eThe 500-edition LP features jacket designed by the hand\/razor of Jeremy Kannapell; comes with a download coupon.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cspan data-sheets-value='{\"1\":2,\"2\":\"YEAH YEAH YEAHS have announced details of a vinyl reissue of their seminal, ground-breaking debut, Fever To Tell. The release will be the original album newly remastered by Stephen Marcussen on black 180g audiophile vinyl for the first time ever and five newspaper lyric posters with exclusive photos by Nick Zinner, Spike Jonze, Lance Bangs, Julian Gross, Patrick Daughters and Cintamani Calise.\",\"6\":1}' data-sheets-userformat='{\"2\":47612,\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":[null,2,0]},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"9\":0,\"10\":1,\"11\":4,\"14\":[null,2,16711680],\"15\":\"Arial\",\"16\":10,\"18\":1}'\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: FV103LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Family Vineyard\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":617939140624,"sku":"FV103LP","price":17.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/FV103LP.jpg?v=1571439018"},{"product_id":"jacqueline-humbert-david-rosenboom-j-jasmine-my-new-music-lp","title":"Jacqueline Humbert \u0026 David Rosenboom 'J. 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Jasmine writes, My New Music is a collection of personal stories and private desires, exposed, articulated, performed and dedicated to the hope that one person's fantasies can contribute to another person's freedom. Get lost in J. Jasmine’s world for a little long while.\u003c\/p\u003e\n\u003cp\u003e- First-time vinyl reissue\u003cbr\u003e- Bonus track “Oasis in the Air”\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: UW16LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Unseen Worlds\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Default Title","offer_id":628741963792,"sku":"UW16LP","price":18.49,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/UW16LP.jpg?v=1571439019"},{"product_id":"fire-the-hands-lp","title":"Fire! 'The Hands' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv title=\"Page 7\"\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eFor 20 years Rune Grammofon have made a habit of releasing music that is beyond easy classification, in later years typified by Swedish trio Fire!, consisting of Mats Gustafsson, Johan Berthling and Andreas Werliin. All three are highly accomplished musicians, but Fire! music is not \"difficult\" in the sense that jazz and especially free jazz is often perceived. Very much a tight knit unit with three equal players, Fire! has been likened to powerful guitar led trios such as Cream and The Jimi Hendrix Experience, but with Berthling´s heavy, doom laden basslines being such a typical identifier, we can´t help but thinking of Black Sabbath´s debut album when it comes to hypnotic impact. The Hands is the trio´s sixth album and once again displays a totally uncompromising and intriguing mix of (mostly) heavy, dark and intensely burning music whether one decide on calling it jazz or rock. The album closes on a quiet and reflective note with the appropriately titled \"I Guard Her To Rest. Declaring Silence\". And we say it´s easily their best so far. Gustafsson, Berthling and Werliin came together in 2008 with the idea of a fresh approach to improvised music, with a number of influences from free jazz, psychedelic rock and noise. Their debut album, You Liked Me Five Minutes Ago, was released the following year to wide international acclaim. The trio is also their vehicle for rekindling their instrumental skills and playing outside their comfort zones, or collaborating with prestigious guests such as Jim O´Rourke (Unreleased? 2011) and Oren Ambarchi (In The Mouth A Hand 2012). A parallel but no less powerful project is their gargantuan Fire! Orchestra, previously a 30 piece behemoth. Now scaled down to a \"mere\" 13 piece, and for the first time including a string section, a new album is expected in autumn 2018.\u003c\/p\u003e\n\u003cp\u003eMats Gustafsson: Tenor, baritone and bass saxophones, live electronics\u003cbr\u003eJohan Berthling: Electric and double bass\u003cbr\u003eAndreas Werliin: Drums, percussion and feedback\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: RLP3197\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Rune Grammofon\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":646680608784,"sku":"RLP3197","price":17.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/fire.jpg?v=1571439020"},{"product_id":"steve-reich-pulse-quartet-lp","title":"Steve Reich 'Pulse\/Quartet' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eHeavyweight, 140 gram high-performance vinyl, with download card \u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: 0075597932454\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Nonesuch\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Warner","offers":[{"title":"Default Title","offer_id":7049487679554,"sku":"0075597932454","price":17.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/0075597932454.jpg?v=1571439039"},{"product_id":"various-musique-experimental-lp","title":"Various 'Musique Experimental' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cp\u003eFurther concrète explorations from the second generation of forward-thinking sonic auteurs that would push the boundaries of experimental music known collectively as the Groupe de Recherches Musicales - founded by the father of musique concrète, Pierre Schaeffer - which has influenced generations of artists across the world. Featuring early works from some of the most important and respected experimental composers of the 20th Century, including Luc Ferrari, Michel Philippot and François-Bernard Mâche, overseen by Pierre Schaeffer. Beautifully remastered with the original liner notes translated here for the first time.\u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: 21CACKLP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Cache Cache\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":7187699138626,"sku":"21CACKLP","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/21cacklp.jpg?v=1571439041"},{"product_id":"oren-ambarchi-grapes-from-the-estate-2xlp","title":"Oren Ambarchi 'Grapes From The Estate' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003eBlack Truffle is pleased to make Oren Ambarchi’s \u003ci\u003eGrapes from The Estate\u003c\/i\u003e available once more on vinyl. Originally released on CD on Touch in 2004 and reissued on Southern Lord as a limited double LP in 2006 during Ambarchi’s tenure as a member of Sunn O))), \u003ci\u003eGrapes from the Estate\u003c\/i\u003e was a landmark release for Ambarchi, seeing him expand his sonic palette beyond the clipped, bass-heavy electric guitar tones he was known for at that point. Incorporating subtle layers of strings, keyboards, percussion over a bedrock of his signature guitar tones, in retrospect this album can be seen as the beginning of a broadening and evolution in Ambarchi’s work that would lead to his acclaimed, densely layered epics for Editions Mego, \u003ci\u003eQuixotism\u003c\/i\u003e (2014) and \u003ci\u003eHubris\u003c\/i\u003e (2016).\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan class=\"help-block small\"\u003eBlack Truffle 036 \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Black Truffle\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":7503825240130,"sku":"Black Truffle 036","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/Black_Truffle_036.jpg?v=1571439045"},{"product_id":"zu-mats-gustafsson-how-to-raise-an-ox-lp","title":"ZU \u0026 Mats Gustafsson 'How To Raise An Ox' LP","description":"\u003cdiv class=\"modal-body\"\u003eMats Gustafsson: baritone saxophone\u003cbr\u003eLuca Tommaso Mai: baritone saxophone\u003cbr\u003eMassimo Pupillo: bass\u003cbr\u003eJacopo Battaglia: drums\u003cbr\u003eMastering by: Andy Moor (The Ex) \u0026amp; Colin McLean\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan class=\"help-block small\"\u003eTR171\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Trost\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":7503987146818,"sku":"TR171","price":18.49,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/TR171.jpg?v=1571439045"},{"product_id":"wolf-eyes-dread-lp","title":"Wolf Eyes 'Dread' LP","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eWAS £17.49 NOW £10.00\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e“Necessary reissue of this crucial side by the greatest underground band of your lifetime. Still sounds like nothing else.” - David Keenan (This Is Memorial Device \/ Volcanic Tongue) \u003cbr\u003e\n\u003cdiv title=\"Page 18\"\u003e\n\u003cbr\u003eOriginally released on Hanson Records, American Tapes and Bulb Records in 2001. A sought after early Wolf Eyes album back on vinyl and CD for the first time in 17 years. \u003cbr\u003e \u003cbr\u003eFilters circuit bent electronics, fried dub and the dystopian proto-punk of Cabaret Voltaire and Suicide through a distinctly Midwest USA sensibility. The result is a freak classic for the ages. \u003cbr\u003e \u003cbr\u003eThis release continues to establish Lower Floor Music as a new home for the Wolf Eyes’ cultural vision, highlighting both new and archival work. Last year the label was minted with the release of their harrowing ‘Undertow’ album and the slowed down techno-meets-freeform jazz devastation of the follow-up ‘Strange Days II’ 12”. \u003cbr\u003e \u003cbr\u003eThis is the latest fork in a path the band started forging in 1998, releasing a massive amount of small run DIY basement recorded tape and CD-R missives, as well as higher profile albums for the likes of Sub Pop, Third Man and De Stijl. \u003cbr\u003e \u003cbr\u003eThe vinyl edition comes with a double-sided fold-out A2 newsprint poster and digital download code. \u003cbr\u003e \u003cbr\u003eBonus track ‘Sandpapered Eyes’ included as a ‘hidden’ track on CD and on the digital download card with the vinyl format. \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: LFLP003\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Lower Floor Music\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":12535629447234,"sku":"LFLP003","price":10.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/LFLP003.png?v=1571439088"},{"product_id":"delphine-dora-sophie-cooper-divine-ekstasys-lp","title":"Delphine Dora \u0026 Sophie Cooper 'Divine Ekstasys' LP","description":"\u003cdiv\u003e\"First vinyl evidence of the dizzying, ongoing collaboration between France's Delphine Dora and West Yorkshire's Sophie Cooper. Delphine's piano, organ, vocals and extended improvisation techniques have been documented in various places, and always serve up oceanic slabs of pure aural mystery. Comparisons have been made to Charlemagne Palestine, Marian Zazeela and other experimentalists, although Ms. Dora has long maintained her compositions are structurally rooted in folk music. Suffice to say the results are usually otherworldly and stunning. Cooper's guitar, electronics, vocals and trombone have caused similar reactions (I am especially fond of her recent Globokar-like 'bone-investigations). And the pair's collusions (of which there have been several) are always eagerly anticipated. The main themes of the two sides of the LP are 'Invisible Gesture' and 'Sublime Gesture.' The 'Invisible' seems to involve more entwined vocals and a certain space-oid twinkle to the keys. There are also occasional flare-ups that recall Third Ear Band's music for Macbeth or some unknown collaboration between Comus and Paul Rutherford. The 'Sublime' adds heavier drone action to the process, as well as insertion of noise and classical 'events' to interact with the ghost vocals. It is a truly delirious spin.\" --Byron Coley, 2018 Edition of 300.\u003cbr\u003e\n\u003cdiv title=\"Page 18\"\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCatalogue number: FTR342LP\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Feeding Tube\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":12608042664002,"sku":"FTR342LP","price":20.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/delphinecooper.jpg?v=1571439095"},{"product_id":"throbbing-gristle-journey-through-a-body-lp","title":"Throbbing Gristle 'Journey Through A Body' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eRecorded as a piece of art for Italian National Radio RAI in Rome March 1981.\u003cbr\u003eOn the recommendation of Robert Wyatt, RAI originally commissioned Cosey Fanni Tutti to create a sound work based on the theme of ‘A Journey Through The Body’. 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No tracks were pre-planned all tracks were invented directly to tape.\u003cbr\u003eRecorded at RAI Studios in Rome, Italy in March 1981.\u003cbr\u003eUnavailable on vinyl since 1983 now repressed on Silver vinyl with foil blocked cover and featuring photos from the session.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: TGLP8\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Mute\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":12632192090178,"sku":"TGLP8","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/TGLP8.jpg?v=1571439096"},{"product_id":"throbbing-gristle-mission-of-dead-souls-lp","title":"Throbbing Gristle 'Mission Of Dead Souls' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv class=\"modal-body\"\u003eRe-released on White vinyl\u003cbr\u003eRemastered.\u003cbr\u003eThe final performance of Throbbing Gristle before their initial breakup, at the Kezar Pavillion, San Francisco on 29 May 1981.\u003cbr\u003eUnavailable on vinyl since the early 1990’s, pressed on limited edition White vinyl, recreating the original sleeve and using a silver ink with a new inner sleeve with photos and a passage by Jon\u003cbr\u003eSavage.\u003cbr\u003eFollowing the release of this album and public statement by Throbbing Gristle of ‘This Mission Is Terminated’ the legend of the band began and influence upon generations started to be felt.\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cbr class=\"modal-body\"\u003e\n\u003cp\u003eCatalogue number: TGLP6\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Mute\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":12632226889794,"sku":"TGLP6","price":18.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/TGLP6.jpg?v=1571439096"},{"product_id":"eiko-ishibashi-darin-gray-ichida-lp","title":"Eiko Ishibashi \u0026 Darin Gray 'Ichida' LP","description":"\u003cdiv\u003e\n\u003cp\u003e\u003cspan id=\"ctl00_ContentPlaceHolder1_lblDescription\"\u003eBlack Truffle present the release of Ichida, the first release from the duo of two important, yet often underappreciated musicians, Eiko Ishibashi and Darin Gray. Ishibashi is a singer-songwriter, keyboardist, drummer, and multi-instrumentalist, known in Japan both for her own elaborately conceptual solo albums and for her frequent collaborations with figures such as Jim O’Rourke, Merzbow, and Phew. Darin Gray is a bassist and multi-instrumentalist known for a multitude of collaborations (with O’Rourke and Loren Connors, among many others), for On Fillmore, his cinematic post-exotica project with Glenn Kotche, and as one half of Chikamorachi with Chris Corsano, one of the finest free-jazz rhythm sections around. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan id=\"ctl00_ContentPlaceHolder1_lblDescription\"\u003ePresenting the entirely of a live set performed at Tokyo’s SuperDeluxe in March 2013, the set begins as a duet for Ishibashi’s flute and Gray’s upright bass. Calmly melodic yet harmonically inventive, with shades of “spiritual jazz”, the pair’s acoustic ruminations are gradually joined by Ishibashi’s lush electronics, which randomly flicker between chords in a manner recalling the classic work of David Behrman. As the electronics build into a gloomy fog of slowly cycling loops, Gray lays his bass aside and turns to making strangely mournful interjections on a mouthpiece. Eventually Ishibashi moves to the piano, enveloping the audience in rippling pools of sustained, octave-doubled melody, provided by Gray’s bass with a fluid and dynamic foundation. For much of the second side, both Ishibashi and Gray turn to electronics, ultimately arriving in a bizarre space of melancholic arpeggios and random sputter and sizzle, oddly reminiscent of ’70s outsider prog acts like Wapassou. An uneasy coda of rich piano chords ends the set. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan id=\"ctl00_ContentPlaceHolder1_lblDescription\"\u003eCaptured in warm room ambience and beautifully mixed by Jim O’Rourke, Ichida is a rare combination of improvisational acumen and emotional directness, both adventurous and immediately accessible. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan id=\"ctl00_ContentPlaceHolder1_lblDescription\"\u003eCover pics by Jim O’Rourke. Design by Stephen O’Malley. 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In contrast to his previous work as AU, these are spontaneous explorations in repetition, alternate tuning systems and, for the most part, tempered minimalism. \u003cbr\u003e \u003cbr\u003e After the spiritual rush of ‘CTP’, there are never more than two or three sounds interacting. Unadorned single takes unfold organically to explore the textural and rhythmic possibilities within those limitations. \u003cbr\u003e \u003cbr\u003e Each piece has a distinct palette; from the rolling triumphant piano polyrhythms of ‘PNO’ (included on Nils Frahm’s official Piano Day 2018 playlist) to the unsettling oblique synthesiser angles on ‘DTE’ – Wyland stretches the boundaries of cadence and melody before snpping it all back into line. A direct link can be drawn from the tuned percussion work of ‘PRC’ to AU’s contribution to the influential Tradi-Mods vs. Rockers compilation series, which features the likes of Deerhoof and Juana Molina’s takes on the ‘Congotronics’ music of Kinshasa. \u003cbr\u003e \u003cbr\u003e Many of these recordings date back to the period shortly after AU’s final release Both Lights. The bubbling energy remains, while Wyland’s musical dexterity is all the more startling in these stripped down, unrestricted forms. “There’s a certain fleeting magic to capturing unselfconscious improvisations to tape,” Wyland explains. “A quality that is often lost when tracking an album you intend to release to the public.” Opening epic ‘CTP’ serves to bridge the gap between AU and LWW – “the first track is the only improvisation that I’ve dissected and evolved into a more maximalist composition. 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Keening strings are stretched into surreal, pixelated mirages; woodwinds warble and dissipate as fractal whispers of spatial haze; sparse gestures of percussion are chopped, isolated, and eroded, like disembodied signals from the afterlife.\u003cbr\u003eBoth in texture and intent, Konoyo conjures a somber, ceremonial mood, suffused with ritual and regret. Visions flutter and fade; dreams gleam and decay.\u003cbr\u003eHecker will stage a series of special performances in tandem with the album\u0026amp;#39;s release, featuring members of the gagaku ensemble on shō, ryuteki and hichiriki, accompanied by Kara-Lis Coverdale.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: KRANK219LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Kranky\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":12961169244226,"sku":"KRANK219LP","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/KRK219D.jpg?v=1571439102"},{"product_id":"raul-lovisoni-and-francesco-messina-prati-bagnati-del-monte-analogo-lp","title":"Raul Lovisoni and Francesco Messina 'Prati Bagnati Del Monte Analogo' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"col-md-8 col-sm-8 col-xs-12 full-product\"\u003e\n\u003cdiv class=\"product-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"col-md-8 col-sm-8 col-xs-12 full-product\"\u003e\n\u003cdiv class=\"product-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003eOf all the releases on Italy’s legendary Cramps Records, Raul Lovisoni and Francesco Messina’s seminal LP from 1979 has long remained among the most beloved. \u003ci\u003ePrati Bagnati Del Monte Analogo\u003c\/i\u003e not only introduced the world to the work of two gifted composers, but also is notable for being produced by electronic pioneer Franco Battiato. 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That triangulation is central to The Third Helix, as it begins with his dive into the existence of a sensory toolkit unique to McDowall before twisting faculties and reconfiguring consciousness by honoring inherent power, cognizant of memory yet agnostic of context.\u003c\/p\u003e\n\u003cp\u003eWith the tenet that journey is rarely linear, but rather an omnipresent oscillation of matter, sound is stripped to salient and primal, propelled by McDowall’s boring into the core of memory and impulse, suturing together the silent awareness of excogitating experience.\u003c\/p\u003e\n\u003cp\u003eFeaturing eight new tracks of McDowall’s dark, experimental electronics, including the opener “Rhizome”, The Third Helix is a churning descent into emotion, provoking thought and reflection while carving out haunting space only to fill it with baffling and wondrous structures of layered sound. McDowall solidifies himself as an architect who transforms otherworldly materials into something fascinating and challenging in the process.\u003c\/p\u003e\n\u003cp\u003eUnnerving, trancelike anthems for nervous meditation and anxious relaxation. Fans of Coil will immediately connect and immerse, while the complex compositions are a welcome listen for drone and ambient enthusiasts.\u003c\/p\u003e\n\u003cp\u003ePackaged within a thick sturdy matte sleeve jacket featuring artwork\/design by artist J.S. Aurelius (Ascetic House\/Marshstepper).\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cp title=\"Page 5\"\u003eCatalogue number : DAIS122LPC\u003c\/p\u003e\n\u003cp title=\"Page 5\"\u003e\u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Dais\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":13995455905858,"sku":"DAIS122LPC","price":19.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/DAIS122LPC.jpg?v=1571439139"},{"product_id":"steven-stapleton-david-tibet-the-threats-of-memories-double-2xlp","title":"Steven Stapleton\/David Tibet 'The Threats Of Memories Double' 2xLP","description":"\u003cdiv style=\"left: 802.967px; top: 477.908px; font-size: 15px; font-family: sans-serif; transform: scaleX(1.008);\"\u003e\n\u003cbr\u003e\n\u003cdiv title=\"Page 5\"\u003e\n\u003cp\u003e“The Sadness Of Things\" was originally released as Side One of Steven Stapleton · David Tibet - The Sadness Of Things (1991).\u003cbr\u003e\"The Dead Side Of The Moon\" and \"BubbleHead\" were, respectively, Sides One and Two of David Tibet \u0026amp; Steven Stapleton - Musicalische Kürbs Hütte (1996). \"DreamBreath\" is a previously unreleased out-take from Musical Pumpkin Cottage.\u003c\/p\u003e\n\u003cp\u003eIt comes in a gatefold sleeve with insert containing all lyrics and credits. Available for the first time at the Nurse With Wound and Current 93 concert held in London, October 13, 2018\u003c\/p\u003e\n\u003cbr\u003e \u003cbr\u003eCatalogue number: DPROMDLP141   \u003c\/div\u003e\n\u003cdiv title=\"Page 5\"\u003e\n\u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Dirter\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":14070387081282,"sku":"DPROMDLP141","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/steven.jpg?v=1571439142"}],"url":"https:\/\/beartreerecords.com\/collections\/avant-garde-experimental.oembed?page=20","provider":"Bear Tree Records","version":"1.0","type":"link"}