{"title":"Cafe Royal Books","description":"","products":[{"product_id":"uwe-bedenbecker-sheffield-1991-1992-book-1-zine","title":"Uwe Bedenbecker 'Sheffield 1991–1992 - Book 1' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\nI was born and grew up in Essen, Germany, and later studied in Duisburg: Both cities are in the Ruhr area and have a long industrial history and in common that they underwent a structural change in the period from the 70s to the 90s. When I came to Sheffield in September 1991 to study at Sheffield City Polytechnic for almost 6 months as part of a semester abroad, I found many of the views and the atmosphere comparable to Essen and Duisburg. In my free time I roamed the city centre and the outskirts of Sheffield with my camera. More than 30 years after my stay, the photos are now published for the first time.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395587989672,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.00.45.png?v=1698001306"},{"product_id":"uwe-bedenbecker-sheffield-1991-1992-book-2-zine","title":"Uwe Bedenbecker 'Sheffield 1991–1992 - Book 2' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\nI was born and grew up in Essen, Germany, and later studied in Duisburg: Both cities are in the Ruhr area and have a long industrial history and in common that they underwent a structural change in the period from the 70s to the 90s. When I came to Sheffield in September 1991 to study at Sheffield City Polytechnic for almost 6 months as part of a semester abroad, I found many of the views and the atmosphere comparable to Essen and Duisburg. In my free time I roamed the city centre and the outskirts of Sheffield with my camera. More than 30 years after my stay, the photos are now published for the first time.\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395593330856,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.00.51.png?v=1698001330"},{"product_id":"david-corio-fans-and-clubbers-1978-1995-zine","title":"David Corio 'Fans and Clubbers 1978–1995' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eIncluding images of The Roxy, Sunsplash, the Marquee, The Tunnel NYC, Rock Against Racism, Notting Hill Carnival, Exploited, Empire Ballroom, Wetlands, Gossips, Glastonbury.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eDavid Corio began his freelance photography career in 1978 after leaving art school at the age of 18. Moving to London he began taking portraits and going to concerts and clubs across the capital for personal projects and as assignments for New Musical Express, Time Out, The Face and Black Echoes. He worked at London listings magazine City Limits in the early 1980’s helping to write the music listings and editing their Nightclub section.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eHe moved to New York in 1992 for 16 years continuing to shoot musicians, nightlife and the arts for the New York Times, The Times and various reggae and hip hop record labels and magazines.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eFrom daytime bhangra shows at Leicester Square’s Empire Ballroom to the first hip hop club in Soho’s ‘Gossips’ and the first Jungle Club in NYC, this collection of Fans and Clubbers, taken over an 18 year period shows many different musical genres in their infancy - their energy and excitement still fresh and raw.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eDavid Corio’s photographs are held by the National Portrait Gallery, The Victoria \u0026amp; Albert Museum, The ICA and The Photographer’s Gallery, London and the National Museum of African American History and Culture, Washington DC and the Institute of Contemporary Photography, NYC.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395603325096,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.03.30.png?v=1698001428"},{"product_id":"peter-anderson-notting-hill-carnival-1983-zine","title":"Peter Anderson 'Notting Hill Carnival 1983' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395658408104,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.10.09.png?v=1698001848"},{"product_id":"michael-wyeth-the-base-and-jazz-den-cape-town-south-africa-1987-1989-zine","title":"Michael Wyeth 'The Base and Jazz Den Cape Town, South Africa 1987–1989' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe Base was a popular nightclub and live music venue founded by Justin Dyssell, Steve Gordon, Laurence Friedman and others, at 88 Shortmarket Street in Cape Town’s historical city centre. It opened on 19 August 1987. Shortly afterwards, the venue launched a popular Sunday evening jazz slot known as the Jazz Den, which was run by Christian Syrén. The Base\/Jazz Den operated during the tumultuous final decade of apartheid, a period of heightened civil unrest and state repression in South Africa. The venue was open to musicians and party-goers of all races, a rarity in this segregated society. Its cosmopolitan character made The Base\/Jazz Den a popular meeting venue for political activists and future leaders of various races. Musically, the Base\/Jazz Den was a liberated zone. It provided a platform for professional musicians and DJs working across a wide range of musical styles, including punk, folk, hip hop, rhythm \u0026amp; blues and, occasionally, heavy metal, as well as homegrown genres like Mbaqanga, Mbube, Afro jazz and boere rock. The Base\/Jazz Den truly was a venue for everyone, including disco girls, homeboys, Rastas, jazz-heads, goths and punks.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe selection featured here documents some of the life of this venue from the time just prior to its opening in 1987 through to 1989. I knew Justin personally and enthusiastically pitched in to help him promote the club, which involved a fair amount of photography. Having been to art school, I was useful in other ways too. I designed The Base’s logo and soon after it opened, I was tasked with creating silk-screened posters advertising forthcoming attractions at the club. Photographically, my intention was to record the bands and musicians equitably. Working mostly in black and white – and infrequently, using a second camera, colour transparency as well – I focused on shooting musicians “straight on”. The stage lighting was always variable and in the dark, cavernous location, I used a 35mm camera with a wide-angle lens and a hand-held flash. I liked to shoot close, with no effects and no cropping, within a set stage or template. I wanted to show the musicians at work, which meant including details like instruments, microphones and wires taped to the floor and where it occurred, the people in the background. With the low stage, I was able to move freely amongst the musicians.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe mixed race audience was, of course, central to the identity of The Base\/Jazz Den. Photographing the audience wasn’t without complication, since such gatherings were technically illegal at the time. Police spies and informers were regular visitors and I generally avoided photographing patrons for fear of accidentally snapping one of them. It was popular sport among apartheid’s enforcers to confiscate photographic equipment or, worse still, to detain dissidents without trial. Unsurprisingly, given its young and politically conscious audience, the Base\/Jazz Den was frequently raided by police. This sustained attention and harassment was one of the main reasons that the venue closed in the early 1990s.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe full photographic archive that this selection is drawn from includes rare photographs of the following performers: Sakhile, Ezra Ngcukana, Blondie Makhene and the African Youth Band, Basil Coetzee and Sabenza, McCoy Mrubata, Jennifer Ferguson, Tony Cedres, Warrick Sony, Bright Blue, Johannes Kerkorrel and the Gereformeerde Blues Bland, The Genuines, Peto, Dizu Plaatjies and Amanpondo, James Phillips and Cherry Faced Lurchers, Winston’s Jive Mix Up, Khaki Monitor, Simba Morri, Jama, Tananas, The Believers and Smoking Brass. Apart from Philip Tabane, Johnny Clegg and Sipho “Hotstix” Mabuse, who also feature in this archive, many of the performers and bands who gigged at the venue were unknown outside of South Africa but they nonetheless had much local and cultural significance.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eMichael Wyeth was born in Cape Town in 1952. Wyeth studied photography at the Michaelis School of Fine Art, University of Cape Town. He has participated in numerous group exhibitions, notably 1988, ‘South Africa Photo Statements’ curated by Nigel Fogg, Iziko South African National Gallery, Cape Town; 2009, ‘Jol’, Iziko South African National Gallery, Cape Town; 2009 curated by Pam Warne, ‘Surfaces, Spaces and Shrines’ (solo), Irma Stern Museum, Cape Town; 2014, ‘Surfaces, Spaces and Shrines’, book launch, Pierre Cronje Showroom, Cape Town; 2017, ‘A Short History of South African Photography’, Reggio Emilia, Italy, curated by Rory Bester, Thato Mogotsi and Rita Potenza; and 2022, ‘Photo book! Photo-book! Photobook!’, curated by Sean O’Toole, A4 Arts Foundation, Cape Town. Formerly owner\/director of Imago Visual, a boutique creative agency, he is currently working on various ongoing photographic projects, and the launch of a new “retrospective” website of his photographic work. Wyeth currently has work in many private collections and the University of Cape Town.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395670597800,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.13.08.png?v=1698002009"},{"product_id":"janine-wiedel-black-power-black-panthers-1969-zine","title":"Janine Wiedel 'Black Power Black Panthers 1969' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\nThrid Printing\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395684098216,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.14.37.png?v=1698002099"},{"product_id":"david-corio-reggae-in-london-1980-2004-zine","title":"David Corio 'Reggae in London 1980–2004' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395704053928,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.17.15.png?v=1698002262"},{"product_id":"janette-beckman-raw-punk-streets-uk-1979-1982-zine","title":"Janette Beckman 'Raw Punk Streets UK 1979–1982' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eBritish-born photographer Janette Beckman began her career at the dawn of punk rock working for music magazines The Face and Melody Maker. She shot bands including the Clash, the Specials, Boy George and the Jam as well as three Police album covers.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eDrawn to the underground hip-hop scene, she moved to NYC in 1983 and photographed pioneers such as Run DMC, Slick Rick, Salt-N-Pepa, Grand Master Flash, LL Cool J and more.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eBeckman has published four books : ‘Made in the UK, Music of Attitude 1977-1982’, ‘The Breaks Stylin’ and Profilin’1982-1990’ ‘El Hoyo Maravilla’ and in 2018 ‘The MashUp’ a collection of her Hip Hop photographs reinterpreted by legendary graffiti artists.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eHer work has been exhibited in galleries worldwide and is in the permanent collections of the Smithsonian National Museum of African American History and Culture, the Museum of the City of New York, Marseille Musée des Civilisations de l'Europe, and the Tokyo Nakamura Keith Haring Collection\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eShe lives and works in New York for clients including Levi’s and Dior.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395717095592,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.20.11.png?v=1698002425"},{"product_id":"richard-davis-the-post-punk-years-1987-1990-zine","title":"Richard Davis 'The Post-Punk Years 1987–1990' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\nNirvana, Manchester Polytechnic 1989\u003cbr data-mce-fragment=\"1\"\u003eSteve Jameson, World Domination Enterprises, Manchester Ritz 1988\u003cbr data-mce-fragment=\"1\"\u003eMudhoney, Manchester International 1 Backstage 1989\u003cbr data-mce-fragment=\"1\"\u003eFugazi, Manchester Boardwalk 1989\u003cbr data-mce-fragment=\"1\"\u003eNirvana, Manchester Polytechnic 1989\u003cbr data-mce-fragment=\"1\"\u003eThurston Moore, Sonic Youth, Manchester University 1989\u003cbr data-mce-fragment=\"1\"\u003eEdwards No 8 Night Club, Birmingham 1989\u003cbr data-mce-fragment=\"1\"\u003eKim Gordon, Sonic Youth, Manchester University 1989\u003cbr data-mce-fragment=\"1\"\u003eNirvana, Manchester Polytechnic 1989\u003cbr data-mce-fragment=\"1\"\u003eHoward Devoto, Birmingham Burberries 1988\u003cbr data-mce-fragment=\"1\"\u003eSlum Turkeys, Manchester Boardwalk 1989\u003cbr data-mce-fragment=\"1\"\u003eStretch Heads, Bradford 1 in 12 Club 1990\u003cbr data-mce-fragment=\"1\"\u003ePsychic TV, Manchester Poly 1988\u003cbr data-mce-fragment=\"1\"\u003eBlixa Bargeld, Nick Cave \u0026amp; The Bad Seeds, Manchester 1988\u003cbr data-mce-fragment=\"1\"\u003eThe Membranes, Manchester Boardwalk 1989\u003cbr data-mce-fragment=\"1\"\u003eGodflesh, Birmingham 1988\u003cbr data-mce-fragment=\"1\"\u003eGun Club, Manchester Poly 1988\u003cbr data-mce-fragment=\"1\"\u003eJ Masics, Dinosaur Jr. Manchester 1989\u003cbr data-mce-fragment=\"1\"\u003eBjork, The Sugarcubes, Birmingham Burberries 1987\u003cbr data-mce-fragment=\"1\"\u003ePussy Galore, Mermaid Pub, Birmingham 1988\u003cbr data-mce-fragment=\"1\"\u003eDub Sex, Manchester Boardwalk 1989\u003cbr data-mce-fragment=\"1\"\u003eMike, Manchester 1988\u003cbr data-mce-fragment=\"1\"\u003eKirsten, Bradford 1989\u003cbr data-mce-fragment=\"1\"\u003eJulia Cafritz, Pussy Galore, Mermaid Pub, Birmingham 1988\u003cbr data-mce-fragment=\"1\"\u003eBoz \u0026amp; Rat, Bradford 1989\u003cbr data-mce-fragment=\"1\"\u003eNick Cave, Ritz Manchester 1988\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395734003880,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.21.35.png?v=1698002533"},{"product_id":"brian-david-stevens-notting-hill-sound-systems-zine","title":"Brian David Stevens 'Notting Hill Sound Systems' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395741999272,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.22.47.png?v=1698002629"},{"product_id":"elaine-constantine-northern-soul-1993-1996-zine","title":"Elaine Constantine 'Northern Soul 1993–1996' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"\"\u003eIt was Saturday night, the year was 1993, and I had recently moved to London to try to push my photography career along when I went down to the 100 club where they play rare American 60’s and 70’s soul music. \u003c\/p\u003e\n\u003cp class=\"\"\u003eI had been on that scene up until a few years before and was curious to see where it had gone in the meantime, so I took my camera along with me. Going down those stairs into that dark basement, seeing those shadowy figures moving energetically in sync with each other made me hesitant.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe scene had gone further underground, the crowd older, little new blood, the records more obscure and the attitude on the dancefloor was as fierce as ever. Could I really take pictures in this place? As I suspected, the blast from my first flash altered the atmosphere. I braved it to shoot a few more from different angles but things felt worse with each blinding shot.\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe relief I felt when I heard the familiar opening bars of ‘This Won’t Change’ by Lester Tipton. A fast, raw, jerky, but tender sound. I pushed the camera bag under a chair and got lost in the shadows until morning.  \u003c\/p\u003e\n\u003cp class=\"\"\u003eI very soon became a regular again, travelling to different venues around the country but I’d often wait till morning when the lights came on before taking any pictures. Mostly though I went to dance and enjoy the music with friends, leaving my camera at home.\u003c\/p\u003e\n\u003cp class=\"\"\u003eElaine Constantine 2023\u003c\/p\u003e\n\u003cp class=\"\"\u003ePictures were taken in varied venues including the Manchester’s Ritz, London’s 100 club and in a lad called Steve’s kitchen, plus other places too numerous to remember.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395749241000,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.24.18.png?v=1698002683"},{"product_id":"daniel-meadows-factory-records-1979-1980-zine","title":"Daniel Meadows 'Factory Records 1979–1980' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e32 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003cp class=\"\"\u003eAs 1979 turned into 1980 I found myself working at Granada TV in Manchester as a programme researcher and occasional presenter for the regional arts review programme Celebration. I was also trying to keep alive my photographic practice.\u003c\/p\u003e\n\u003cp class=\"\"\u003eOne of my TV colleagues was Granada Reports presenter Tony Wilson (p.18) who at that time was busy setting up Factory Records with Alan Erasmus. Previously, while working for What’s On — Celebration’s predecessor in the arts slot — I had photographed a Factory Night at the Russell Club in Hulme, hosted by Tony Wilson and promoter Alan Wise (p.29), which featured Buzzcocks (p.16) and John Cooper Clarke (cover). Tony liked what I’d done and began inviting me along to gigs and recording sessions to take more photographs of his artists and bands: Ian Curtis (p.9) and Bernard Sumner (p.8) of Joy Division, Vini Reilly of The Durutti Column (p.3), and A Certain Ratio too (pp.4,15).\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe handwritten page reproduced here (p.30), is from a spiral-bound notebook I kept on my desk at the time. It records Tony’s request (written in red felt tip) that I photograph Joy Division’s recording session with producer Martin Hannett (pp.6,12) at Pennine Sound Studio in Oldham on Tuesday 8 January 1980. Although it seems not to have been the most absorbing of nights for drummer Stephen Morris (p.10), they would record Love Will Tear Us Apart (a version later used on the B-side of the 7” single FAC 23).\u003c\/p\u003e\n\u003cp class=\"\"\u003eI also photographed Joy Division on stage (pp.20-27), at the New Osbourne Club in Miles Platting, a gig where Jon Savage (p.14) — now famous for his writing, broadcasting and music journalism, in particular his 1991 book England’s Dreaming, Sex Pistols and Punk Rock — was DJing.\u003c\/p\u003e\n\u003cp class=\"\"\u003eFour decades on, Jon has been instrumental in curating the Factory exhibition Use Hearing Protection, a show which includes some of my photographs and runs at Manchester’s Science and Industry Museum from 19 June 2021 – 3 January 2022.\u003c\/p\u003e\n\u003cp class=\"\"\u003eDaniel Meadows\u003c\/p\u003e\n\u003cp class=\"\"\u003eThe Daniel Meadows Archive is in the Bodleian Library at Oxford University.\u003c\/p\u003e\n\u003cp class=\"\"\u003eRef. Bodleian Libraries | Archive of Daniel Meadows, photographer and social documentarist | Television work, 1973–1984 | Shelfmarks MSS. Meadows 196-200.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395762643112,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.26.27.png?v=1698002811"},{"product_id":"eddie-otchere-wu-tang-clan-1994-2004-zine","title":"Eddie Otchere 'Wu-Tang Clan 1994–2004' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOf Wu Tang and things…I’d say off the bat it’s the Ol' dirty bastard, asking me to destroy the negatives, that will never leave me. Meth showing me his new trick with eye and cap. U-god with a plaster on his face. The Rza in a bath tub at the Met hotel. Watching the entire Wu-Tang Clan getting passport pictures at Earl Court station. The Shows. The distinct smell of blunts and weed that hung in the air. Papa Wu inviting me on the coach and traveling from Putney to Kentish Town with a pit stop in Earls Court. Young dirty Bastard’s performance of Shimmy Shimmy Ya Shimmy Yam Shimmy yah. From the first encounter to my last, the Wu have never failed to disappoint.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe first time I met the Wu-Tang was in 1994, they were meant to be in a sound check, and were instead throwing rocks at passing trains, It was a hallmark of every encounter, a wild ride. The concert was scheduled for the Kentish Town Forum and word had gone around they where in London. In my hunt for them I went to the record company and my first encounter with the Wu-Tang began as they were coming out of the building on their way to Kentish Town to do their soundcheck. I heard them before I saw them, so my camera was ready. I managed to get on the coach and rolled with them while they listened to deep soul music. Their passion for the life of Hip Hop is undeniable and our hook ups were built on the premise that I was documenting Hip Hop through my photography.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eOn the second occasion I was working for MixMag and the shoot was scheduled in a photographic studio. I would share the time slot with Time Out who were running a cover story. On that occasion, I had hoped to complete my Wu collection, I didn't. The Rza didn't appear.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe third time I encountered the Wu it was just the Rza and he was in full Bobby Digital mode and that meant his iconography was masked by a conceptual identity.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe fourth was Cappadona in Brixton but the last time was in Los Angeles and there I met Ol Dirty’s son. He came through to host my show in LA. On the opening night we held a block party in the car park of Melrose where the RZA rolled through and spent the whole night holding court.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWe exchanged words as I toured the gallery giving him the details of all the times we’d met. We had a PlayStation with the Wu Tang game on it. Young Dirty smashed it. I took one shot that night, just one. It’s been 25 years in the making.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWhat you have here a rarified glimpse at the lead images and contact sheets of seeking out members of the Wu-Tang Clan and putting their mythos on blast. I got one shot. This was the last time we held a cipher.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395778535592,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.28.58.png?v=1698002962"},{"product_id":"amelia-troubridge-motorhead-uk-1997-zine","title":"Amelia Troubridge 'Motörhead UK 1997' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395789021352,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.29.55.png?v=1698003021"},{"product_id":"tim-soter-electronic-music-new-york-city-1995-zine","title":"Tim Soter 'Electronic Music New York City 1995' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe mid-90s saw a significant shift in the social behaviour of NYC after dark. This was, for all intents and purposes, really the last pre-internet, pre-cell phone era. The last time when, if you were meeting a friend at night, you had to plan it out in advance, because “Where are you?” wasn’t yet a textable thing. It was the last time you could get lost in the city without a map app. It was the last time you had to be in the moment, without that tick of false self-assurance created by constantly checking your phone to see what everyone in the “world” was up to. You talked to strangers more. You would see friends on a weekly basis and knew only their first name - and nothing more.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eWord of mouth and small, printed flyers left at record shops were how you found out about the next gathering. The clan you mingled with would have conversations about specific sounds found inside of tracks - you’d mimic the sound with your mouth as best you could and your friend’s smile would say, “I know what noise you’re talking about and it makes me feel the same way.”\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eYou would see artists perform who would never perform again - they were just trying things out, not looking for success. There were areas of the city that were yet to be gentrified, and even an ex-student could move to NYC, grab a low-paying job and get by somehow.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eThe city was not so much a get-cool-quick competition as it was a playground for experimenting in hidden enclaves of barely explored territory. Unmarked clubs existed where there are now high-end boutiques. Many, maybe even most experiences went undocumented. There wasn’t a camera in every pocket - there was a subway token, a little weed and five dollars for the door. Maybe a friend would spot you a beer. Nothing was viral other than that cold you caught from sharing a blunt.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eTim Soter.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395794133160,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.31.19.png?v=1698003090"},{"product_id":"tony-davis-uk-rave-1991-zine","title":"Tony Davis 'UK Rave 1991' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395826016424,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.35.15.png?v=1698003348"},{"product_id":"janette-beckman-hip-hop-years-new-york-1982-1992-zine","title":"Janette Beckman 'Hip Hop Years New York 1982–1992' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\nCover Daddy O Stetsasonic in East New York 1988\u003cbr data-mce-fragment=\"1\"\u003e2-3  B Boys in London for first Hip Hop show to come to Europe 1982\u003cbr data-mce-fragment=\"1\"\u003e4  Futura in London 1982\u003cbr data-mce-fragment=\"1\"\u003e5  Rocksteady Crew breakdancing in front of a mural by Bill Blast at Rocksteady Park Harlem 1983\u003cbr data-mce-fragment=\"1\"\u003e6-7 Fab 5 Freddy and Rammellzee at the hotel in Victoria, London for first Hip Hop show to come to Europe 1982 Shot for Melody Maker story.\u003cbr data-mce-fragment=\"1\"\u003e8 Double Dutch girls onstage for first Hip Hop show to come to Europe 1982 Shot for Melody Maker.\u003cbr data-mce-fragment=\"1\"\u003e9 Breakdancer at the Roxy NYC 1983\u003cbr data-mce-fragment=\"1\"\u003e10-11 Crowd at ‘Crack is Wack’ concert in Coney Island, Brooklyn 1986\u003cbr data-mce-fragment=\"1\"\u003e12 UTFO on the steps of their school in Brooklyn 1986\u003cbr data-mce-fragment=\"1\"\u003e13 The Real Roxanne wearing a shirt by Shirt King Phade Brooklyn 1986\u003cbr data-mce-fragment=\"1\"\u003e14 Double Destiny, Crosby Street NYC 1988\u003cbr data-mce-fragment=\"1\"\u003e15 Twin Towers outside Astor Barbershop NYC 1994\u003cbr data-mce-fragment=\"1\"\u003e16 -17  LL Cool J and posse outside the Jones Diner, Lafayette Street NYC 1986\u003cbr data-mce-fragment=\"1\"\u003e18 Jam Master J at home NYC 1991\u003cbr data-mce-fragment=\"1\"\u003e19 King Sun on 125th Street Harlem 1987 The gate is painted by the ‘Picasso of Harlem’.\u003cbr data-mce-fragment=\"1\"\u003e20 KRS-One and Ms Melodie in Brooklyn 1988\u003cbr data-mce-fragment=\"1\"\u003e21 Brooklyn kids 1995\u003cbr data-mce-fragment=\"1\"\u003e22 Noel on the Lower East Side NYC 1988\u003cbr data-mce-fragment=\"1\"\u003e23 NKRU on the Lower East Side NYC 1992\u003cbr data-mce-fragment=\"1\"\u003e24 Kid with boom box at the ‘Crack is Wack’ Coney Island, Brooklyn 1986\u003cbr data-mce-fragment=\"1\"\u003e25 MC Lyte and posse, Brooklyn 1986\u003cbr data-mce-fragment=\"1\"\u003e26-27  Shadow,  Brooklyn 1989\u003cbr data-mce-fragment=\"1\"\u003e28 Donald D in Los Angeles 1990\u003cbr data-mce-fragment=\"1\"\u003e29 Salt ’n Pepa on the Lower East Side 1986. My first photo shoot with the band\u003cbr data-mce-fragment=\"1\"\u003e30-31 Leaders of the New School on top of a school bus, Long Island 1991. Check out young Busta Rhymes on left.\u003cbr data-mce-fragment=\"1\"\u003e32-33  MC EZ \u0026amp; Troup aka Craig Mack and his posse Babylon, Long Island 1990\u003cbr data-mce-fragment=\"1\"\u003e34 Boogie Down Productions aka KRS-One and Scott La Rock outside the Police Station on East 5th street 1987\u003cbr data-mce-fragment=\"1\"\u003e35 Chuck D outside Def Jam records on Elizabeth street 1988\u003cbr data-mce-fragment=\"1\"\u003eBack cover:  Set list written by Chuck D, for Public Enemy concert at Roseland NYC.\u003cbr\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395833684136,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.36.21.png?v=1698003418"},{"product_id":"janette-beckman-mods-rockers-raw-streets-uk-1976-1982-zine","title":"Janette Beckman 'Mods \u0026 Rockers Raw Streets UK 1976–1982' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eBritish-born photographer Janette Beckman began her career at the dawn of punk rock working for music magazines The Face and Melody Maker. She shot bands including the Clash, the Specials, Boy George and the Jam as well as three Police album covers.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eDrawn to the underground hip-hop scene, she moved to NYC in 1983 and photographed pioneers such as Run DMC, Slick Rick, Salt-N-Pepa, Grand Master Flash, LL Cool J and more.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eBeckman has published four books : ‘Made in the UK, Music of Attitude 1977-1982’, ‘The Breaks Stylin’ and Profilin’1982-1990’ ‘El Hoyo Maravilla’ and in 2018 ‘The MashUp’ a collection of her Hip Hop photographs reinterpreted by legendary graffiti artists.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eHer work has been exhibited in galleries worldwide and is in the permanent collections of the Smithsonian National Museum of African American History and Culture, the Museum of the City of New York, Marseille Musée des Civilisations de l'Europe, and the Tokyo Nakamura Keith Haring Collection\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eShe lives and works in New York for clients including Levi’s and Dior.\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":45395857211560,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-22at20.40.22.png?v=1698003649"},{"product_id":"yan-morvan-london-piunk-protest-1979-1981-zine","title":"Yan Morvan 'London Punk \u0026 Protest 1979-1981' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e32 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":47895561175208,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2024-04-26at11.55.47.png?v=1714129046"},{"product_id":"yan-morvan-london-subculture-1979-1981-zine","title":"Yan Morvan 'London Subculture 1979-1981' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":47895572644008,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2024-04-26at11.55.39.png?v=1714129099"},{"product_id":"mick-jones-park-hill-sheffield-1969-1970-zine","title":"Mick Jones 'Park Hill, Sheffield 1969-1970' Zine","description":"\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eFrom 1961 to 1974 Park Hill Flats was my home. In 1968 I attended Sheffield College of Art. Where one of the disciplines in the course was photography.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eWe were provided with cameras and black and white film. At this stage, I did not know one end of a camera from the other. I took to photography like a duck to water. In 1970 I had to give the cameras back and that was the end of my photographic career.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eMany photographers have taken images of the flats and its residents over the years. They were on the outside looking in. I was on the inside, photographing friends, relatives and neighbours and their homes. Although I few of my images were developed at Art College the vast majority remained undeveloped for nearly 50 years. I was delighted with the results when I developed them digitally in 2017. What follows is a selection of images taken in 1969 and 1970 around Park Hill Flats.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eMy images have recently been displayed at The Crucible Theatre in Sheffield and The National Theatre (The Olivier) in London. Both to compliment the musical “Standing at the Sky’s Edge”, which is based on Park Hill Flats.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":47895577264296,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2024-04-26at11.59.26.png?v=1714129194"},{"product_id":"caroline-coon-nothing-to-lose-punk-1970s-zine","title":"Caroline Coon 'Nothing to Lose Punk 1970s' Zine","description":"\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eLondon 1975: the historical year the Sex Pistols began their shocking fight to be heard through the fog of stagnation and paralysing gloom that had fallen over the land. By winter 1976, they were heard loud and clear! The band, and the fans who immediately identified with them as representing the spirit of their new age, had caused a dramatic break with the past. There was horror in the music industry as older musicians and established record companies sensed they had lost control and were about to become outdated if not redundant. The mainstream media, reacting in moral panic to the “uproar”, “rock outrage” and the use of “the filthiest language heard on British television” called for the banning of everything and anything associated with punk.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eToday, looking back at the photographs I took then, reminds us that all the musicians and fans creating such disruptive, universal perturbation were barely out of their teens: Johnny Rotten was just 20. Joe Strummer was 23. The average age of The Jam was 19, The Buzzcocks – 19, Subway Sect – 18. Poly Styrene, lead singer of X-Ray Specs, was 19, Ari-Up, lead singer of The Slits, was 14.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eOver the last five decades, theoreticians in the cultural studies industry, historians, music critics and journalists have written enough about punk to fill an Atlantic trench. Every minute facet of the punk era has been forensically examined, loading on to the young shoulders of those who created it every conceivable expectation. A general theme has been a morose blaming of the musicians for not living up to their youthful aspirations.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eHowever, I celebrate the success of punk, especially for the way that space was created for women and, as Ruth Adams (reader in Cultural and Creative Industries at Kings College) maintains: punk bands, with their support for Rock Against Racism, changed our white national identity by imagining “a multicultural, post-colonial future [...] which to a large extent has come to pass.”1\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eAnd, of course, we still listen to the exhilarating music in all its style and diversity!\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e1 Ruth Adams “‘Are you going backwards, Or are you going forwards’ – England past and England future in 1970s punk’”. Essay in ‘Working for the Clampdown: The Clash, the dawn of neoliberalism and the political promise of punk’ edited by Colin Coulter (Manchester University Press 2019), pp 89 – 104.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003eCaroline Coon\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\"\u003e\u003cem\u003eNothing to lose. The punk photographs of Caroline Coon\u003c\/em\u003e was shown at The Centre for British Photography 17.11.23–17.12.23\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":47895591452840,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2024-04-26at12.01.09.png?v=1714129283"},{"product_id":"vron-ware-the-black-people-s-day-of-action-02-03-1981-zine","title":"Vron Ware 'The Black People’s Day of Action 02.03.1981' Zine","description":"\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eThe London Borough of Waltham Forest’s West Indian Supplementary Service was an intervention to support children from families of Caribbean origin in the borough’s primary and secondary schools. Bernard Coard’s critique How the West Indian Child is made Educationally Sub-Normal in the British School System (1971) made a significant contribution to debates around the apparent relative failure of black children to thrive in mainstream education. Though not simply a response to Coard’s publication, the Supplementary Service aimed to enable black children to negotiate the demands of the school curriculum more successfully - by explicitly encouraging an understanding of language variation (dialects in relation to ‘standard’ English) and by teaching about Caribbean culture and black history. Most supplementary teachers worked with very small groups of children withdrawn from mainstream classes for short periods each day. With older students, provision was more flexible and could become more innovative, especially when mainstream classes were reduced following exams. \u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eThe photographs here were selected from two series. Some were taken at Downsell Junior School through November 1974 - February 1975. The building, a Victorian elementary school, no longer exists.  Others were taken at Leyton Senior High School for Boys and at the headquarters of the Supplementary Service when a small group worked on a black school magazine - Uptight - in the Summer of 1975. The series runs from March to December 1975.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eOriginally the Supplementary Service addressed the needs of children brought over from the Caribbean at school age but, by the mid 1970s, they were a minority. Wayne Skeete was one of those born in the Caribbean - in Barbados. Looking back in 2023, he wrote: “I can’t say that school in Leyton provided me with the necessary tools for later life or developed my academic potential. Teachers went through the motions and didn’t show any inclination to engage in a meaningful way. All engagement was usually negative. For instance, I was pretty good at maths and the class that I and another friend (Ken Simmons) were initially assigned to was way below the level that we were used to, we repeatedly asked to be moved up but was denied. We eventually stopped going to the classes and ended up truanting. The West Indian Supplementary Service was a god send. I was exposed to a different literature, and my conscious was awakened by the struggles going on in America for the Afro American. It gave me an opportunity to work on a project (the school magazine) and developed a liking for writing and in particular poetry. On the social side I met people who I am still friends with today.”\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eBiographical note: I first taught with the West Indian Supplementary Service when I was twenty-two, in November 1974. I retired, from the University of London Institute of Education, in November 2013.  This collection is in memory of Joyce Little (1938-2018) who was the ‘teacher-in-charge’ of the West Indian Supplementary Service when these photographs were taken.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":47895607345320,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2024-04-26at12.02.34.png?v=1714129400"},{"product_id":"chris-richards-west-indian-supplementary-service-london-1974-1975-zine","title":"Chris Richards 'West Indian Supplementary Service. London 1974–1975' Zine","description":"\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003e36 pages \u003cbr\u003eprinted in England\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eThe London Borough of Waltham Forest’s West Indian Supplementary Service was an intervention to support children from families of Caribbean origin in the borough’s primary and secondary schools. Bernard Coard’s critique How the West Indian Child is made Educationally Sub-Normal in the British School System (1971) made a significant contribution to debates around the apparent relative failure of black children to thrive in mainstream education. Though not simply a response to Coard’s publication, the Supplementary Service aimed to enable black children to negotiate the demands of the school curriculum more successfully - by explicitly encouraging an understanding of language variation (dialects in relation to ‘standard’ English) and by teaching about Caribbean culture and black history. Most supplementary teachers worked with very small groups of children withdrawn from mainstream classes for short periods each day. With older students, provision was more flexible and could become more innovative, especially when mainstream classes were reduced following exams. \u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eThe photographs here were selected from two series. Some were taken at Downsell Junior School through November 1974 - February 1975. The building, a Victorian elementary school, no longer exists.  Others were taken at Leyton Senior High School for Boys and at the headquarters of the Supplementary Service when a small group worked on a black school magazine - Uptight - in the Summer of 1975. The series runs from March to December 1975.\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eOriginally the Supplementary Service addressed the needs of children brought over from the Caribbean at school age but, by the mid 1970s, they were a minority. Wayne Skeete was one of those born in the Caribbean - in Barbados. Looking back in 2023, he wrote: “I can’t say that school in Leyton provided me with the necessary tools for later life or developed my academic potential. Teachers went through the motions and didn’t show any inclination to engage in a meaningful way. All engagement was usually negative. For instance, I was pretty good at maths and the class that I and another friend (Ken Simmons) were initially assigned to was way below the level that we were used to, we repeatedly asked to be moved up but was denied. We eventually stopped going to the classes and ended up truanting. The West Indian Supplementary Service was a god send. I was exposed to a different literature, and my conscious was awakened by the struggles going on in America for the Afro American. It gave me an opportunity to work on a project (the school magazine) and developed a liking for writing and in particular poetry. On the social side I met people who I am still friends with today.”\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" class=\"\"\u003eBiographical note: I first taught with the West Indian Supplementary Service when I was twenty-two, in November 1974. I retired, from the University of London Institute of Education, in November 2013.  This collection is in memory of Joyce Little (1938-2018) who was the ‘teacher-in-charge’ of the West Indian Supplementary Service when these photographs were taken.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":47895613866152,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2024-04-26at12.04.21.png?v=1714129473"},{"product_id":"homer-sykes-druids-1996-london-wiltshire-oxfordshire-zine","title":"Homer Sykes 'Druids 1996 London, Wiltshire, Oxfordshire' Zine","description":"\u003cp class=\"\"\u003e28 pages\u003cbr\u003eprinted in the UK\u003cbr\u003estaple bound\u003cbr\u003e14cm x 20cm\u003c\/p\u003e\n\u003cp class=\"\"\u003esecond print\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp class=\"\"\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003ePublisher: Cafe Royal Books\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cafe Royal","offers":[{"title":"Default Title","offer_id":47895628644520,"sku":null,"price":7.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/ScreenShot2024-04-26at12.05.28.png?v=1714129581"}],"url":"https:\/\/beartreerecords.com\/collections\/cafe-royal.oembed?page=2","provider":"Bear Tree Records","version":"1.0","type":"link"}