{"title":"Dinked Editions","description":"\u003cp\u003eDinked is a series of releases available exclusively at 18 shops in the UK.\u003c\/p\u003e\n\u003cp\u003eMore information on Dinked can be found \u003ca href=\"https:\/\/dinkededition.co.uk\/\" target=\"_blank\" title=\"Dinked Edition\" rel=\"noopener noreferrer\"\u003eHERE\u003c\/a\u003e.\u003c\/p\u003e","products":[{"product_id":"snapped-ankles-stunning-luxury-lp","title":"Snapped Ankles 'Stunning Luxury' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eAvailable as:\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eDinked Edition #6: \u003cstrong\u003eexclusive gold vinyl + additional gold \u0026amp; foiled third outer sleeve, pink outer sleeve, gold inner sleeve, hand-numbered + CD\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eIndies only: Pink vinyl + CD\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eBlack vinyl\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e\u003cstrong\u003eSnapped Ankles\u003c\/strong\u003e have taken on the guise of the very agents of their community’s demise – the property developers and brokers who heat the market on the promise of ‘\u003cstrong\u003e\u003cem\u003eStunning Luxury’\u003c\/em\u003e\u003c\/strong\u003e. With their adopted warehouse habitat under constant threat, the woodwose have taken this sharp-suited incarnation in order to infiltrate. The resistance starts here.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom humble forest beginnings via bohemian East London on debut album \u003cstrong\u003e\u003cem\u003eCome Play The Trees\u003c\/em\u003e\u003c\/strong\u003e, Snapped Ankles are moving on. The log synths have been transformed into gaudy “To Let” and “For Sale” signs, which have become the new instrument of choice for the discerning woodwose. The sounds they eke out of the housing bubble are as frenzied and unstable as you’d expect. Dystopian bangers. Illicit thrills. \u003cem\u003eStunning Luxury\u003c\/em\u003e moves quickly through life in the capital: microdosing mindfulness in the morning, a poisoned nod to the marketing department, investment portfolios and death by same day delivery.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\nThe primal rhythms and forest chants are all present and correct. On the surface it’s hedonistic business as usual – a communal dance for the ages. But there’s a sense of discomfort too. There’s subversion, but it’s not clear who’s subverting who. There’s a message, but it’s often fragmented. Keep dancing. Keep foraging. Perhaps the woodwose are human after all…\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: The Leaf Label\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Dinked #6: Gold Vinyl + CD \/ Alternate sleeve","offer_id":13977878495298,"sku":"","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"Indies Only Pink Vinyl","offer_id":13977911197762,"sku":"","price":16.99,"currency_code":"GBP","in_stock":false},{"title":"Black Vinyl","offer_id":13977911230530,"sku":"","price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/Screen_Shot_2018-11-21_at_11.52.35.png?v=1571439138"},{"product_id":"jesca-hoop-stonechild-lp","title":"Jesca Hoop 'Stonechild' LP","description":"\u003cp\u003e\u003cstrong\u003eSIGNED COPIES!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eALL FORMATS SIGNED ON THE SLEEVE BY JESCA - SOME DINKED EDITIONS ARE SIGNED ON THE FRONT, SOME ON THE BACK, THESE SHIP RANDOMLY.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLimited Dinked Edition #15: mirror board sleeve, signed art print, black and white marbled vinyl, plus exclusive flexi disc featuring non-album song “Waking Andreas”. Numbered edition of 600.\u003c\/p\u003e\n\u003cp\u003eLimited indies only black and white marbled vinyl.\u003c\/p\u003e\n\u003cp\u003eBlack vinyl.\u003c\/p\u003e\n\u003cp\u003eA culmination of life and musical experience, uncompromising in its vision, STONECHILD, the new studio album from Jesca Hoop is a self-described “compassion project.” Released on July 5th by Memphis Industries, STONECHILD is Hoop refined and defined. Beautiful, subtle and stark, her fifth album, the follow up to 2017’s highly acclaimed ‘Memories Are Now’, is her best yet.\u003cbr\u003eDespite being a long-term resident of Manchester, Hoop, has until now, returned to her native California to record. This time round however, “it was” according to Hoop “time to step out of my comfort zone, my safe place”, venturing south to Bristol to\u003cbr\u003eteam up with producer John Parish (PJ Harvey, Aldous Harding, This is the Kit). Parish’s minimal and purist approach helped clarify Hoop in her ideas and subtly yet effectively realigning her sound. The simplified arrangements draw focus to the\u003cbr\u003efundamental sophistication of the songs.\u003cbr\u003eWhile Hoop’s trademark finger-plucked guitar and ethereal textures remain, the songs and their presentation are ever more direct. Parish “was a gentle collaborator until he killed one of my darlings” Hoop jests. “I’ve never been so brutally edited, and I wasn’t shy about expressing my discomfort at the sight of my work on the cutting room floor. He said, you will forgive me, and in some way, I think I actually enjoyed that treatment...being stripped back to the bare basics...albeit painfully”. STONECHILD ventures further into fresh territory with other voices joining the\u003cbr\u003enarrative, with Kate Stables (aka This is the Kit) Rozi Plain and Lucius singing the choruses and expanding the sensual depth of the sonic bloom.\u003cbr\u003eSTONECHILD, Hoop says, is intended to “wrap its arms around our human planet spinning in its increasingly precarious wobble”. These rich and curious songs derived from themes of our troubled times speak Hoop’s heart and mind from her\u003cbr\u003eempathetic yet tough loving centre point. With writing so fluid, so natural the result is an album where everything is truly meant.\u003c\/p\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: MI0545LPX1 \/ MI0545LPX \/ MI0545LP\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Memphis Industries\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"SIGNED Dinked Edition #15: LP + Flexi Disc + Signed Print","offer_id":15113073819714,"sku":"MI0545LPX1","price":23.99,"currency_code":"GBP","in_stock":false},{"title":"SIGNED Indies Only: Black and White Marbled Vinyl","offer_id":15113073852482,"sku":"MI0545LPX","price":16.99,"currency_code":"GBP","in_stock":false},{"title":"SIGNED Black Vinyl","offer_id":15113112518722,"sku":"MI0545LP","price":16.99,"currency_code":"GBP","in_stock":false},{"title":"SIGNED CD","offer_id":15722927128642,"sku":"","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/Screen_Shot_2019-04-09_at_20.52.38.png?v=1571439175"},{"product_id":"modern-studies-the-weight-of-the-sun-lp","title":"Modern Studies 'The Weight Of The Sun' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cstrong\u003eDinked Edition #43: Sunburst splatter vinyl with exclusive numbered lyric insert. Limited to 300.\u003c\/strong\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003eNew album from kosmiche folk-rock quartet Modern Studies. A glorious compendium of haunted disco hallelujahs, mercurial krautrock chorales, cosmic pop adagios and euphoric, resilient, anthems. ‘The Weight of the Sun’ sees principal songwriters Emily Scott and Rob St John further their warm, esoteric field studies with Pete Harvey and Joe Smillie, as previously reconnoitred on ‘Swell To Great’ (2016) and ‘Welcome Strangers’ (2018).\u003cbr\u003e \u003cbr\u003e“The exact point where Fairport Convention meet Jim O’Rourke at a remote Scottish railway station.” Tim Burgess\u003cbr\u003e \u003cbr\u003e“Melancholic magic… recalls Johnny Marr’s hazier reveries and the febrile, electrified folk of Polly Harvey’s Let England Shake.” UNCUT\u003cbr\u003e \u003cbr\u003eNew album from “Setting the standards for intelligent pop” Record Collector\u003cbr\u003e\u003cbr\u003e \u003cbr\u003eThere is a strange familiarity, and a welcome strangeness, in the quiet alchemy of Modern Studies.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Fire\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Dinked Edition: Sunburst Splatter LP","offer_id":32402685853835,"sku":"FIRELP598X","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"Vinyl LP","offer_id":32402685919371,"sku":"FIRELP598","price":15.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/Dinked_Pack_02.jpg?v=1582143904"},{"product_id":"kelly-lee-owens-inner-song-2xlp","title":"Kelly Lee Owens 'Inner Song' 2xLP","description":"\u003cdiv\u003e\n\u003cp title=\"Page 3\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBEAR TREE RECORDS ALBUMS OF THE YEAR 2020 #1\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBEAR TREE ALBUM OF THE YEAR EDITION: white vinyl pressing with an exclusive Kelly Lee Owens slipmat, a Smalltown Supersound slipmat and a signed print. 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It's a leap in artistry from a musician who burst forth on the scene with a confident, rich sound, and Inner Song is endlessly enticing when it comes to what Owens is capable of.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eInner Song follows the star-making debut of her 2017 self-titled album, a quixotic blend of body-moving beats and introspective songwriting that garnered numerous accolades from the music press. 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I wasn't sure if I could make anything anymore, and it took quite a lot of courage to get to a point where I could make something again.\" So while the lovely cover of Radiohead's \"Arpeggi\" might strike some as an unconventional way to open a sophomore effort, to Owens the winding take on the classic tune—recorded a year before work on Inner Song properly kicked off—represents the sort of sonic rebirth that's so essential to Inner Song's aura.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eInner Song was largely written and recorded over a month last winter. As with her debut, Owens holed up in the studio with co-producer and collaborator James Greenwood —and letting loose in the studio and being open to whatever sonic whims emerge was essential to Owens' craftwork. 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I did a lot of inner work in the past few years, and this is a true reflection of that.\" The hair-raising bass and tickling textures of Inner Song drive home that, more so than ever, Owens is locked in to delivering maximal sonic pleasure—as evidenced by the decision to make the album's vinyl release a sesqui album, or triple-sided album: \"I'm still obsessed with frequencies that don't do well on vinyl if they don't have the space.\"  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"The power of conceptualizing who you are has really informed this album,\" Owens states about Inner Song's essence, and her second album is truly a discovery of self— the latest statement from a fascinating artist who continues to surprise, gesturing towards a rich and varied career to come\u003c\/p\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Smalltown Supersound\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Bear Tree AOTY Edition: White Vinyl 2xLP + Excluisve KLO Slipmat, Label Slipmat and Signed Print","offer_id":37128134983848,"sku":"KLOXBEARTREE","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Black vinyl 2xLP","offer_id":32484306911371,"sku":"STS371LP","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"Indies only white coloured vinyl 2xLP","offer_id":32484306944139,"sku":"STS371LPC1","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"Dinked Edition #44: Clear Vinyl 2xLP w\/bonus track and signed print","offer_id":32484306878603,"sku":"STS371LPC2","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/Kelly_Lee_Owens_-_packshot.jpg?v=1605897665"},{"product_id":"h-c-mcentire-eno-axis-lp","title":"H.C. 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His new album In The Furrow Of Common Place is a deeper plunge inside himself to offer up more of his voice to accompany his profoundly unique and moving compositions. “There were things I was seeing around me and being affected by in my daily life,” he says. “Socially and politically I saw defiance but also hopelessness. I wanted to be honest with the frustration and turmoil I was experiencing.”\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe decision to include more of Ghedi’s vocals was a conscious one and driven by a need to say something. However, this isn’t a brash raging political polemic. As is now customary with Ghedi’s work, it is rich in nuance, history, poetry and allegory. Musically, the album is equally locked into this ongoing sense of evolution. Ghedi’s intricate yet deft guitar playing still twists and flows its way through the core, weaving in and out of gliding double bass, sweeping violin, gentle percussion and vocals that shift from tender solos to overlapping harmonies. \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAs with much of Ghedi’s work, there’s a rich connection between the past and the current. Musically, he continues to sit in a singular position of sounding distinctly contemporary yet also with a touch of traditional flair. This expands itself into the lyrical terrain here too. “I've been exploring contemporary issues and in that process discovering sources that correlate with similar issues in the past,” he says. “Which proves that these issues throughout history - environmental destruction, working class poverty etc - are ongoing.” \u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\nFor all the socio-political and historical backdrop to the record it is not one that feels overwhelmed by it. Much like Ghedi’s work when it was largely instrumental - and some of it still is here - it flows and unfurls thoughtfully, with space still being utilised masterfully, creating room to pause and reflect. It’s another inimitable record from an artist that truly sounds like nobody else right now. \u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel:  Basin Rock\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"forte","offers":[{"title":"Dinked Edition #76: Copper \/ Bronze Vinyl","offer_id":36751688040616,"sku":"","price":23.99,"currency_code":"GBP","in_stock":false},{"title":"Black Vinyl","offer_id":36751688073384,"sku":"","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/GhediDinkedNoLinen.png?v=1603135210"},{"product_id":"mirry-mirry-lp","title":"Mirry 'Mirry' LP","description":"\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cp title=\"Page 3\"\u003e● Dinked Edition Number 85\u003cbr\u003e● Exclusive ‘Smoke and Light’ colour vinyl.\u003cbr\u003e● Exclusive alternate sleeve artwork.\u003cbr\u003e● Exclusive and numbered A4 Risograph print.\u003cbr\u003e● Limited to 500\u003cbr\u003e● Includes a sixteen page booklet of archive images.\u003c\/p\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cp title=\"Page 3\"\u003e\u003cstrong\u003eStandard edition is release February 2021.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe discovery and musical re-imagining of Mirabel Lomer – an artist’s unheard world which is emerging from the shadows into the light.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eMirry is one of those rare projects where the story seems so absolutely magical, that it’s almost impossible to imagine such beauty being lost in the shadows for so long.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e30 years ago, Edinburgh based musician \u003cstrong data-mce-fragment=\"1\"\u003eTom\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003eFraser\u003c\/strong\u003e was helping with the house clearance after his grandfather’s death and found an old scratched Transco record left out on the street. He took it home where it sat on a shelf for years until one day during lockdown, he gave it a play - and a whole world opened up to him - his Great Aunt \u003cstrong data-mce-fragment=\"1\"\u003eMirry\u003c\/strong\u003e had recorded a number of piano compositions which she had kept secret from her family. Since then, Tom has been re-working and re-mixing her compositions with his brother-in- law \u003cstrong data-mce-fragment=\"1\"\u003eSimon Tong\u003c\/strong\u003e \u003cstrong data-mce-fragment=\"1\"\u003e(The Verve, The Good the Bad and the Queen, \u003c\/strong\u003eand\u003cstrong data-mce-fragment=\"1\"\u003e The Magnetic North\u003c\/strong\u003e) and together with project curator Kirsteen McNish they hope that this secret life will now reach beyond Mirry’s own four walls.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e Mirabel Lomer was born in 1906 to a military family and for the best part of her life stayed at home in Ireland looking after her elderly parents. In the early 1950s she became a paid companion to another elderly couple in Wiltshire, both of whom she nursed until they died. While most of her life was spent caring for others it also transpired that Mirry had written music (despite the fact that as a young woman, her father actively discouraged her playing music in the family home). In quiet rebellion and creative escape, she composed this piano music secretly and her nephew and confidant Geoffrey captured it on his tape recorder.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e Like untold numbers of women whose creative lives didnt find an outlet, Mirry never received any accolades for her work but enjoyed the act of creating work for herself. She died in the 1980s but the story of Mirry’s music and secret life is still unfolding.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e The resulting album “Mirry” by Fraser and Tong is a celebration of Mirry’s work and a call and response to her original recordings with her family members – almost as if she were still in a room with them.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e Since then Tong has retrieved whatever else he could find in the family attic. Hundreds of Stereoscopic slides, super-8 films, photography, stories, poetry and further recordings were found, all recorded by her nephew, (now in his nineties) who believes Mirry would be delighted that her work would be heard many years down the line.\u003cbr data-mce-fragment=\"1\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e Tong said “This project hopes to shine a light on carers, and how ones creative work can live on and continue to reverberate and evolve long after it’s original conception”\u003c\/p\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Dutchess\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":37173974237352,"sku":"","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2020-11-25at07.07.54.png?v=1606288230"},{"product_id":"hannah-peel-fir-wave-lp","title":"Hannah Peel 'Fir Wave' LP","description":"\u003cp\u003e\u003cb\u003eBLACK VINYL NOW AVAILABLE\u003c\/b\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003eDinked Edition #92 (SOLD OUT)\u003c\/p\u003e\n\u003cp\u003e- Blue Vinyl \u003cbr data-mce-fragment=\"1\"\u003e- 4 x 120x120mm Postcard Set\u003cbr\u003e- Hand-Numbered Sleeve in PVC Wallet \u003cbr data-mce-fragment=\"1\"\u003e- Limited Pressing of 375\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAlso available on black vinyl or pink vinyl.\u003c\/p\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003eHannah Peel has announced the release of a new album, ‘Fir Wave’, out on 26 March 2021 via her own label imprint, My Own Pleasure. The new album, a sonic shimmer of textures and pulses that switches between raw atmospheric edges and environments, arrives with a fascinating history. As Peel explains, “The specialist library label KPM, gave me permission to reinterpret the original music of the celebrated 1972 KPM 1000 series: Electrosonic, the music of Delia Derbyshire and the Radiophonic Workshop.” This process of re-generation and finding fresh inspiration in pioneering, experimental electronics from the early 1970s is at the core of the album. Peel has made connections and new patterns that mirror the Earth’s ecological cycles through music. Peel explains, “I’m drawn to the patterns around us and the cycles in life that will keep on evolving and transforming forever. Fir Wave is defined by its continuous environmental changes and there are so many connections to those patterns echoed in electronic music - it’s always an organic discovery of old and new.” As Delia Derbyshire revealed in 2000 to BBC sound engineer, journalist and academic Jo Hutton: “I like new things that don’t seem new . . . as though they’ve always been there.” Known more recently for curating and presenting on BBC Radio 3’s Night Tracks, the Northern Irish Emmy-nominated composer and producer’s work is ambitious and forward-looking, adapting and re-inventing new genres and hybrid musical forms. Recent albums include the solo electronic and pop work of Awake But Always Dreaming, which became an ode to her grandmother’s mind as she lived with dementia; the electronic ruralism of Chalk Hill Blue, an album recorded with the poet Will Burns; and the space and the unparalleled vastness of Mary Casio: Journey to Cassiopeia, scored for synthesisers and a 30 piece colliery brass band. In 2019 she composed and recorded the soundtrack for Game of Thrones: The Last Watch which earned her an Emmy nomination for ‘Outstanding Music Composition For A Documentary Series Or Special (Original Dramatic Score)’.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: My Own Pleasure\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Black Vinyl LP","offer_id":37645478953128,"sku":"","price":10.0,"currency_code":"GBP","in_stock":false},{"title":"Pink Vinyl","offer_id":37746914918568,"sku":"","price":20.99,"currency_code":"GBP","in_stock":false},{"title":"Black Vinyl ***SLIGHTLY DAMAGED SLEEVES***","offer_id":39496962834600,"sku":"","price":16.99,"currency_code":"GBP","in_stock":false},{"title":"Dinked Edition: Blue Vinyl LP","offer_id":37645478887592,"sku":"","price":21.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-01-13at20.00.55.png?v=1610645742"},{"product_id":"w-h-lung-vanities-lp","title":"W.H. Lung 'Vanities' LP","description":"\u003cdiv\u003eLIMITED YELLOW VINYL NOW AVAILABLE\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003cstrong\u003eDinked Edition no. 127 (SOLD OUT)\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eCream with green marble coloured vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eBonus yellow flexidisc with exclusive track \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eNumbered, fold out, double sided poster \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLimited pressing of 1000 \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlso available on limited yellow vinyl or black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cbr\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“We were raring to go,”\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e says W. H. Lung’s Tom Sharkett of the band’s desire to keep the momentum going after the huge success of their debut album.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e2019’s Incidental Music - a vivacious concoction of krautrock, synth pop and infectious grooves - topped end of year lists, with the likes of Piccadilly Records and Resident both naming it album of the year. However, it quickly became apparent that a repeat performance was of no interest to the band. “At the beginning it felt like every new idea could’ve just been on Incidental Music,” remembers Tom.\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e “They weren’t bad ideas, but they didn’t feel new. I don’t think we knew where we wanted to go but we were 100% sure on it not being Incidental Music part 2.”\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThings soon burst to life however and a period of profound creativity, musical intuition, bold innovation and near total musical rebirth came forth. “\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eI was in the best place of my life,\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e” says Joe Evans. “\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eI was like a slot machine putting in wellbeing currency and jackpotting this album. Words and melodies were coming so quick and easy. Tom was sending tunes across and I was having a lot of fun playing around with a new way of singing which was freer, more expressive, more instant and more melodic.”\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe result is a record that is direct, punchy and potent. Merging silky vocals, strutting grooves, enveloping textures, and a sparkling blend of electronic and pop music. “\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eWe thought: okay we’ve done the long sprawling introductions and instrumentals\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e,” says Tom. “\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eSo let’s see if we can get the same intensity, energy and layers whilst getting straight to the point.\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e” Joe echoes this. “\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eWe wanted to move away from easing people in and grab them by the heart straight away. I reflected on how we played live shows and romanticised about launching onto the stage in a bundle of energy and starting the party, no messing. The directness comes from making music more intuitively, and more from a place of fun. We were writing music that affirmed how much we missed dancing in sweaty rooms, enjoying the company of a collection of beautiful friendly strangers.”\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe album documents a period of change for the group. They lost a member in Tom Derbyshire, moved from Manchester to Todmorden and fell in love more with dance music and the shifting sense of community and inclusivity that came with these changes. “\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eWe have moved forward from the change with a new energy\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e,” says Joe of Tom Derbyshire’s amicable exit to focus on filmmaking. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“It was a challenge shifting the dynamic but we truly found our stride and Tom Sharkett and I have an absolutely beautiful working relationship.”\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eTom also feels this forced sense of change has brought about something fresh. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“We didn’t have many spare ideas let alone spare tunes for the first album,”\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e he recalls. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“Whereas for Vanities we had loads that we binned. That needed to happen for us to get somewhere new and I think before the change in line-up we were in limbo a bit.”\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e The album was written with a process of passing ideas back and forth, in a spirit of playfulness and exploration. The songs were then further refined in the studio of band member Chris Mulligan (guitar, bass, keys), a producer in his own right, who helped to further refine the arrangement and directness of the songs. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e‘We are blessed to have brilliant musicians in W. H. Lung. It is very comforting, creatively, to know that initial ideas will always be further developed and expanded when played by Alex (drums), Chris and Hannah (keys, vocals.)’ says Joe. ‘And we got loads of magic out of (producer) Matt (Peel) for this record. He infuses all the tracks with such an infectious, wonky energy.’\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThis positivity, and incandescent dance floor giddiness that the pair espouses can be felt all over the record too. Despite being written in isolation and remoteness the album is rooted in very real physical spaces. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“Manchester is a very important part of this record,”\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e says Tom Sharkett, “\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe White Hotel, nights like Wet Play, seeing Gerd Janson DJ at the End of Year Riot (Electric Chair) and then discovering all the amazing stuff on his label Running Back. Then when we moved to Todmorden it was the same. Seeing Andrew Weatherall down the road from our flat at The Golden Lion - it just felt like an exciting time for us and I wanted to consume as much new music as possible.”\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e Joe shares his bandmates’ enthusiasm for their dance floor experiences that have fed into this record. “\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eVanities is a musical representation of what Tom and I crave the most now that it’s been taken away from us,”\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e he says. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“In simple terms, we love to dance and have both fallen deeper in love with the music that facilitates that. Because of this voracious appetite for new music and the experiences that come with that hunger, influences on the album are vast: the aforementioned Weatherall, Robyn, Todd Terje, Grauzone, Kelly Lee Owens, Helena Hauff and countless others. But the end result is something distinctly the band’s own.”\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e‘Pearl in the Palm’ was the track that kicked it all off. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“A transition from the old W. H. Lung to new,”\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e says Tom. It marries pulsing synths, galloping drums and a vocal take that is both caramel smooth but also fervently intense. ‘Show Stopper’ allows the drums and bass to carry a subtle funk strut and is one of the album’s moments that highlight the band’s deft touch for layering and texture. ‘Somebody Like’ is an absolute stomper, marrying filthy electronics with a pop hook that is as irresistible as it is anthemic. ‘Gd Tym’ nicely captures the transition from a more archetypal band sound to dance floor fodder, as spiralling guitar lines intersperse with heavy lashings of electronics and deep hooks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eDespite the album’s exploration of the dizziness of dance floors and their maximalist appeal, it’s also one that plunges deep lyrically and comes from a place of profound introspection. Taking influence from the searching at the heart of the plays of Anton Chekov, as well as the novels of Shusaku Endo and Iris Murdoch, Joe also went deep into self-observation books like Red Hawk and The Fourth Way by Pyotr Ouspenskii. “It talks about stepping back from your mind and waking up to the patterns and conditionings of your thoughts,” he says. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“This is like a constant meditation and so when I sat down to write lyrics, the different behaviours that I recognised in myself were really clear and poured out.”\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e This meditative state also extended to another physical connection, this time out in the open rather than under the strobes. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“A source of inspiration was getting out into nature,”\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e he says. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“We would often go out onto the tops of Todmorden and walk and swim. Sitting with and walking in the abundance of the natural world has fed into some of the playfulness and light spirit of the album.”\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003ePerhaps most remarkable thing about the album - aside from the unflinching new sonic leaps it takes - is that the band have taken a dormant year void of live experiences, sweaty clubs, or anything resembling fun times, and have made an album that makes that world feel palpable – that you can crawl inside it. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“Lockdown gave me the time to pour work into myself and out came this wonderful album,”\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e reflects Joe. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“It was strange at first and I missed seeing my mates and having a laugh and dancing but this album is a direct reflection of creative flow brought on by the space given by lockdown.”\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eVanities is a very rare beast of a record: a lockdown album that feels bursting with vitality and the love, promise and transcendence of shared dance floor experiences. Just in time for when we crave those the most.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Melodic\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Dinked Edition: Marbled Vinyl + Flexi","offer_id":40128417628328,"sku":"MELO131LPX","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Yellow vinyl","offer_id":41468199174312,"sku":"MELO131LPM","price":21.49,"currency_code":"GBP","in_stock":false},{"title":"Black Vinyl","offer_id":40128417661096,"sku":"MELO131LP","price":16.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2021-06-09at09.15.46.png?v=1623226646"},{"product_id":"caroline-caroline-lp","title":"caroline 'caroline' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eA version of ‘Dark blue’, caroline’s sublime first single that also opens their self-titled debut album, was written on the day Casper Hughes, Jasper Llewellyn and Mike O’Malley first started playing together half a decade ago. Today, the song is unfathomably gorgeous, a chiming riff that ebbs and flows over gently ticking drums, strings fluttering high like birds on an updraft, but back then the band were something else entirely.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eLlewellyn and Hughes had met at university in Manchester, and on moving to London had “decided to start taking our music more seriously,” as the former puts it. They invited Llewellyn’s old friend Mike O’Malley (they’d been part of a drunken Appalachian folk group together as teenagers), to form a scrappy guitar outfit, rehearsing for pittance in the crumbling upstairs room of a rough and ready South London pub. “The floor was collapsing a bit, they sometimes had parties up there and the floor would buckle…” Llewellyn recalls. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eYet as they kept on playing that hypnotic ‘Dark blue’ riff, it became clear that something altogether deeper was emerging. “As soon as ‘Dark Blue’ became more structured, we thought some swoony violin would be good,” says O’Malley. To provide it, they recruited Oliver Hamilton, who had also had a stint on bass in their early days. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHe would be the first of many. As the band’s sound kept expanding, so too did their line-up, eventually becoming an eight-piece completed by trumpeter and bassist Freddy Wordsworth, another violinist Magdalena McLean, percussionist Hugh Aynsley and flute, clarinet and saxophone player Alex McKenzie. By the time that cast settled towards the end of 2019, the songs were expansive and emotive pieces, their rich palette drawing on a mixture of choral singing, Midwestern emo and O’Malley and Llewellyn’s roots in Appalachian folk.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn the album, the songs can cascade like an avalanche with the full force of all those instruments, squalling and rumbling on the edge of all-out collapse. At others they slip back into impossibly fragile moments of quiet – a simple bassline or a rattle of snare the only sound amid a dark sea of silence. caroline know exactly the right balance between restraint and release. “Sometimes things sound much better when there’s empty space,” says Llewellyn. “Sometimes you might populate [a song] with too many things and forget that an element on its own is enough.”  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“We heavily analyse our music in a way that I don’t know if other bands do as much,” says Hughes. Adds Llewellyn: “We would talk about how we could refine the essence of a song. The best songs were always the ones that made more sense as we carried on playing.” He, Hughes and O’Malley remain the core songwriters of the band, often improvising as a trio or swapping ideas remotely until that ‘essence’ emerges, to be taken to the rest of the band and gradually developed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eTake the pensive ‘IWR’ for example. “Jasper was sending a lot of home-recorded nylon guitar and singing ideas, and then one just stuck because it was just a really beautiful vocal melody,” says O’Malley. They tried singing it in the round, playing it in waltz time, “looping it around and around and doing little riffs all the top,” gradually honing it into shape. “We had an initial guitar-based idea, then we decided that on a certain chord this wall of violins should come in.” They experimented with an idea of “extreme closeness,” recording the guitar as quiet as possible, with the microphone placed right next to it and the gain turned up to the maximum. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eElsewhere on the record the band have employed a collage-like technique, combining snippets of lo-fi recordings from a myriad of different locations – a barn in France, the members’ bedrooms and living rooms, the atmospheric swimming pool in which they also filmed sublime live sessions for ‘Dark blue’ and ‘Skydiving onto the library roof’ – with more traditional group sessions at the Total Refreshment Centre and their studio in Peckham.  “For me there’s something about not working in a polished studio environment that’s part of the ethos of the project. Finding the place that’s right atmospherically for whatever you’re doing. It’s the same as playing in a circle,” O’Malley continues, referring to the band’s preferred onstage formation. “We’re trying not to compromise around what we need, and what we think the music needs.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThat translates to the record. O’Malley cites ‘Desperately’, a solo vocal and cello piece led by Llewellyn, which packs indescribable masses of feeling into barely a minute of runtime. “You can tell it’s recorded in a living room with wooden floorboards. It’s not just the sound of the room itself, but also the way it feels to play music in a room,” he says. As Hughes points out, they made the best of their circumstances. “We didn’t have a big recording budget so we did it as we went along, picking up different rooms and environments along the way. I find that more interesting than just going into a polished recording studio anyway,” he says. “We experienced a lot of nice accidents and imperfections, feelings of atmosphere, and then we decided to push them.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOn ‘Good morning (red)’, the only song even older than Dark blue, they bury Hughes’ vocals – recorded at the Red Lion Boys Club in South London – at the back of the mix. \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003e“Can I be happy in this world?... We’ll have to change it, it doesn’t suit us,”\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e he shouts from the distance, his voice desperate and defiant. “Those words were originally written after the 2017 general election. In some ways that felt like a hopeful time, there was a sense of openness and a possibility of radical change. I remember wanting to write something that was willing that change on.” In the time since the world has of course changed only for the worse, yet it makes for a more powerful song still, particularly when performed live. “I think I shout it in a more maniacal way now\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e I wanted the roughness and loudness of it to be a personification of the will to break free, but also the grief I feel now that hope has receded.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhen lockdown hit in March 2020, they’d played just three shows in their current incarnation (including the show where Geoff Travis and Paul Jones of Rough Trade Records first saw them play a whole set, soon after Geoff and Jeannette Lee signed them to the label…), and the membership of their eight-piece line-up was beginning to settle. “The pandemic solidified everything in place,” says O’Malley. “There’d always be a dep in for one person at every gig, but now it’s a set group of eight people.” The break also allowed them to take their time and hone everything that little bit more. “We’re concentrated in a way that I don’t think we would be if it weren’t for the pandemic,” says Hughes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eNot that everything was a breeze. caroline’s perfectionist streak clashed with the realities of mixing a record over three six-hour Zoom sessions a week with John ‘Spud’ Murphy, “listening to things over and over again, little three or four second clips, trying to elucidate with words what you mean,” says Hughes. “It was painful, but also we love being perfectionists. Feasibly we could have carried on doing these songs to eternity.” The main problem the band faced was simply putting a full stop on their constantly, organically changing compositions. “I think we’ve always considered it an annoying tendency we have, not to be able to finish stuff, but that’s only annoying because it’s existing within the construct that you have to finish stuff,” says Llewellyn. “We do end up finishing it, because we have to, but it’s never the top of the priority list. What we’re really interested in, on an immediate level, is us playing together.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe growth that began with that scrappy guitar band above a pub all those years ago is still happening, then. caroline’s astounding debut album is merely the first step.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Rough Trade\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Black vinyl","offer_id":41467898724520,"sku":"RT0150LP","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"Dinked Edition","offer_id":41467898691752,"sku":"RT0150LPXE","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/carolineAlbumPackshot.jpg?v=1645712836"},{"product_id":"life-north-east-coastal-town-lp","title":"LIFE 'North East Coastal Town' LP","description":"\u003cdiv\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eDinked Edition no. 179.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhite vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlternative sleeve \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eFlexi Disc with two bonus tracks\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLimited pressing of 600 copies \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eAlso available on limited pink vinyl or black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eLIFE are anchored by their hometown; the geography, history and community has always been the inspiration behind their creativity and on their third LP, North East Coastal Town, the band pay homage to Hull and its folk. North East Coastal Town is mature; it finds the band at the height of their powers as they carve-up a wide-screen, brooding body of work that is drenched in a sense of belonging and reflection but still impressively maintains their trademark swagger and ear for pop sensibilities and guitar hooks.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“Hull and the surrounding area runs through our DNA and has shaped us, weathered us, empowered us, embraced us and made us feel accepted.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eNorth East Coastal Town is our love letter to the city. The album is an ode to kinship and relationship with its musical and lyrical spine picking out themes of love, desire, beauty, horror, chaos, pride and most importantly the sense of belonging.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eUpon writing and recording this album it was important to us that this sense of belonging was also reflected in the album’s craft and therefore we used locally based studios, equipment, gear, and the community around us to establish what it means to belong in a North East Coastal Town.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eWhen the pandemic gripped the world in March 2020, LIFE were in the midst of promoting their acclaimed second album – A Picture Of Good Health (Sept 2019); they had just completed an arena support tour with Kaiser Chiefs in the UK, a triumphant main stage appearance at Rockaway Beach and flown to New York for New Colossus Festival ahead of a packed SXSW and a US tour with IDLES. They scrambled home on the last plane back from New York on 17th March.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe album was BBC 6 Music’s Album Of The Day, BBC Radio 1’s Album Of The Weekend and was one of BBC 6Music's Albums of The Year; all four singles from the album were play-listed at 6Music, and the band were nominated for two AIM Awards 2020 - Best Live Act and Best (Difficult) Second Album and they played major UK festivals including Glastonbury, Latitude, Reading Festival and many more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThey began rebuilding with ‘Friends Without Names’ – the shapeshifting first glimpse from the album – which was added to the A-List at BBC 6Music, and was recorded in the dead of night and hums with a dark, brooding and passionate atmosphere.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“Friends Without Names is the anchor and blueprint for our next record. In a remote part of Eastern England, close to the river Humber, we performed this track as if we were in trance; vibrating in a constant musical crescendo. Our aim was to push ourselves and harness differing time zones whilst giving in to the moments of beauty, horror, love and chaos depicted by the song’s lyrics.” (Mez Green, vocals)\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cdiv title=\"Page 3\"\u003e\n\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Afghan Moon \/ The Liquid Label\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"***SIGNED*** Dinked Edition White Vinyl LP + Flexi","offer_id":42053462098088,"sku":"TLLLF004LPX","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Limited Pink Vinyl LP","offer_id":42053462130856,"sku":"TLLLF004LPC","price":21.99,"currency_code":"GBP","in_stock":false},{"title":"Black Vinyl LP","offer_id":42053462163624,"sku":"TLLLF004LP","price":20.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/ScreenShot2022-02-28at21.22.40.png?v=1646083412"},{"product_id":"carrtoons-homegrown-lp","title":"Carrtoons 'Homegrown' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eDinked Edition #181:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eOpaque Green Vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eBonus Flexi Disc with exclusive track \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSigned \u0026amp; numbered insert \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLimited pressing of 300 \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlso available on standard pink vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBen Carr, aka CARRTOONS, is the hotly-tipped multi-instrumentalist and producer from New York whose music brings the electric bass to the forefront.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eOver time, he has become a sought-after producer through his eye-catching visuals, the success of his independently released LP ‘Saturday Morning’, appearances on NPR’s Tiny Desk \u0026amp; the release of viral track \"On My Way\" with The Kount, and more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis is his debut physical release following a string of highly successful digital self-releases. This releases features buzzing rapper Rae Khalil, Grammy winning singer Nigel Hall (Cabbage) and a host of rapidly rising young stars. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eRIYL: J Dilla \/ Thundercat \/ Mac Ayers \/ Knxwledge\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Witchita Recordings\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Dinked Edition","offer_id":42083870867624,"sku":"LPWEBB618DK","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Standard pink vinyl","offer_id":42083870900392,"sku":"LPWEBB618DK-2","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/Mockup-square.jpg?v=1646738836"},{"product_id":"thee-sacred-souls-thee-sacred-souls-lp","title":"Thee Sacred Souls 'Thee Sacred Souls' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eFor Thee Sacred Souls, the first time is often the charm. The band’s first club dates led to a record deal with the revered Daptone label; their first singles racked up more than ten million streams in a year and garnered attention from \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBillboard\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eRolling Stone, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eand \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eKCRW\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e; and their first fans included the likes of Gary Clark Jr., The Black Pumas, Princess Nokia, and Timbaland. 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The follow up to the politically charged, award-winning More Arriving is an Indo-futurist manifesto - in rhythmic step with the past and the present, it sets out to describe a route forward. It celebrates a rich South Asian culture of music and literature, which resonates with spirituality and community, while envisaging a better future from those building blocks. \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eRecorded at Real World studios with meticulous production by New York electronic musician, DJ and producer Photay, who translates these communal rhythms and practices into a timeless and groundbreaking electronic record. There’s a spirituality and warmth at play in the polyrhythms, group vocals and melodic flourishes.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eThe KALAK rhythm is the fulcrum upon which the 11-track project balances. After an intense lockdown induced period of reflection and meticulous note-making, Korwar boiled this down to the circular KALAK symbol which he then presented to his band before recording began. With the symbol projected on the walls in order to de-code and improvise around, Korwar had utter faith in the musicians he’d assembled and conviction in the concept.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003eThe final part of the KALAK project is realised in the cover artwork by New Delhi-based designer Sijya Gupta. Korwar and photographer friend Fabrice Bourgelle took a light sculpture of the KALAK symbol on a road trip around Southern India, through Chennai, Pondicherry and Auroville. The evocative shots appear on the cover of the various formats, with each one offering a different angle on the country, continent and culture that inspired the album.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eKALAK is the follow up to Sarathy Korwar’s hard hitting More Arriving album from 2019 \u003c\/li\u003e\n\u003cli\u003eThe album will be released on CD, black vinyl and limited edition INDIES ONLY dark green vinyl (1,000 copies for the world)\u003c\/li\u003e\n\u003cul\u003e\n\u003cli\u003eEach format features a different cover image with photography by Fabrice Bourgelle\u003c\/li\u003e\n\u003cli\u003eAll formats include an 8-page booklet, created by Sijya Gupta, with Korwar’s notes on the concepts behind the project\u003c\/li\u003e\n\u003cli\u003eRecorded at Real World Studios, with The Comet Is Coming’s Danalogue on synths, Tamar Osborn on baritone sax, Al MacSween on keys and percussionist Magnus Mehta\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cli\u003eThe album also features vocals by Kushal Gaya of Melt Yourself Down and Mumbai-based producer and electronic artist Noni-Mouse, as well as a track recorded with Japanese drum ensemble Kodo\u003c\/li\u003e\n\u003cli\u003eProducer Photay remixed a track on Korwar’s debut album, Day To Day, and has also worked with Yazmin Lacey, Madison McFerrin, Steve Spacek and Jordan Rakei\u003c\/li\u003e\n\u003cli\u003eFirst single ‘Utopia Is A Colonial Project’ is accompanied by a nocturnal, neon-lit dance video by Elliott Gonzo (Perfidious Productions), starring award winning choregrapher\/dancer Botis Seva\u003c\/li\u003e\n\u003cli\u003eMore Arriving - a candid reflection of Korwar’s experience of being an Indian in a divided Britain - won Best Independent Album at the 2020 AIM Awards, beating out the likes of Nick Cave and Kim Gordon\u003c\/li\u003e\n\u003cli\u003eIt was also awarded MOJO’s Jazz Album of the Year and was shortlisted for Gilles Peterson’s Worldwide Awards, the Jazz FM Awards and the Songlines Awards\u003c\/li\u003e\n\u003cli\u003eKorwar has established himself as one of the most original and compelling voices in the UK jazz scene, collaborating with the likes of Shabaka Hutchings, Arun Ghosh, Hieroglyphic Being, Auntie Flo and Bex Burch (as Flock)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eHe has toured with Kamasi Washington, Yussef Kamaal and Moses Boyd and was invited to perform at the prestigious New York Winter Jazz Festival in 2020\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\n\u003cp\u003eOn Sarathy Korwar:\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e“Rare talent… his rhythmically intense, entrancing vision adds a whole new spin to the Indo-jazz continuum” - Mojo\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e“A remarkable meeting of jazz, hip-hop, Indian classical music and radical politics” - the Quietus\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e“Korwar takes in the political and radical history of jazz as a voice of the disenfranchised, and applies it to the Indian diaspora experience in contemporary Britain” - The Vinyl Factory\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: The Leaf Label\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Dinked Edition clear vinyl","offer_id":42610689573032,"sku":"BAY 119VD","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Limited indies dark green vinyl","offer_id":42610689605800,"sku":"BAY 119VX","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Standard black vinyl","offer_id":42610689638568,"sku":"BAY 119V","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/BAY125VD_Square.jpg?v=1660389084"},{"product_id":"the-dream-machine-thank-god-its-the-dream-machine-lp","title":"The Dream Machine 'Thank God! It's The Dream Machine...' 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That the greatest material is born out of emotional trauma? \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhilst making his new album The Last Rotation Of Earth, Christinzio’s relationship with his fiancé crumbled after nine inseparable years. The album follows this break-up amid long-term struggles with addiction and declining mental health. The outcome is an extraordinary record, with Christinzio describing it as “more cinematic, sophisticated, and nuanced than anything I’ve done before. And more desperate”. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThat Christinzio has bettered his previous album is an achievement, given that Shortly After Takeoff received the best reviews of his life. “A masterpiece,” said The Guardian’s 5 star review, “a half hour or so that roils with anxiety, stuns with beauty and, occasionally, provokes laughter.” Even then, fate intervened when the album was released in April 2020, just as Covid and lockdown kicked in, so he was unable to tour the record until late 2021. The Philadelphian then joked, “I can't wait to make an album that isn’t surrounded by some awful tragedy.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e \u003cbr\u003eCondition: New\u003cbr\u003e \u003cbr\u003eLabel: Bella Union\u003c\/p\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Cream Vinyl","offer_id":43173760630952,"sku":"BELLA1429V","price":13.99,"currency_code":"GBP","in_stock":false},{"title":"Dinked Edition Blue Marbled Vinyl + Flexi","offer_id":43173760598184,"sku":"BELLA1429VD","price":25.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2023-02-06at21.09.18.png?v=1675717790"},{"product_id":"cranes-john-peel-sessions-1989-1990-lp","title":"Cranes 'John Peel Sessions 1989 - 1990' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cstrong\u003eDinked Archive #12:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSilver Vinyl \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong\u003eExclusive 12 x 12 Chris Biggs print of alternate artwork \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong\u003eDinked Archive obi-strip \u0026amp; gold foil sticker\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cstrong\u003eLimited pressing of 400\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe first in a series of archival releases from Cranes, the band’s John Peel Sessions are collected for the first time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eFormed in mid-1980’s Portsmouth by the brother \u0026amp; sister duo of Jim Shaw (drummer, keyboardist, guitarist, programmer) \u0026amp; Alison Shaw (vocalist, guitarist, bassist), Cranes first appeared in 1986 with Fuse, a self-released \u0026amp; now highly sought-after cassette of demos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eTheir debut album ‘Self-Non-Self’ followed in 1989, catching the attention of legendary DJ John Peel, who invited them to record two sessions for his show in 1989 \u0026amp; 1990, the second seeing Mark Francombe (guitarist, keyboardist, bassist) \u0026amp; Matt Cope (guitarist) join ranks to form the line-up who would go on to record multiple albums for Dedicated including the much-loved album, ‘Forever’, which enjoys it’s 30th anniversary this year.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eCranes are releasing John Peel Sessions (1989-1990) on their own Dadaphonic label. The first in a series of archival releases, this compilation features original artwork by fêted 4AD \u0026amp; v23 sleeve designer Chris Bigg (Pixies, Cocteau Twins, The Breeders).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eJohn Peel Sessions (1989-1990) will be available on black vinyl and as a highly-limited Dinked Archive Edition pressed on silver vinyl with an exclusive 12”x12” print of alternate artwork and Obi Strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: DADA005LPE\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Dadaphonic\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":43234295120040,"sku":"DADA005LPE","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/DINKEDPRODUCTSHOT2400x2400.png?v=1677668802"},{"product_id":"the-soundcarriers-celeste-2xlp","title":"The Soundcarriers 'Celeste' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eBlack vinyl pressing in stock now!\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003eDinked Archive Edition No.13 \u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDeluxe “Sunny-Side Up” orange-in-white 2LP *\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eA3 poster *\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eInner sleeves contain unseen photos \u0026amp; new liner notes by Jim Gavin (Lodge 49 creator)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eRemastered with newly designed artwork\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHand-numbered edition *\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eDinked Archive obi-strip \u0026amp; gold foil sticker *\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eIncludes instrumental mixes \u0026amp; two unreleased alternate mixes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLimited pressing of 400 *\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e*exclusive Dinked Edition elements\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlso available as black 2xLP.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThere's something intangible about ‘Celeste’, The Soundcarriers’ second album, originally released in 2010. It has a light, lucid quality, almost like driving exhausted through a strange city at night. Freeflowing yet tethered, dreamy yet attacking, the band continue the fight to reconcile competing impulses. Various threads just about keep the shimmering tapestry from tearing. Haunting folk melodies underpinned by rhythmic static and the physicality of the totally analogue recording and mixing, baroque keyboard counterpoints and sweeping arrangements. The opener “Last Broadcast” seems to encapsulate this but it's almost as if the album gets the angst out of its system with this track and is free to explore the quieter, less crowded back streets. After the smoke of “Last Broadcast” has cleared, the twisting road takes in the soft introspection of “Hideaway” and “Morning Haze”, both tracks morphing into heavy psyche grooves or the eastern tinged psyche funk of “Signals” and “Rise And Fall”. Or takes another turn with the tightly arranged opening segment of “Long Highway”. Somehow it still manages to fit in ‘60s pop gems like “There Only Once”.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAn album to really lose yourself in, yet more concise than the sprawling Harmonium and more relaxed and free-flowing than the nervy rush of Entropicalia, Celeste could be arguably their most indispensable album and not to damn it with faint praise, their most listenable.\u003c\/p\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLong out of print \u0026amp; sought after 2nd album originally released 2010\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eInner sleeves contain unseen photos and new liner notes by Jim Gavin (Lodge 49 creator)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eRemastered with newly designed artwork.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eIncludes instrumental mixes and two unreleased alternate mixes\u003c\/li\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Phosphonic\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Black vinyl","offer_id":43251443204264,"sku":"","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Dinked Edition Sunny-Side Up vinyl","offer_id":43251443171496,"sku":"","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/Screenshot2023-03-09at12.46.38.png?v=1678366897"},{"product_id":"dot-allison-consciousology-lp","title":"Dot Allison 'Consciousology' LP","description":"\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003eDinked Edition #244:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003e“Flax flower” blue vinyl \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eExclusive alternative sleeve artwork \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003e12” art print signed by Dot \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eLimited pressing of 400 \u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eAlso available on standard orange vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eDot Allison returns with a new solo album, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eConsciousology\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e. After over a decade away, the former One Dove singer and songwriter broke cover in 2021 with \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eHeart-Shaped Scars\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e and this new album follows just two years later, as she hits a purple patch of songwriting. It’s also her first full release for Sonic Cathedral after contributing to Mark Peters’ acclaimed \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRed Sunset Dreams\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e last year. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eConsciousology\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e finds multi-instrumentalist Dot joined by the London Contemporary Orchestra, her new labelmate Andy Bell from Ride, who plays guitar on two tracks, and Hannah Peel, who is responsible for some of the string arrangements with both the LCO and a stellar group of Scottish string players. It expands on the styles and themes of the previous album, all while pushing everything just that little bit further – the songs sound bigger, more avant-garde and experimental and, occasionally, properly out-there and psychedelic.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“I wanted to make some albums that felt like a set, exploring love, what lies beyond the visible and how all these aspects dovetail together,” explains Dot. “I see \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eConsciousology\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e a more psych \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eHeart-Shaped Scars\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e with a far fuller, more immersive sound and so, in that sense, it’s a more wayward, bolder, rule-breaking partner.”\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eRight from the eye-catching artwork by PJ Harvey collaborator Maria Mochnacz it definitely does not play it safe. It veers from the techno-played-as-folk of opener ‘Shyness Of Crowns’ and ‘220Hz’ and the Linda Perhacs-meets-The Velvet Underground chug of the first single ‘Unchanged’ to the Mercury Rev-style fantasia of ‘Bleached By The Sun’, the Brian Wilson-esque harmonies of ‘Moon Flowers’ and the kaleidoscopic colour trip of ‘Double Rainbow’. Elsewhere there are echoes of \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eDesertshore\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e-era Nico, Jack Nitzsche’s work with Neil Young, Karen Dalton and Anne Briggs before the relative simplicity of the Tim Hardin-inspired closer ‘Weeping Roses’. It’s a brilliant, breathtaking record.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe title, which brings to mind Maureen Lipman’s classic 1980s BT adverts (“you get an ’ology, you’re a scientist!”) might feel playful and light-hearted at first, but has a much deeper meaning, and one which makes sense of the album’s dedication to its biggest influences: Dot’s musician mother and botanist father. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“For me, it is an imagined voice of a conscious universe expressed through music,” explains Dot of the over-arching concept. “It’s a plea, an embrace, a longing, a last gasp, perhaps… imbued through the music, voice, harmony and a harmonic composition, with the lyrics taking an interest in the differing levels of consciousness apparent in all self-organising, natural systems.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“It takes a less mechanistic, inanimate but more infinitely complex view of the nature of reality and how feelings of love and loss – and consciousness itself – are potentially less ‘molecular’ in nature and more electromagnetic.”\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe choice of instrumentation reflects this: there is a Theremin on two songs (played by Dorit Chrysler) because it works by generating electromagnetic fields around two antennae. “It uses fields that are beyond the reach of our senses, that lie outwith the visible part of the electromagnetic spectrum,” says Dot. “To me, conceptually, this completely works with the ideas behind the album.”\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eFor ‘Double Rainbow’, she went one further and actually recorded the electrical activity in a plant which was then translated into pitch variations.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“So, in effect, it has a guest performance from a botanical session player,” she laughs. “I placed a Brachyglottis Sunshine on top of the Steinway grand piano at the studio and recorded its ‘voice’ through a Neumann U67. It was pretty endearing and really moving to hear this translated into a melody.” \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e‘Double Rainbow’ was actually the starting point for the album; written at the same time as the songs on \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eHeart-Shaped Scars\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, Dot felt it belonged somewhere else, and here it beds in perfectly alongside the similarly horticulturally inclined ‘Shyness Of Crowns’ (“the title relates to the behaviour of trees and how they socially distance at the crown of the woods”), ‘220Hz’ (“the frequency at which tree roots communicate beneath the ground in the ‘wood wide web’”) and ‘Mother Tree’ (inspired by Canadian scientist Suzanne Simard’s writings on the trees which act as central hubs for vast below-ground mycorrhizal networks.)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eExpanding on the theme, ‘Moon Flowers’ is about recognising “our synergistic place in the complex network of all life and to respect the living quantum systems we seem intent on continually interrupting”, while ‘Bleached By The Sun’ includes the lyric \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“in our roots there is soul, an innate empathy”\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e. “It’s an appeal that can be construed as a love song,” says Dot, “but in my mind was what nature might say should nature be able to be heard.”\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e‘Unchanged’ \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eis\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e a love song, albeit one about “being in a process with someone where you love, lose and grieve the love-bond alone, while the other person appears to remain unchanged throughout”. It’s powerful and driving, the opposite of the closing track, ‘Weeping Roses’. Inspired by a tape gifted to Dot in the ’90s by the late Andrew Weatherall which included two songs by Tim Hardin (‘How Can We Hang On To A Dream’ and ‘If I Were A Carpenter’), it ends this majestic and mind-expanding album on a perfect note of intimate simplicity.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Sonic Cathedral\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Dinked Edition LP","offer_id":43688958722216,"sku":"SCR235LPX","price":25.99,"currency_code":"GBP","in_stock":false},{"title":"Orange vinyl LP","offer_id":43688958754984,"sku":"SCR235LP","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/SCR235LPX_DotAllison_Consciousology_Dinked_2400x2400_1436f38c-ba66-4745-9a32-1dbc6ee96c91.jpg?v=1684579679"},{"product_id":"the-goa-express-the-goa-express-lp","title":"The Goa Express 'The Goa Express' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eDinked Edition #245:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003e“Rhubarb and Custard” coloured vinyl \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eAlternative artwork oversleeve \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSigned \u0026amp; hand-numbered edition\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003ePrinted lyric insert\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eLimited pressing of 500\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlso available on standard black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eDebut album from The Goa Express, led by Clarkey alongside his brother Joe and best friends Joey, Naham and Sam. They met as young teenagers in Burnley - growing up in the rural shadow of England's industrial north, music was a means of escape and a vessel for friendship. Their shared adolescent experiences shaped their collective attitudes and behaviours and, ultimately, the sound and spirit of their band. 6music playlists  and Radio 1 support has followed along with a heavy touring schedule.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: The Goa Express\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Dinked Edition","offer_id":43705504759976,"sku":"COMM593","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Black vinyl","offer_id":43705504792744,"sku":"COMM594","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/TGEDinkedSquare.jpg?v=1684835259"},{"product_id":"johnny-flynn-robert-macfarlane-the-moon-also-rises-lp","title":"Johnny Flynn \u0026 Robert Macfarlane 'The Moon Also Rises' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cstrong\u003eDinked Edition #260:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eGalaxy orange-black vinyl \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eBonus 7” black vinyl \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSigned \u0026amp; hand-numbered insert\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eLimited pressing of 1500\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAlso available on Moon Colour vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eJohnny Flynn’s sixth album, and the second co-written with his friend Robert Macfarlane. Out 10th November 2023 on Transgressive\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGathers songs that Johnny and Robert have written together since finishing their first joint album, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eLost In The Cedar Wood\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e (2021). At its heart are the oldest themes of all: death and renewal, darkness and light. The first five tracks are songs of burial, shadows and memory, while the final four are songs of awakening, light and love. The album turns around a central song, ‘The Sun Also Rises’, which stands with a foot in both dark and light\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eFuses poetry, story, landscape, history, nature and myth into a series of rich, strange songlines that criss-cross time and place, joining winter to spring, ancient to present and birth to death. As the Sun sets, so the Moon rises as its echo; as one light dies, another, altogether different light is born\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ePartly recorded in an old Methodist chapel –now the home of Johnny and Rob’s friends, Cosmo and Flora Sheldrake\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eProduced by Charlie Andrew (Alt-J, Marika Hackman)\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eJohnny Flynn\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e is a singer, composer, musician and actor. His musical releases to date include the studio albums \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eA Larum \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e(2008), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBeen Listening \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e(2010), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCountry Mile \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e(2013), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eSillion \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e(2017) and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eLost In The Cedar Wood\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e (2021). He has released two full live albums, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eLive in Washington DC (2014) \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eand \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eLive at the Roundhouse \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e(2018) and various EPs and soundtracks. As well as touring the world with his band, Johnny regularly composes music for film, TV and theatre –– including work for period instruments at the Globe Theatre. Johnny’s recent acting projects include \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eHangmen \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eand \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eTrue West \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e(for which he also composed the music) on stage and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eEmma\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBeast\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Dig \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eon film. He is currently appearing as Richard Burton in Jack Thorne’s sell-out play \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Motive and the Cue\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, directed by Sam Mendes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eRobert Macfarlane\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e is a writer of books about nature, people, place and landscape including \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eUnderland \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e(2019), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eLandmarks \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e(2015), \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Old Ways \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e(2012) and, with Jackie Morris, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Lost Words \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e(2017) and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe Lost Spells \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e(2020). He also writes films (inc. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eMountain\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eRiver\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, both starring Willem Dafoe), operas, plays and screenplays, and collaborates widely, including with artist Stanley Donwood, and musicians Cosmo Sheldrake, Jocelyn Pook and Karine Polwart. His work has been widely adapted for film, stage, television, radio, dance, music and performance, and his books have been published in more than thirty languages. In 2023 he was awarded the inaugural Weston International Award for Non-Fiction.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Transgressive\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Dinked Edition galaxy orange-black vinyl","offer_id":44936378089640,"sku":"TRANS742XD","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Moon colour vinyl","offer_id":44936378122408,"sku":"TRANS742X","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/JohnnyFlynnTMARDinkedSq.jpg?v=1694426821"},{"product_id":"bill-ryder-jones-iechyd-da-lp","title":"Bill Ryder-Jones 'Iechyd Da' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp class=\"st__content-block st__content-block--text\"\u003eBlack or coloured vinyl.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eBeautifully produced and rich in scope – ‘\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIechyd Da’ \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eis Bill Ryder-Jones’ most ambitious record to date. At times joyous and grand, at others intimate and heartbreaking, the past few years spent producing other artists have provided that gentle nudge to expand into new territory, from kids choirs and tender strings to dramatically re-contextualised disco samples.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eMaking this album has been a process that has been endlessly rewarding for Ryder-Jones, both creatively and personally, as he finally accepts that he’s made an album that has bettered one he’s been trying to top for a decade\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e. “It's been incredible making this,”\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e he says. \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“Despite all the life stuff that's happened, it has brought me immense happiness. I've always railed against it when people ask if making a record is cathartic but I’d have to admit that this one really was. Over the years my music has lost a bit of its hope I reckon. It were important for me to make a record that had more hope in it. Even by my standards the last few years have been rocky, but I’ve chosen to soundtrack it with more positive music, you know? I love this album. I haven't been this proud of a record since A Bad Wind Blows in My Heart.”\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Domino\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Black vinyl","offer_id":44988850864296,"sku":"WIGLP485XD-3","price":21.99,"currency_code":"GBP","in_stock":false},{"title":"Dinked Edition rose pink vinyl + 7\"","offer_id":44988850798760,"sku":"WIGLP485XD","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"Powder blue vinyl","offer_id":44988850831528,"sku":"WIGLP485XD-2","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-09-18at13.46.34.png?v=1695041217"},{"product_id":"plantoid-terrapath-lp","title":"Plantoid 'Terrapath' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eDinked Edition #265:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003e140g Gold Vinyl \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eA4 Risograph Print\u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eHand-Numbered \u0026amp; Signed Edition \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eOBI-Strip \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSticker set \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eLimited pressing of 300\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eTake a look at the cover art for Plantoid’s debut album, the jazzy, prog-rock opus Terrapath. In a desolate, misty landscape, a massive half-vegetable, half-machine structure resembling a spaceship looms above figures shrouded in shadow. It’s weird and eerie, but it also ignites a feeling of wonder and nostalgia, like cracking open your favourite sci-fi novel as a kid. It harkens back to ‘70s rock artwork, where ornate fantasy scenes gaze back at you from dusty vinyl gatefolds—and yet it was created with the decidedly modern AI software Midjourney. In short, it’s the perfect visual for a band that is able to marry both the old and the new in a fresh and exciting way.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eMusically, Plantoid’s cauldron harnesses multiple subgenres at once to concoct a sort of primordial soup, the molecules of which are built as much from progressive rock as they are jazz, fusion, folk, and even a bit of ‘70s hard rock for good measure. The band began as the brainchild of Chloe and Tom, who formed the band Mangö and started gigging around town with drummer Louis Bradshaw, who Tom had been good friends with since secondary school. \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eAfter making a name for themselves locally, the three relocated to London and recruited bassist Bernardo Larisch, who they met at a uni freshers party. Now a four-piece, and renamed Plantoid, the band were ready to dig even deeper into their shared influences, ranging from Miles Davis to Todd Rundgren, to Jeff Buckley, all the way around to the more acute experimental fare that gives Plantoid their razor-sharp edge.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eEmotion, whether it be through their music, lyrics, or performances, is a large part of Plantoid’s creative impetus. Think back to that little alien searching for meaning with his big green spaceship: through all the crazy solos, elastic basslines, acrobatic vocals and supermassive drum beats, Terrapath is a story about finding yourself through the music you love\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Bella Union\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":45323747983528,"sku":"BELLA1533VD","price":25.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Plantoid_Terrapath_DinkedEdition_LPMock.jpg?v=1697461460"},{"product_id":"tapir-the-pilgrim-their-god-and-the-king-of-my-decrepit-mountain-lp","title":"Tapir! 'The Pilgrim, Their God and the King of My Decrepit Mountain' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cstrong\u003eDinked Edition #266:\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eCrystal clear vinyl \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eAlternative artwork outline “colour-me-in” sleeve \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eA2 double sided poster \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSigned \u0026amp; numbered edition \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eLimited pressing of 500\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSouth London six-piece Tapir! serves as a ‘boiling together’ of different mediums: at once musical, theatrical, mythological, artistic, collaborative, narrative-led and, above all, something to be enjoyed and shared.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eWith their debut album, “The Pilgrim, Their God and the King of My Decrepit Mountain”, Tapir! have proven they are more than technically adept at transporting the listener to another realm. You could read the whole album as being an escape from the trappings of the modern material world, a sidestep into a pre-industrial, pre-internet wonderland where creativity and community reign supreme. The narrator of ‘My God’ might suggest to us ‘Maybe it was Maybelline that put you at a loss\/That’s my God’, but for Tapir! it is imagination itself that is king.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eExclusive DINKED edition presents the record on crystal clear vinyl, a blank “colour-me-in” alternative sleeve (with artwork outline, inviting fans to colour themselves) and a double-sided pull-out print.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Heavenly\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":45403735523496,"sku":"HVNLP220D","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-10-23at18.11.24.png?v=1698089233"},{"product_id":"francis-of-delirium-lighthouse-lp","title":"Francis Of Delirium 'Lighthouse' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eDinked Edition #271:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eOlive Green \u0026amp; White swirl vinyl \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eAlternative artwork sleeve – a lino print design by Jana Bahrich (Francis of Delirium)\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eExclusive design signed postcard \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eBonus CD compilation (8 catalogue tracks \u0026amp; an acoustic version of ‘Real Love’) with unique artwork \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eNumbered edition of 400\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSince first emerging in early 2020 with the anthemic ‘Quit Fucking Around’ and releasing a critically acclaimed 3-part EP trilogy between 2020 and 2022, Francis of Delirium gained praise for distilling the angst and despair that plagues a generation who faces an uncertain present and future.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFrancis of Delirium was shortlisted for 2022’s highly prestigious ESNS Music Moves Europe Award, as well as gaining accolades from the world’s music press and supporting some of the biggest artists on the planet, at still only 22 years old. A restless energy and desire to connect with the listener lies at the core of the project, with Jana’s personal lyrics being underpinned by a fierce rock sound that is as liberating as it is intense. Hailed as a Gen Z’er excitingly redrawing 90s classic indie rock (unsurprising given her chief collaborator Chris Hewett hails from Seattle and is three decades her senior) a deep admiration for contemporary acts such as Car Seat Headrest, Japanese Breakfast, Mitski, Phoebe Bridgers and Sufjan Stevens is also abundantly clear.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe upcoming album is titled ‘Lighthouse’, as their music has always straddled the line of light and darkness, both musically and lyrically. Expanding the instrumentation by incorporating more pianos and acoustic guitars, the tracks on ‘Lighthouse’ are intimate and disarming.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e“\u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTackling big existential questions and turbulent emotions, (Francis of Delirium) throw off promising sparks of brilliance.” Pitchfork, 7.4 EP Review\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Dalliance Records\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":45679155118248,"sku":"DR_1077LPDINK","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/IMG-4198.jpg?v=1711483258"},{"product_id":"ed-harcourt-el-magnifico-lp","title":"Ed Harcourt 'El Magnifico' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eDinked Edition #273:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003e“Gold” vinyl  \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSigned 12” x 24” folded poster insert (Steve Gullick photo) \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eNumbered sleeve \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eBonus 2 track 7”  \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eLimited pressing of 750\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eMaking his debut with the Mercury Prize-nominated ‘Here Be Monsters’ in 2001, Harcourt has released music under his own name that blends raw emotions, impeccable songwriting and visionary flights of imagination. A succession of ten rich, enthralling albums have followed that first spark of his, including the intoxicating addictive ‘Strangers’ in 2004; 2013’s breathless ‘Back Into The Woods’ which was recorded in just eight hours; and ‘Furnaces’ which compellingly and entreatingly envisioned family ties confronted by the small matter of the apocalypse. After that LP in 2016, Harcourt then moved to explore the instrumental sphere with recent soundscape albums ‘Beyond The End’ and ‘Monochrome To Colour’.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWhile recognisably bearing all the hallmarks that have made him such an admired and prolific songwriter, one of Britain’s most cherished yet inventive music creators, Ed’s new record, ‘El Magnifico’\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ealso finds him striving for something new. It is an \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eEd Harcourt record\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e, but one with a desire to seek fresh reward. \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWith his body of work to date, it would be foolhardy for Harcourt not to lean on his artistic foundations, not just as a solo artist, but as an acclaimed music-maker in a variety of guises. His creativity has stretched beyond his own impressive catalogue too. Consistently inspired by the power of collaboration, as a writer, producer and, often, one-man backing band, he has aided the musical visions of the likes of Afghan Whigs, Lissie, Jamie Cullum, The Libertines and Marianne Faithfull, plus has worked with an array of fast-rising new talents. He has also engaged closely with filmmakers, scoring movies and documentaries and is a member of the gloriously louche, sonically hard bitten rock trio Loup Garoux.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWith that array of creativity fizzing behind him, Harcourt enjoys a spectrum-spanning number of outlets of expression, ensuring his bountiful creativity and cascading of ideas always find an appropriately unique home. And ‘El Magnifico’ is the beneficiary of this immense scope and musical insight. \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Deathless Recordings\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":45772114100392,"sku":"DRLP001DKD","price":25.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-11-22at08.19.50.png?v=1700641248"},{"product_id":"ducks-ltd-harms-way-lp","title":"Ducks Ltd 'Harm's Way' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cbr\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“Stone \u0026amp; Hedge” splatter vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eBonus 2 track 7” \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eObi-strip \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eLyric sheet insert\u003c\/span\u003e\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eLimited to 500\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eDucks Ltd. make inviting and frenetic guitar pop for when life feels overwhelming. While the band’s songs are ostensibly breezy, a palpable anxiety boils underneath that communicates something deeper about everyday existence. On their latest album \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eHarm’s Way\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, the Toronto duo of Tom McGreevy and Evan Lewis hones in on interpersonal and societal collapses, urban decay, and the near-impossibility of keeping a level head when everything around you seems to be falling apart.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e“They’re songs about struggling,” says singer and lyricist McGreevy (who also plays bass and rhythm guitar). “About watching people I care for suffer, and trying to figure out how to be there for them. And about the strain of living in the world when it feels like it's ready to collapse.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eEven with its often dark subject matter, \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eHarm’s Way\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e is Ducks Ltd.’s most vividly rendered and collaborative collection yet. It’s an undeniable evolution for the band, not just in how these songs soar, but in their entire writing and recording processes. Composed on tour while supporting acts like Nation of Language, Illuminati Hotties, and Archers of Loaf, the album displays the band’s finely tuned songcraft and well-earned, road-tested confidence. “When we got signed, we had played maybe five or six shows ever. After last year, it’s in the hundreds. That experience can change your perception of your own music and songwriting,” says McGreevy. “In the past when we got stuck on a song we had a tendency to look at our favorite records to see how they tackled it. But now, instead of asking ‘what would Orange Juice do?’, we’d ask, ‘what would we do?’.” Lewis adds, “We have this really great thing where every decision with the band is filtered through both of us. Here especially, we really figured out how to make something that truly sounds like us.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eThe band, fortified by this strong sense of sonic identity and a self-assurance in their new material—and in contrast to their critically acclaimed 2021 debut \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eModern Fiction \u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eand 2019 EP \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eGet Bleak\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, both self-recorded and self-produced in a Toronto basement—wanted to bring \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eHarm’s Way\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e to life in a new city, with an outside producer, and with some of their favorite musicians. “We realized that so many of our favorite bands who are making guitar music right now are from Chicago,” says McGreevy. Working with producer Dave Vettraino (Dehd, Deeper, Lala Lala), they enlisted a marquee cast of Windy City collaborators to round out the tracks on \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eHarm’s Way\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e, including: Finom’s Macie Stewart (violin, string arrangements); Ratboys’ Marcus Nuccio (drums on most tracks); Dehd’s Jason Balla (who helped arrange the backing vocals, to which he also contributed); and backing vocals from Julia Steiner (Ratboys), Nathan O’Dell (Dummy), Margaret McCarthy (Moontype), Rui De Magalhaes (Lawn), and Lindsey-Paige McCloy (Patio). The band’s touring drummer, Jonathan Pappo, and bassist Julia Wittman also appear on the LP.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eDucks Ltd. are a band that already thrives on skirting the edges of buoyant jangle pop and driving power pop, and the duo credits these collaborators with helping to push their sound even further. “Historically our process has been really tightly controlled and insular. On this record, we worked with people who we trusted with a pretty wide range of musical backgrounds and they had approaches and ideas that helped open up the record's sonic palette,” explains McGreevy. “Jason thinks about backing vocals in a totally different way than I do and is super intuitive with melodic ideas. Julia and Margaret have a really deeo understanding of harmony. Macie and Dave were comfortable with the idea of improvising string parts which took some of those layers in some surprising directions. Dave also has an amazing ability to create atmosphere on a recording, and encouraged us to use a bunch of different techniques, tones, and processes to achieve that.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eHarm’s Way\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e’s lush, melodic swagger is clear from the first notes of opener “Hollowed Out.” A song about living with decline (inspired by a Toronto sinkhole), its bright, indelible catchiness serves in contrast to its lyrical unease. Anchored by Lewis’ shimmering electric guitar, “The Main Thing” laments growing apart from a person whose views you once shared while managing to toss in references to both the unglamorous lives of middle relief baseball pitchers \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eand\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e the occult. Other songs split the difference between country and krautrock, like the rollicking “Train Full of Gasoline,” which uses the 2013 Lac-Mégantic rail disaster in Quebec as a metaphor for self-destructive patterns. Meanwhile, “Deleted Scenes” mourns the absence of someone no longer in your life (even if for very good reasons) and recalls The Cure at their most direct, and closer “Heavy Bag” employs enveloping, mournful strings to evoke a sense of how misery frequently loves company.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eHarm’s Way\u003c\/span\u003e\u003c\/i\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003e is Duck Ltd.’s most intuitive and organic album yet, the result of keen observation, self-possessed songwriting, and a collaborative spirit. Building on the successes of their previous releases, the deeply relatable album displays a band operating at a nuanced, lyrical and musical best.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Carpark\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Limited Dinked Edition Splatter Vinyl LP + 7\"","offer_id":45873644667048,"sku":"CAK172DINKED","price":26.99,"currency_code":"GBP","in_stock":false},{"title":"Pearly White Vinyl LP","offer_id":45873644699816,"sku":"CAK172LP","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-11-30at08.28.25.png?v=1701332924"},{"product_id":"suede-bloodsports-10th-anniversary-edition-lp","title":"Suede 'Bloodsports (10th Anniversary Edition)' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003e180 gram blavck vinyl version available\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDinked Archive Edition #17 (SOLD OUT)\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlso available as a 180 gram black vinyl LP.\u003c\/span\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAfter reforming for a charity concert at the Royal Albert Hall for the Teenage Cancer Trust in 2010, Suede decided to stay together and record a new album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eRe-united with Ed Buller, producer of the band’s first three albums, they recorded “Bloodsports”,the band’s sixth album, in 2012. Released in March 2013, it debuted at number 10 in the UK albums chart and features the singles “It Starts And Ends with You”, “Hit Me” and “For The Strangers”.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe black vinyl edition is 180 gram.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Demon Records\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Dinked Archive Edition Red Vinyl LP + 7\" (*SMALL SPLIT INNER SLEEVE \/ SLIGHT BUMPED CORNER*)","offer_id":45995650384040,"sku":"DEMREC1181D","price":31.99,"currency_code":"GBP","in_stock":false},{"title":"Black 180 Gram Vinyl LP","offer_id":45995650416808,"sku":"DEMREC1181","price":28.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2023-12-13at08.36.15.png?v=1708603986"},{"product_id":"bodega-our-brand-could-be-yr-life-lp","title":"Bodega 'Our Brand Could Be Yr Life' LP","description":"\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eGold nugget vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e20 page lyric booklet \u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eBODEGA dollar insert \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eBonus track digital download \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLimited pressing of 500 \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlso available on silver vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSometimes you have to move backwards to move forwards. Just ask punk cultural commentators BODEGA, whose new album sees them carve a new future from fuzz-soaked, consumerism-skewering shards of their past. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e‘Our Brand Could Be YR Life’ is BODEGA's first album release through Chrysalis Records. “It’s something we’ve been wanting to do for years,” guitarist and vocalist Ben Hozie explains of ‘Our Brand Could Be Yr Life’ – a collection of catchy indie-rock ruminations on the slow-creep of corporate-think into youth culture, first written eight years ago. \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e‘Our Brand Could Be YR Life’'s 15 tracks explore indie-rock subgenres, self-critique and everything in between. \"I think it’s our best- sounding record to date,” says Hozie, \"I t’s got dance-punk. There's some shoegaze on there. There's slacker rock on there. There's psychedelic rock on there. R.E.M, too. We wanted to be another band in a long stream of missionaries, proselytising a certain type of rock subculture.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCondition: New\u003cbr\u003e\u003cbr\u003eLabel: Chrysalis\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Dinked Edition Gold Vinyl LP","offer_id":46305619312808,"sku":"","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Silver Vinyl LP","offer_id":46305619345576,"sku":"","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2024-01-07at19.43.36.png?v=1704656798"},{"product_id":"van-houten-the-tallest-room-lp","title":"Van Houten 'The Tallest Room' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eDinked Edition #277:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eBaby blue vinyl \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eBonus 2 track 7” \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eVan Houten balloon \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003eUnique obi-strip \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cstrong\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eLimited pressing of 400\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAlso available on black vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eLeeds shoegaze outfit Van Houten release their debut album. After the huge success of the lead single, ‘Coming of Age’, the band have been branded as a BBC 6Music’s artist tip of the year 2024 on Tom Robinson’s New Year’s Day show. \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eReminiscent of artists like Deerhunter, DIIV or Yuck with an unmistakable Yorkshire edge, Van Houten open up a unique sonic world. A cavernous shoegaze affair, filled with woozy psych, sincere storytelling and a bag full of earworms. Van Houten have honed a truly unique, melding a 90’s \u0026amp; alternative sound \u0026amp; aesthetic with true pop sensibility, crafting their own blend of lo-fi indie, psych rock, shoegaze and garage rock.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e‘The Tallest Room’ marks a brand new release from the exciting new partnership between Clue Records and EMI North, the first physical major label office to open outside London. \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Clue\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Universal","offers":[{"title":"Dinked Edition baby blue vinyl + 7\"","offer_id":46400596017320,"sku":null,"price":23.99,"currency_code":"GBP","in_stock":false},{"title":"Black vinyl","offer_id":46400596050088,"sku":null,"price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/VanHouten-TheTallestRoom-DinkedFullPackagewithpinkballoon.png?v=1705325853"},{"product_id":"jessica-pratt-here-in-the-pitch-lp","title":"Jessica Pratt 'Here In The Pitch' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eAvailable as Fools Godl vinyl, black vinyl or limited Dinked Archive Edition (details below):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDinked Edition #280:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eOxblood Red vinyl\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHand-numbered sleeve\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSigned collage art print – designed by Jessica\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLimited pressing of 750 \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eOn her fourth album, west coast artist Jessica Pratt expands the scope of her artistry, placing her sharpest songs to date within an ever-broadening pool of influences including spectral '60s pop, Hollywood psychedelia and bossa nova. \u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWhereas Pratt's 2019 record, ‘Quiet Signs’, floated elegantly in the ether, ‘Here in the Pitch’ is entrenched in more earthen characteristics, as the title suggests, and her craft is emboldened with a newfound gravitas.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: City 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Edition:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eCrystal clear transparent audiophile 2LP\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eA3 folded poster\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eSigned \u0026amp; numbered edition\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eB\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003eonus 7”\u003cbr\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLimited pressing of 1000\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eGoat Girl - Lottie Pendlebury (she\/her), Rosy Jones (they\/them) and Holly Mullineaux (she\/her) are excited to announce their third album “Below The Waste” which is being released on Rough Trade Records on June 7\u003csup\u003eth\u003c\/sup\u003e 2024. 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I was yearning for honesty and authenticity in relationships I held with people, probably partly because at the time, like everyone, we were so isolated from one another. But it also felt deeper than that, like the conversations I dreamt of stripped away all of the etiquettes we desperately clung onto and went below the surface to where the most interesting parts of ourselves tend to be suppressed.”\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv title=\"Page 3\"\u003eCondition: New\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv title=\"Page 3\"\u003eLabel: Rough Trade\u003cbr\u003e \u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"*SIGNED* Dinked Edition: Crystal clear transparent audiophile 2LP + Black 7\" + Lyric Book","offer_id":46762357719208,"sku":"","price":34.99,"currency_code":"GBP","in_stock":true},{"title":"*SIGNED* Limited Red Vinyl LP","offer_id":46756041949352,"sku":"","price":9.99,"currency_code":"GBP","in_stock":false},{"title":"*SIGNED* Black Vinyl LP","offer_id":46756041982120,"sku":"","price":20.99,"currency_code":"GBP","in_stock":false},{"title":"*SIGNED* CD","offer_id":48419895410856,"sku":"","price":10.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2024-02-11at20.43.32_3353f811-a942-49a6-9ee3-4ffa93d30592.png?v=1707770459"},{"product_id":"keeley-forsyth-the-hollow-lp","title":"Keeley Forsyth 'The Hollow' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003eDinked Edition #284:\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\" style=\"font-weight: 400;\"\u003e\u003cstrong\u003eCream white coloured vinyl \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\" style=\"font-weight: 400;\"\u003e\u003cstrong\u003eA2 folded poster, signed by Keeley \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\" style=\"font-weight: 400;\"\u003e\u003cstrong\u003e16 page 12”x12” lyric booklet \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\" style=\"font-weight: 400;\"\u003e\u003cstrong\u003eNumbered edition \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\" style=\"font-weight: 400;\"\u003e\u003cstrong\u003eLimited pressing of 350\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAlso available on black vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eKeeley Forsyth is a singer, composer and actress from Oldham, UK.  A frequent presence on primetime TV since the mid-'90s, over the past few years she has forged an unusual parallel career as a unique and uncompromising new presence in contemporary music. Described by Pitchfork as “arid and beautiful”, by Uncut as \"astonishing\" and The Sunday Times as \"one of the most remarkable in years”, Keeley's debut LP 'Debris' (2020) and follow-up 'Limbs' (2022) drew unanimous critical praise, prompting comparisons with Nico, Beth Gibbons, Aldous Harding, Nick Cave, Anohni and even Scott Walker. It's often stated that no one else is making music quite like this. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eThe bleak and foreboding landscape surrounding Keeley's North Yorkshire home seems to inhabit her third LP, 'The Hollow'.  The moors, visible from her studio window, impact upon a music that feels made of these places: windswept, rain-soaked and blinking through the low-lit landscape. The album's title derives from discovering a long-abandoned mining shaft whilst out walking - the past lurking within and haunting the present we now occupy. A connection to time that places us within it, facing what is gone and what may come. But also, perhaps that time has no concern as to whether we're here or not. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eKeeley's unique elemental voice again sits centrally within this world-building. Her cathartic reflections are exorcisms in song. We hear an artist making sense of her life, willing to expose vulnerability without ever appearing weak. Working again with producer Ross Downes, the LP features Matthew Bourne and Colin Stetson, Forsyth sought to expand both her voice and music. Taking aspects of sacred music, minimalist post-classical, dark ambient, film and theatre soundtracks, she layers her vocals into chamber choirs, applies pitch shifts and other digital processing, moves from clear articulate intention to mumbled numb utterances. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eComposer Mihály Vig's score to Bela Tarr’s film 'The Turin Horse' is reimagined as a pressurised outpouring, recasting the everyday within a mythical light of survival and hope.  On ‘A Shift’, Mal Finch's protest song ‘We Are Women, We Are Strong ‘, originally sung by wives and daughters in support of the '80s miner’s strikes, is recontextualised in solidarity for an experience of creative labour.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eA sought-after collaborator, Keeley is currently working towards new projects with Ben Frost, Teho Teardo, and Matthew Bourne. She has provided vocals for Louis Carnell; remixed both Gazelle Twin and Quin Quis; has soundtracked Maxine Peake’s directorial debut; and is currently developing a stage and studio project with Ben Frost and writer Robert MacFarlane.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eA magnetic live performer able to create an immersive almost ritualistic experience, Keeley recently received a standing ovation at Unsound and supports the LP with shows at Bristol New Music, Rewire festival and London's ICA.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: 130701 \/ FatCat Records\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Dinked Edition cream white vinyl","offer_id":46894307016872,"sku":"","price":28.99,"currency_code":"GBP","in_stock":false},{"title":"Black vinyl","offer_id":46894307049640,"sku":"","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/DINKEDMOCKUP_fdde354f-d1bc-4bbd-98fe-406cc8f0fd9e.jpg?v=1708778756"},{"product_id":"king-hannah-big-swimmer-lp","title":"King Hannah 'Big Swimmer' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eAvailable as a Dinked Editon (details below) or blue vinyl.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eDinked Edition:\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e140g cream white vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlternative artwork album sleeve\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eBonus 2 track 7” -  coke bottle green vinyl\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eHand Numbere\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003ePrinted lyrics insert\u003c\/span\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eLimited pressing of 500\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eKing Hannah crafts a musical tapestry that seamlessly weaves between the serene depths of meditative pop and the expansive, sonorous landscapes brimming with darkness, wit, and wry humor. Merrick’s vocals, a smoky delight, imbue her words with profound weight and potency, complemented by the bluesy canvases Whittle masterfully paints beneath them. Their sound effortlessly transitions from moments of post-rock expansiveness to evoking the sensation of Springsteen straying onto a gritty side-street off his highway to freedom.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eIn recent times, the duo has graced stages alongside esteemed artists such as Kurt Vile, Thurston Moore, Kevin Morby, and DIIV, captivating audiences at festivals across Europe and North America including End of the Road, Green Man, Primavera Sound, and Fusion, among others. King Hannah’s accolades include being hailed as Stereogum’s Band to Watch, The Guardian’s Ones to Watch, Paste’s Best of What’s Next, and featured in DIY Magazine’s NEU segment, SPIN’s rising artists, and many more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: City Slang\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Dinked Edition Cream White Vinyl LP + Coke Bottle Green 7\" (Alt Cover) (*DAMAGED SLEEVES*)","offer_id":48570060996776,"sku":"","price":21.99,"currency_code":"GBP","in_stock":false},{"title":"Dinked Edition Cream White Vinyl LP + Coke Bottle Green 7\" (Alt Cover)","offer_id":47021825884328,"sku":"","price":26.99,"currency_code":"GBP","in_stock":false},{"title":"Limited Blue Vinyl LP","offer_id":47021825917096,"sku":"","price":23.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2024-03-05at20.03.02.png?v=1709669298"},{"product_id":"kate-nash-9-sad-symphonies-lp","title":"Kate Nash '9 Sad Symphonies' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eAvailable on baby pink vinyl or...\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003eDinked Edition #289:\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cstrong\u003eOlive Green \u0026amp; Silver Cornetto effect vinyl variant \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cstrong\u003eSigned art print \u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cstrong\u003eLimited pressing of 500\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eKate Nash’s new album ‘9 Sad Symphonies’ is her first signed to the legendary Kill Rock Stars label. The album was produced and mixed by Grammy winning Danish producer Frederik Thaae (K Flay, Jada, Crown The Empire). \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eMarking a new chapter in Kate’s illustrious career, the album’s lyrical scope is both deeply personal and achingly relatable, whilst its orchestral arrangements and melodies draw from Kate’s experience in the world of musical theatre. \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eKate Nash is a BRIT Award-winning singer-songwriter, musician and actress known for her fearless approach to music and unapologetic storytelling. 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She also captivated audiences as Rhonda in Netflix’s Emmy-nominated GLOW.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Kill Rock Stars\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Dinked Edition Cornetto effect vinyl (*SLIGHT SPLIT \/ BUMPED SLEEVES*)","offer_id":47095625449640,"sku":"LPKRS801DK-1","price":21.99,"currency_code":"GBP","in_stock":false},{"title":"Standard baby pink vinyl","offer_id":47095625482408,"sku":"LPKRS801","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screen_Shot_2024-06-20_at_11.37.21.png?v=1718879862"},{"product_id":"fink-beauty-in-your-wake-lp","title":"Fink 'Beauty in your Wake' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cstrong\u003eDinked Edition #291:\u003cbr\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cstrong\u003e“Zenor Moss” coloured vinyl \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cstrong\u003eBonus 2 track 7” with “dinked” centre hole \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cstrong\u003eAlternative sleeve variant *\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cstrong\u003eSigned \u0026amp; numbered edition \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cstrong\u003e28 page booklet insert\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eLimited pressing of 500\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"sc-cvBxsj ddbdkT\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"sc-gsFSXq sc-hxAGuE beyRpH hssorQ\" data-testid=\"description-product\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eFINK, Long-established alt-folk trio, return with Fin Greenall’s eighth studio album under the genre-hopping moniker. Coalescing around the emergent urgency in each of the album’s ten tracks and intimate, closed-door sessions in picturesque Cornwall, the soul-reaching ‘Beauty In Your Wake’ is released on the band’s R’COUP’D label \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eNow resident in Berlin, native Cornishman Greenall, one time collaborator with John Legend, Amy Winehouse, Colin Stetson and more, sought the solitude and back-to-earth atmosphere of the small village of Zennor, on the county’s picturesque Atlantic coast for the agenda-free, organic recording sessions. The band were invited to record at producer Sam Okell’s newly built studio and were the first band to create there. Okell is the Grammy Award-winning engineer and mixer of The Beatles’ Get Back and Sgt. Pepper's Lonely Hearts Club Band 50th Anniversary Release. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eImagining that those conditions could percolate a lo-fi, classic English folk album, the joint creative restlessness of the band and Okell instead pushed ‘Beauty In Your Wake’ into the expansive realms of FINK’s commercially and critically successful albums of the noughties and 2010’s, and is a triumphant return to self. FINK’s music has always been woven into a broader global tapestry, not least because the band’s music has featured on countless film and TV soundtracks such as Better Call Saul, The Walking Dead, and most recently on the latest series of True Detective. \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\" style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\"\u003eGoing ‘overground’ in the music world for the first time in 1997 as a dance-orientated signee to Ninja Tunes’ sister label N-Tone, Greenall’s life in music has travelled diverse roads and lit numerous corners of the international music business. The reformed, classic FINK line-up is the same as that which first recorded the band’s breakthrough album, Biscuits For Breakfast (2006), a release that proved to be a springboard for widespread international touring.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: RE'COUP'D\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Default Title","offer_id":47331784884392,"sku":"RCPD23D","price":25.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2024-03-27at08.03.28.png?v=1711526625"},{"product_id":"dirty-three-love-changes-everything-lp","title":"Dirty Three 'Love Changes Everything' LP","description":"\u003cp\u003e\u003cstrong\u003eDinked UK Exclusive:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\" style=\"font-weight: bold;\"\u003e\u003cstrong\u003eRed Vinyl Edition\u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\" style=\"font-weight: bold;\"\u003e\u003cstrong\u003ePull Out Poster designed by Mick Turner\u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\" style=\"font-weight: bold;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eLimited Edition of 700\u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eEmerging once again from the unending waves crashing upon our fragile time-craft (adrift on the eternal ocean, and taking on water), Dirty Three are (a) back, (b) tangled in seaweed, rank with saltwater and possessed of three rather ominous thousand-mile stares (at least!), and (c) not wasting another minute – as nothing is guaranteed. \u003c\/p\u003e\n\u003cp\u003eFor their first album in over a decade – yep, it’s been since 2012’s ‘Toward the Low Sun’ – they flew in, got together and started playing. End of story. What else is there to say or do but that? Music’s their language, their true love; they never stop listening to that. And like the label says, ‘Love Changes Everything’.  \u003c\/p\u003e\n\u003cp\u003eThe Dirty Three – Warren Ellis, Mick Turner and Jim White – formed up in Melbourne in 1992, to play with guitar drums and violin or viola, and within a couple years, they’d broken out – out of Australia, out of anything else they might have been inside of, to boot – and got worldwide. Over the next ten years, they toured over and over the planet, ceaseless like, and cut seven albums out along the way. After this, their unique style of play, fitted together like puzzle pieces, was decoupled, more often than not, and pieced together in many other, fruitful collaborations with many other esteemed talents. Over the past 20 years, they’ve gotten together a few times, renewed the vow, revved the engines\u003c\/p\u003e\n\u003cp\u003eand played some shows, or made an album. Like now – \u003c\/p\u003e\n\u003cp\u003eThese are the sounds of Dirty Three getting up to speed again:\u003c\/p\u003e\n\u003cp\u003e- the original fury of their drums\/guitar\/violin-or-viola power trio, cutting three unique paths through the wild into sudden convergence –\u003c\/p\u003e\n\u003cp\u003e- piano-plucked melodies ringing sweetly out over an undulating landscape flowing with guitar, drums, violin or viola, and synths! And broken hills, forests, lakes and deserts. And mountains rising in the distance...\u003c\/p\u003e\n\u003cp\u003e- mercurial shifts in mood; sudden descent from tumult of flights and heights into deep canyons of heart-struck adagio.\u003c\/p\u003e\n\u003cp\u003eEqually sudden second-winds, feisty activity in their extremities never really ceasing. Opening depths. Wariness and patience allowing them to get caught up in loops, become ambient, transcend, and then fight their way back in again. Their wild and wandering heart not simply a spry derivative of collective sea legs; a telepathy already old as time evidenced way back in the beginning of their thirty-years-and-some run.\u003c\/p\u003e\n\u003cp\u003e- such mood! Once desolate fields pouring full of emotion, wandered into, come upon as if by happenstance (but actually sourced by the divining rods in their hands).\u003c\/p\u003e\n\u003cp\u003e- all of it – everything changed by love and bubbling up with the clarity of just-struck spring water; translucence giving way to muddy gushes of distortion – dirty guitar, smears of violin, drums at times pounded upon beyond the microphones’ ability to receive... \u003c\/p\u003e\n\u003cp\u003eAnd when received, and committed to “tape”, or whatever they used – the master could well be carved in plates of amphibole – this music has been untethered from its streams of consciousness and reconsidered as a recording; brought to bear through edits, overdubs and mixes, re-sequenced and made suite-like. Made into this album. These lot were born to be as weathered as they are today. Time doesn’t matter. They make their gathered wisdom of the ages sing like something new every time. It renews. And Love Changes Everything.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Bella Union\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Dinked Red Vinyl LP + Poster","offer_id":47456987381928,"sku":"","price":17.99,"currency_code":"GBP","in_stock":false},{"title":"Black Vinyl LP","offer_id":47456987414696,"sku":"","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"CD","offer_id":47456987480232,"sku":"","price":9.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2024-03-28at19.53.55.png?v=1711655776"},{"product_id":"the-dream-machine-small-time-monsters-lp","title":"The Dream Machine 'Small Time Monsters' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cdiv class=\"st__content-block st__content-block--text\"\u003e\n\u003cstrong\u003eDinked Edition #296:\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli aria-level=\"1\" style=\"font-weight: 400;\"\u003e\u003cstrong\u003e“Yellow Magick” coloured vinyl\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\" style=\"font-weight: 400;\"\u003e\u003cstrong\u003eBonus “Colonel Mustard” coloured 2 track 7” \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\" style=\"font-weight: 400;\"\u003e\u003cstrong\u003eSigned photo print \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\" style=\"font-weight: 400;\"\u003e\u003cstrong\u003eNumbered edition \u003cbr\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli aria-level=\"1\" style=\"font-weight: 400;\"\u003e\u003cspan style=\"font-weight: 400;\"\u003e\u003cstrong\u003eLimited pressing of 500\u003c\/strong\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAlso available on limited karloff green vinyl.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eIf 2022’s critically-acclaimed debut album ‘Thank God! It’s The Dream Machine…’ was their first and most wild child, then ‘Small Time Monsters’ is its refined younger sibling. The psychedelia, euphoric choruses, flashes of surf guitar and B-movie references are all there, amongst the familiar reflections of life in their beloved and faded seaside town of New Brighton, but this time the wilder elements are controlled, the songs packed into three-minute pocket symphonies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eLead single Frankenstein is an anthem for the sugar-rush generation, an infectious, rattling earworm that recalls everything from haunted rockabilly to the sun-drenched melodies of Blossoms. Elsewhere on the album, the pulsating surf-stomp of ‘Cindy’s Eyes’, a small-town story of unrequited love, has a chorus to fill the most cavernous arena. \u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eProduced by The Coral’s James Skelly, the album was partially recorded at The Dream Machine’s rehearsal space, then stitched together in Skelly’s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eKempston Street Studios. 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Over time, two EPs and accompanying visual pieces were produced out of the residence known as Red Mile. By 2017, several members had relocated to Vancouver, working out of harm reduction centers and low-barrier shelters. Sobriety, self-reformation and the idealism of their work further formed an ethos for Crack Cloud. It was during these years that the band produced their astounding 2020 album ‘Pain Olympics’. At once, their vision became expansive, cinematic.  \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eNow, ‘Red Mile’ is a bit of a homecoming. Members have returned to Calgary. But Calgary\/home has become a liminal space, a place of flux. After a decade of personal and collective growth, what does home even mean? ‘Red Mile’ is, for them, something like samsara: a return and a rebirth.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003e‘Red Mile’’s sound breathes expansive energy into the circuitous, street bound sonics of Crack Cloud’s prior material. Fizzling synths intertwine with chiming pianos. Songs layer like Russian nesting dolls; one may find a Ramones chorus set within a desolate Western prog soundtrack only to watch it erupt into a joyous anthem. Real-ass guitars — alternately lilting, scuzzy and soaring — ring out across wide sun-bleached spaces. In 2024, the cumulative effect is (in rock instrumentation terms) naturalistic. Any whiff of embalmed nostalgia is absent. Even the close of the album – a winding, alllllmost Jerry Garcia guitar noodle that leads us out of ‘Red Mile’ – is delivered without sentimentality. \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003ePrincipal songwriter Zach Choy’s lyrics are cutting but merciful, with a sharp self awareness that never slides into self-satisfaction. Crack Cloud as artists are critical — and ultimately as forgiving — of themselves as they are the melting world around them. The songs balance an easy charm and cathartic power: affirming life without denying death.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eRecorded predominantly between the outskirts of Joshua Tree California, and Calgary, Alberta, this record is informed by a bittersweet mélange of old and new. The sprawling, novelistic structures of their previous albums are condensed and sharpened, while maintaining their refusal to delve into superficiality. Through playful melodies and elliptical guitar soliloquy, they deliver a final product of exceptional depth and distinctly unprecious warmth. Crack Cloud have produced a mature, vital work that interrogates the platitudes of the rock-n-roll lifestyle, but ultimately exalts its sacredness. \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003e‘Red Mile’’s de facto thesis statement “The Medium” is itself a rock song meditation: an ode to the form and its practitioners. 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Crack Cloud’s ‘Red Mile’ is the sound — the feeling! — of the bricks giving way.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Jagjaguwar\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Dinked Edition Burn Out Red Vinyl","offer_id":48146099437736,"sku":null,"price":29.99,"currency_code":"GBP","in_stock":false},{"title":"Limited Freefall Blue Vinyl","offer_id":48146099568808,"sku":null,"price":25.99,"currency_code":"GBP","in_stock":false},{"title":"Standard Black Vinyl LP","offer_id":48146099667112,"sku":null,"price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/DINKEDEDITION.jpg?v=1715681320"},{"product_id":"personal-trainer-still-willing-lp","title":"Personal Trainer 'Still Willing' LP","description":"\u003cdiv\u003e\u003cstrong\u003eDinked Edition #300:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\" dir=\"ltr\" role=\"presentation\" data-mce-style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cstrong\u003e\u003cspan data-mce-style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eWhite vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\" dir=\"ltr\" role=\"presentation\" data-mce-style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cstrong\u003e\u003cspan data-mce-style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eBonus ‘Intagible’ white 7” featuring White Denim remix \u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\" dir=\"ltr\" role=\"presentation\" data-mce-style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cstrong\u003e\u003cspan data-mce-style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e16 Page A5 Fanzine \u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\" dir=\"ltr\" role=\"presentation\" data-mce-style=\"line-height: 1.2; margin-top: 0pt; margin-bottom: 0pt;\"\u003e\u003cstrong\u003e\u003cspan data-mce-style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eSigned Trading Card \u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: bold;\"\u003e\u003cstrong\u003e\u003cspan data-mce-style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: #ffffff; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eLimited pressing of 600 \u003c\/span\u003e\u003cspan data-mce-style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cstrong\u003e\u003cspan data-mce-style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eAlso available on standard black vinyl.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan data-mce-style=\"font-size: 9pt; font-family: Calibri,sans-serif; color: #000000; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp dir=\"ltr\" id=\"docs-internal-guid-31d0a02d-7fff-6748-dd06-5fccc2c0a5f1\"\u003eIf you like pop music to keep you on your toes, Amsterdam’s Personal Trainer provide that service fulsomely on their second album. Essentially the project of Willem Smit (working with co-producer\/collaborator Casper van der Lans) on record and a band live, Personal Trainer showed a facility for DIY indie-pop exuberance and experiment in sync with 2022’s debut, Big Love Blanket. Now signed to Bella Union, Willem returns re-energised with Still Willing, a multi-faceted album of shining contrasts and spry melodies, bursting arrangements and subliminal sounds, playful lyrics and self-reflection: in short, a pop album executed with dynamism, vim and charm.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAs Willem says, this is a record fuelled by its extremes: sometimes energetic and loud, sometimes quiet and thoughtful, always full of hidden pleasures. “When I listen to the records I make, the main thing I hope is that every time something happens on them, you’re like, ‘Wow.’ I like to be taken by surprise like that on a record, to kind of be thrown around.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThose surprises start at the beginning, where ‘Upper Ferntree Gully’ shows a dreamy side to Personal Trainer before choppy, chunky riffs and electronics take over. Meanwhile, Willem’s anchoring imprint is ever-present: he prefers not to dissect his lyrics, but the title nod to his mother’s birthplace in Australia and opening recording of her voice seed a spirit of warmth and intimacy in the record – the personal in Personal Trainer, perhaps. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn a sharp left-turn, ‘I Can be Your Personal Trainer’ follows with a buoyant swing. The album proceeds with that duality in mind, always Smit’s work yet always fresh, always seeking. In Willem’s description, ‘Cyan’ is “a weird, happy pop track”, chivvied onwards by contributor Nick Bolland’s sax and leavened by vocal contributions from Dutch alt-pop singer Lena Hessels. “With most of this one I was trying to make myself laugh or at least smile,” says Willem. “And then I started to really like it. Somewhere along the process I found something like honesty or something beautiful in it.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eElsewhere, there’s strutting rock in ‘Round’ and vulnerability in ‘New Bad Feeling’. ‘Intangible’ issues another gearshift, erupting from a rising synth line into spry indie-funk pop, where Willem’s innate melodic instincts light the way into uncharted territory for Personal Trainer. As Willem explains, “I tried to make a song that is something I wouldn’t normally do and experiment with that. I like how it turned out because it’s also probably one of the first instances where I had the chorus first and the other parts later, which rarely happens.” \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThe plangent sensitivity of ‘Testing the Alarm’ adds playful wordplay (“lallygag in shrubbery”) before live favourite ‘You Better Start Scrubbing’ arrives on album in a joyously abrasive blast of no-wave vigour, its glorious shout-along chorus aided by guest vocals from three members of Dutch alt-rock quintet The Klittens. Finally, ‘What Am I Supposed to Say about the People and their Ways’ signs the album off on a wryly humble note, Willem upholding an inquisitive mindset over the modern bleat of “bleeping know-it-alls”.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eWitty, welcoming and winningly melodic, Still Willing is the sound of an instinctive DIY-pop musician favouring think-on-your-feet exploration and intuition over know-it-all premeditation. Willem’s initial intent was to record the album as if live, but he realised that his chemistry with Casper would not be denied. “I felt that we had grown and built a language together. We don’t have to say a lot, but we understand each other well. There was a lot less like trying out stuff and taking stuff away compared to the last one, because it felt like we were on the same wavelength.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAs for how they work together, says Willem, the songs and sounds are assembled in detailed increments. “I write the songs and record most of the stuff, like kind of the skeleton, and then we record drums together. That’s the first step, most of the time. From there, we build. I don’t know much about compressors or weird effects. But Casper knows a lot about that and is really enthusiastic. If I want some part to work better, he’s like, ‘Oh, yeah, I have an idea for that.’ And there were times when I would say, ‘Do you feel like playing this part?’ And he just plays it.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eRecorded between home and – says Willem – “places that don’t cost much to record at”, the result is a DIY pop album brimming with ideas and colour. Whereas Big Love Blanket’s experimental sounds included a celery stick snapping, Still Willing features floorboards, doors closing and “no-input mixing”. Alongside Hessels and The Klittens, contributors include drummer Kick Kluiving and (for half of the songs) bassist Ruben van Weegberg, also Willem’s bandmate in the band Canshaker Pi, who numbered Stephen Malkmus among their producers. Most of the percussion comes from Kilian Kayser, and discreet sounds are served by Abel Tuinstra and Otto de Jong.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eWillem is the epicentre of the band, which originated from impromptu and exhilarating live shows featuring ever-shifting members of different local bands sharing a bustling stage. The live line-up has solidified somewhat but Willem still welcomes the contrast with his recorded work: “When I make the record, it’s me calling the shots. But I can’t tell everyone exactly what to do every second when we’re on stage. There’s, like, shakers flying around or instruments being thrown all over the place, so I don’t have the capacity to control that. And that’s really exciting to me.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eBig Love Blanket harnessed that energy in 10 excitable pop songs, bright and bracing. Acclaim from Steve Lamacq, Marc Riley, Mojo, Clash, DIY Mag and others followed. Support slots with BC Camplight in 2023 were joyfully received, as was a tour for Independent Venues Week with The Klittens and Real Farmer. Personal Trainer have notched up many festival visits, too, including stop-offs at the End of the Road, Wilderness and The Great Escape. In December 2023, an EP featuring the tracks ‘The Feeling’ (all nine minutes of it) and ‘Babyolifantjes’ (translated: baby elephants) also emerged, recorded with a view to capturing the band’s live form. Soon, Smit and his bandmates will showcase that form with summer festivals including Green Man, Deershed, Truck Festival and Lowlands. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMeanwhile, Still Willing arrives as a fervid expression of Willem’s home-recording and studio methods, tethered to inviting pop instincts and rich with the fertile promise of more to come. Willem doesn’t want to tell you what or how to think about the album but, he says, “It would be awesome if people like it and buy the record, so that I can make another one.” On the strength of Still Willing, he’s fit for the long distance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Bella Union\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Dinked Edition white vinyl + 7\"","offer_id":48203482824872,"sku":"BELLA1607VX-1","price":25.99,"currency_code":"GBP","in_stock":false},{"title":"Black vinyl","offer_id":48203482857640,"sku":"BELLA1607V","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/PersonalTrainer_StillWilling_DinkedLPMock.jpg?v=1716036456"},{"product_id":"lice-third-time-at-the-beach-lp","title":"LICE 'Third Time At The Beach' LP","description":"\u003cdiv\u003e\u003cstrong\u003eDinked Edition #301:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\n\u003cul id=\"docs-internal-guid-8c9dbe01-7fff-96a3-5692-ca134a6421da\"\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\" style=\"font-weight: bold;\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cstrong\u003e140g blue vinyl \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\" style=\"font-weight: bold;\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cstrong\u003ePacket of sea monkeys in hand stamped envelope \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\" style=\"font-weight: bold;\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cstrong\u003ePrinted inner sleeve \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\" style=\"font-weight: bold;\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003e\u003cstrong\u003eLimited pressing of 300 \u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp dir=\"ltr\" id=\"docs-internal-guid-76369775-7fff-ee18-1adc-2dbb81e4007d\"\u003eFormed in Bristol, 4-piece LICE have become one of UK experimental rock’s most inventive and ambitious outliers. Their second album ‘Third Time At The Beach’ is a three-part epic exploring our struggle to better understand the world around us. Darting between minimalism, rock, techno and more, it sends us hurtling us through time and space: featuring a cast of astronauts, cavemen and dinosaurs.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThis follows LICE’s internationally acclaimed debut album ‘WASTELAND: What Ails Our People Is Clear’ (2021). Praised as “exciting, alive, packed with musical ideas” by Financial Times and “a welcome lease of life for British avant-rock that plays with expectation at every turn” by CRACK, it also gained radio support across BBC 6Music, BBC Radio 1 and KEXP. The album led LICE to perform at major festivals including Reading \u0026amp; Leeds, Green Man and End Of The Road, embark on an extensive EU tour supporting Sleaford Mods, and tour across the UK \u0026amp; EU.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e‘Third Time At The Beach’’s concept is expressed through three movements. The first (‘Unscrewed’, ‘White Tubes’, ‘Red Fibres’) presents the child being introduced to the world, hammered into shape through prevailing culture, and realising they have reached adulthood with a blinkered understanding of the world. The second (‘To The Basket’, ‘Wrapped In A Sheet’, ‘Scenes From The Desert’, ‘Mown In Circles’) is a disorientating, alien sequence: reevaluating fundamental concepts including money, time, nationhood and language. In the third (‘Fatigued, Confused’, ‘Third Time At The Beach’, ‘The Dance’), the individual embraces these new ideas – granting them a changed understanding of the world, and more agency in the path they take through it.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eEverything is always changing in ‘Third Time At The Beach’. The album shifts from lush piano balladry to crushing industrial, and from swampy avant-garde compositions to triumphant rock freakouts. Employing vocal manipulation and field recordings, as well as cutting together studio recordings and home demos, the band produces a spatially elastic, collage-like effect. The album, like the ideas being reached within it, presents a work-in-progress. Lyrically, the record employs a scattershot style to present the experience of learning (or ‘unlearning’). The listener visits ancient civilisations, the Industrial Revolution, outer space and the land of the dinosaurs: encountering mediaeval farmers, silver miners, cavemen, Napoleon and Satan.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eSpeaking on the record, the band say: “This album’s about trying to understand the world and everything in it: history, science and the way we explain it all to each other. It’s a celebration of feeling confused or intimidated by the processes that shape our lives.”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eOf the album’s muscular, agitated lead single ‘Red Fibres’, LICE explain: “This song is about realising you’ve reached adulthood with a blinkered understanding of the world, and feeling confused and frustrated. After visiting some key moments in the history of language, science and the human eye, we arrive at a campsite: where two shipwreck survivors are about to have a fight.”\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"docs-internal-guid-6bd280ca-7fff-ebd5-122a-ffdd2d7cff1d\"\u003eWHYT079LPD\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: AD 93\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"ROM","offers":[{"title":"Default Title","offer_id":48247934353576,"sku":"WHYT079LPD","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2024-05-23at07.56.16.png?v=1716447450"},{"product_id":"mercury-rev-born-horses-lp","title":"Mercury Rev 'Born Horses' LP","description":"\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp id=\"docs-internal-guid-05bc5f01-7fff-23ba-4b0c-d0a18045b04f\" dir=\"ltr\"\u003eIn upstate New York, deep in the seam between the Catskill Mountains and the Hudson Valley, a richly swelling, spellbound sound emerges, eddying and flowing like the local Esopus Creek, or in the slipstream of the grander Hudson river, carrying the flotsam and jetsam of our hopes, dreams, fears. A sound composed of organic and electronic; guitars, keys, brass, strings, woodwind, drums - and a voice of incantations, tapping streams of consciousness that similarly eddy and flow.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eSpiritually, literally, psycho-geographically: where else does Mercury Rev’s ninth album ’Born Horses’ spring from? This cascade of gleaming, glistening psych-jazz-folk-baroque-ambient quest that searches its soul but can never truly know the answer? A sound and vision begun with skeletal chords and surges of self-reflection, alive to the notions and motions of time and reality somehow both linked to their exalted past whilst quite unlike anything they have created before?’’\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eGrasshopper:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e“When Jonathan and I first met, one thing we bonded over was Blade Runner, both Ridley Scott’s film and Vangelis’ soundtrack: that feel of the past and the future, the haunting noir mood and the romance of the future…Born Horses taps into some of that. Looking back to childhood, to Broadway tunes, to lonesome blues, Chet Baker, Miles Davis’ Sketches Of Spain, records that our parents listened to, but we put a twist into the future. From the beginning, Mercury Rev were on a cusp, between analogue and digital, hi-fi and lo-fi at the same time. It was like Brecht or Weill, the words suggesting visuals, and the visuals suggesting moods. We also thought a lot about the desert on this record, and the urban desert.”\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eThe album title, named after the majestically rippling sixth track ‘Born Horses’, was chosen because its words resonate through the entire record, encompassing the idea of flight (“I dreamed we were born horses waiting for wings”) and the phrase “You and I” that appears at different junctures on the album. This is not the concept of two separate people, but two parts of one self.  \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eJonathan:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e“When I opened my voice to sing on this record, this was the bird that sang: a lower, whiskery voice, which surprised me as much as it may others. I don’t know where the bird came from, but it’s there now, and I don’t question it. It’s just the bird that wants to sing.”\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003e‘Born Horses’ opens with ‘Mood Swings’. A Trumpet, evoking bohemian mariachi and the windswept terrain of the desert prairie, opens up to a dynamic panorama of sound, wandering through and enveloping Jonathan’s intimate recitation, conflating memories and confessions of feelings trapped and unwrapped: “My mood swings come and go as they like \/ rebellious fickle teenagers, unable to decide.” It establishes ’Born Horses’’ tone of vulnerability and awe, and a little frisson of fear, testifying to the frailty of human experience, buffeted by the currents all around us. The flightiness of feelings is further explored by the metaphor of a bird, most clearly in ‘Bird Of No Address’ and the album’s pulsating finale ‘There Has Always Been A Bird In Me’.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eMore inspiration was provided by the spirits of the art minimalist Tony Conrad and beat poet Robert Creeley, acolytes of progressive thought and action who both taught at the University at Buffalo, the city where the band was formed.. Amongst other credentials, Conrad was a member of LaMonte Young’s Dream Syndicate along with John Cale and a close friend to The Velvet Underground. Creeley was one of the most important and influential American poets of the 20th century as well as an associate of Jack Kerouac, Allen Ginsberg and the Black Mountain poets. \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eGrasshopper:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e“Tony was a trickster, who loved to shake things up. He knew how to put things together that might not inherently fit but then became something completely new. Robert- the beauty of his sparseness with words, but playful too, and a sense of romanticism. For me, there is also some subconscious echo in ‘Born Horses’ of Patti Smith’s Horses, the nomadic recitations that incorporate poetry into music…. it’s like a tip of the hat.”  \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eJonathan:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e   “There are a few unquestionable watermarks of Grasshopper’s studying with Tony Conrad and my own time spent with Robert Creeley. Distilling down lyric and song. Heating up during intense bursts of recording followed closely by  long periods of cooling down\/ listening to the work and then… un-listening to it. Leaning in to the uncertainty of what is being created. Not by us, but for us. Psychological ‘letting go of the balloon’ distance as perspective. Something we both inherited from Tony and Robert… Stepping in and stepping out of frame.” \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003e“Since our beginning in the mid 1980’s with David Baker through the recording of Born Horses with new permanent members, Woodstock native (pianist) Jesse Chandler and Austrian born (keyboardist) Marion Genser, we’ve celebrated this unspoken trust in the ‘statue already inside the marble’. We didn’t make ‘Born Horses’ by throwing clay on top of clay; we allowed Time to reveal what was always there.”\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Bella Union\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Black Vinyl","offer_id":48453202411688,"sku":"BELLA1582V","price":19.99,"currency_code":"GBP","in_stock":false},{"title":"Dinked Edition Swirl Vinyl LP","offer_id":48453202378920,"sku":"BELLA1582VX-1","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2024-06-04at10.25.41.png?v=1717493205"},{"product_id":"thee-sacred-souls-got-a-story-to-tell-lp","title":"Thee Sacred Souls 'Got a Story to Tell' LP","description":"\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eAvailable as DInked Edition Splatter Vinyl, indies only Magenta Vinyl or Black Vinyl.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp class=\"modal-body\"\u003e\u003cstrong\u003eDinked Edition:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cul id=\"docs-internal-guid-c17a1a5e-7fff-32ca-61d0-eea259c9e11a\"\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003eClear with magenta splatter vinyl \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003eEmbroidered logo patch \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003eFold-out poster\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003eLimited pressing of 600\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\" id=\"docs-internal-guid-3fa6a479-7fff-ef2b-8381-fea06fff3475\"\u003eThe highly anticipated follow-up to Thee Sacred Souls's breakout 2022 self-titled debut, ‘Got A Story To Tell’, features 12 all original new songs, a soaring statement of exquisite craftsmanship from this young band from San Diego whose story grows bigger by the day. Recorded and produced by Gabriel Roth at Penrose Recorders, in Daptone’s Riverside, CA studio, and written in the throes of supporting their 2022 album, which was met with significant excitement and major touring that brought them across the world.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eWhat swirls together on ‘Got A Story To Tell’ is an appreciation of decades of soul music, and beyond - a sound and feel that is timeless, lived in, and very much in the now.  Album opener “Lucid Girl” champions independent women, set to some of the toughest sounding drums and bass the band has yet to put to tape. “Waiting On The Right Time” slinks with a touch of slow-burning psychedelia.  A plea for empathy punctuates “One and the Same,” with Lane singing: “We’re one and the same, I feel one day \/ We learn to live with each other \/ In love, not fear \/ Just for a moment, why can’t we be together.”  “On My Mind” is a sweeping orchestration, with Lane navigating the complexities of finding happiness while balancing the good with the bad.   The album is punctuated with strings and squelching guitar, trundling piano, pops of conga, horns - it makes for a thrilling, layered listen that rewards with multiple spins.  \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003e     \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Daptone\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Dinked Edition Clear with Magenta Splatter Vinyl + Poster + Patch","offer_id":48624501162152,"sku":"","price":24.99,"currency_code":"GBP","in_stock":false},{"title":"Limited Indies Only Magenta Vinyl","offer_id":48624407806120,"sku":"","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"Standard Black Vinyl","offer_id":48624407838888,"sku":"","price":22.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot_2024-06-17_at_20.10.28.png?v=1718651453"},{"product_id":"crows-reason-enough-lp","title":"Crows 'Reason Enough' LP","description":"\u003cp\u003e\u003cstrong\u003eDinked Edition #304:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\n\u003cul id=\"docs-internal-guid-9da2afbf-7fff-10b9-b314-36ce3674e059\"\u003e\n\u003cli style=\"font-weight: bold;\" aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cstrong\u003e180g blue eco-mix vinyl \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: bold;\" aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cstrong\u003eSigned 12” x 12” art insert \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: bold;\" aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cstrong\u003eLarge fold-out poster \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: bold;\" aria-level=\"1\" dir=\"ltr\"\u003e\u003cstrong\u003eGatefold sleeve\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli style=\"font-weight: bold;\" aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cstrong\u003eHand-numbered \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: bold;\" aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cstrong\u003eLimited pressing of 500 \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp id=\"docs-internal-guid-642f0f5d-7fff-287f-278d-527a18d3202c\" dir=\"ltr\"\u003eCrows have arrived. ‘Reason Enough’, their third studio album, is the one the band have taken the longest to write. Partly because they had to fit the exercise around working full-time jobs, but also because of the freedom that was afforded to them around this specific project, which takes the post-punk four piece’s historically adrenaline-fuelled sound into fresh territory. Though the band’s punk spirit remains intact, sonically, they’re more refined and cohesive than ever; it’s the most mature Crows have ever sounded, without compromising any of their intrinsic grit. Following 2022's 'Beware Believers' and their 2019 debut 'Silver Tongues', 'Reason Enough' lands September 27th 2024 via Bad Vibrations. \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eFor the occasion, James Cox (vocals), Steve Goddard (guitar), Jith Amarasinghe (bass) and Sam Lister (drums), swapped their usual rehearsal space, a small studio in Homerton, East London, for the cavernous walls of a “weird little studio” – as Goddard puts it – in Stroud, Gloucestershire. More specifically, a former Catholic church and convent where the band parked themselves up in the crypt, which was more conducive to inspiring the foundations for ‘Reason Enough’. “Having a more relaxed approach this time around meant we could explore different stuff,” Goddard says. “We don’t want to sound the same as we did before – this is our third album, we have to move on. And so we fucked around a bit more.” \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eArmed with dozens of ideas, they returned to London in a bid to finesse them all alongside Mercury Prize-nominated producer and master of the polished indie record Andy Savours (Black County, New Road, My Bloody Valentine). The result: a concise, 10-track album which goes a long way to show Crows’ sonic versatility. It’s more melodic work than what Crows have previously done, “rather than being all-out punk”, as Goddard puts it. “It feels less lo-fi, cleaner and more well-rounded as a result,” Cox adds. \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eLyrically, Cox drew heavily from a difficult year, both personally and in terms of facing up to a heavy-going news cycle. “I went pretty unhappy with the lyrics and vocals,” he says. “I wanted to moan a bit. If the last album was angrier, this one is definitely sadder.” Indeed, a general sense of malaise, isolation, unease and a desire for growth in spite of it all permeate ‘Reason Enough’ – an album which strikes a satisfying balance between existentialism, soul-searching, and a discerning brand of indie-rock: “We’re doing the same thing, but a lot better. 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Lung 'Every Inch of Earth Pulsates' LP","description":"\u003cdiv\u003e\u003cstrong\u003eDinked Edition #306:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003cbr id=\"docs-internal-guid-6a77878f-7fff-0c4a-6436-f06ed2989edd\"\u003e\n\u003cul\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\" style=\"font-weight: bold;\"\u003e\n\u003cstrong\u003eOrange vinyl \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\" style=\"font-weight: bold;\"\u003e\n\u003cstrong\u003eBonus 2 track 7” - I Dream Of The Sea \/ How to Walk (Salford Version) \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\" style=\"font-weight: bold;\"\u003e\n\u003cstrong\u003eDIY pop-up card cube \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\" style=\"font-weight: bold;\"\u003e\n\u003cstrong\u003eSticker sheet \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\" style=\"font-weight: bold;\"\u003e\n\u003cstrong\u003eLimited. numbered pressing of 1000 \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\" id=\"docs-internal-guid-534c2061-7fff-de9f-a6f1-40dbaa9c0360\"\u003e“A huge thing for this record was to make it feel as close to our live show as possible,” says Tom Sharkett of W.H. Lung’s latest album. “We didn’t want it to sound live but we wanted to capture the excitement of the live performances.” \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eThis is something that has become paramount to the group in recent years as they have undeniably blossomed into one of the most joyous and arresting live bands in the country. “The reason I’m in a band is to play live music,” says singer Joe Evans. “For me, music is live music. That’s what it’s for, to be played with people.”\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eThe five-piece band, also featuring Chris Mulligan, Hannah Peace, and Alex Mercer-Main, decided to try something new on their third album after two incredibly successful collaborations with previous producer Matt Peel. In order to capture the energy, spirit and dynamism of their live shows, they relocated to Sheffield to work with Ross Orton (MIA, Arctic Monkeys, Working Men’s Club) who was able to harness this side of the band to remarkable effect. “Ross is the Sheffield Steve Albini,” says Evans. “He’s the king of not overthinking it and trusting the process of the art of recording songs. He was always there to stop us fucking around with cerebral stuff and get it down.” Sharkett echoes this too: “He was the exact producer we needed without us even realising. His productions and mixes are bombastic, lively and in your face and that’s exactly what we wanted.” \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eHowever, while this album is rooted in a sense of capturing a moment and a sparky liveness, that’s not to say it’s a raw or ragged record. It is still a meticulously composed, delicately layered and pristinely produced piece of work that, in true W.H. Lung style, runs the gauntlet from dance to pop to indie while still capturing that distinctly unique quality that is unquestionably their own. “It was a really big thing for me to realise what made us sound like us on this record,” says Sharkett. “I think the album sounds a lot more confident and self assured because of it. Some songs sound just so much like Lung and I’m really proud of that. I’m not sure we’ve done that as consistently across the other records.” \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eWhile the band have drilled deeper into finding their own singular identity, it’s not a record resting on its laurels. It’s a significant leap forward, expanding on their solid foundations while also breaking new ground. “The big difference with this record is its directness in every sense,” says Sharkett. “The songwriting is more upfront. Previously we’d focused a lot on vibe and production as opposed to just writing songs. The overall mission here was to revert to a classic songwriting structure and for the production to come afterwards.” \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAnd so what you have on this record are deeply considered and well-crafted songs, then recorded with blistering intensity in the moment, and then given a touch of experimentation afterwards. Then throw in Orton’s contributions to the band and it’s proven to be a real winning formula. “He brought a real dose of magic to the songs we’d written,” says Sharkett. “And brought an extra bit of wonk and quirkiness each time.” \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eSuch quirkiness is apparent from the opening ‘Lilac Sky’ which very briefly samples a learn to speak Spanish 12” before whirring atmospherics, hypnotic bass, and shimmering synths began to propel the song for launch. “I like it when there’s really clear punctuation at the start of a record,” says Sharkett. “It’s almost like a statement of intent and I wanted something like that, where if people knew the tune they could identify it within the first second.” \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eIt’s also the perfect album opener in more than one way, setting the tone for an album rooted in exploration. “I went out onto Hampstead Heath one day when it was dusk and the sky was mad and I’d just taken some mushrooms,” recalls Evans. “I was thinking: just remember this, this is how things really are. So maybe this track acts like an invocation or a calling for the rest of the album. It’s about listening closely, paying attention, and being overwhelmed with an open heart.” \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eOn ‘Bliss Bliss’ the band almost veer into anthemic indie territory, with its rousing chorus, euphoric lashes of synths and a vocal delivery that is festival headline worthy. “I sang it like I was singing a song I’d forgotten from when I was a teenager,” says Evans of his impassioned performance. It was a fresh approach for the band. “I thought the guitars felt too college rock at first but I just went with it,” says Sharkett. “It’s a completely different style of guitar playing for me and something much more traditional in the indie world but I was enjoying that.” \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn many ways this was another foundational song for the LP. “This was the first instance of us writing more traditional songs for the album,” says Sharkett. “It kind of embodies our balance between being a live conventional guitar band and the shiny, synthy side of Lung to me. It feels like the perfect culmination of our experience as a band so far.” \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eThe band’s ability to write more traditional and conventional songs is clearly a skill they’ve taken to with ease, at times there’s an almost Springsteen-like quality – but if he'd ever had an ecstasy period – to tracks such as ‘Thinner Wine’ and ‘Bloom and Fade’. While ‘How to Walk’ was constructed with one thing only in mind: that it would absolutely slay on stage. “I can’t wait to play this live,” says Evans. “We wanted a song to represent our live set, a new big one, and this is it.” Once again it leans towards the anthemic, with its driving, propulsive charge complete with incandescent synths and vocal melodies so irresistible you can already hear them being sung in unison by a crowd. \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIt’s an incredibly difficult feat to pull off a record that is more rooted in traditional songcraft while also capturing the power of a live performance, as well as pushing sonics into experimental new directions while working with a brand new collaborator. But here the band has managed to do just that. \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eAnd the album’s closing song ‘I Will Set Fire To The House’ is a perfect example of such a thing. It’s a song that feels immaculately constructed but also very much alive and of the moment as its radiating synths engulf from the off, and Evans’ vocal is silky but powerful and in perfect symbiosis with Peace’s. It’s a song that captures the endless joys of music playing long into the night. “It may be a bit of a bloody bombastic way to end an album saying ‘and we’ll dance into the sunrise’,” says Evans. “But fuck it.”   \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Melodic\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SRD","offers":[{"title":"Default Title","offer_id":48869763481768,"sku":"MELO141D","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/SQUAREnotext.jpg?v=1720271950"},{"product_id":"field-music-limits-of-language-lp","title":"Field Music 'Limits of Language' LP","description":"\u003cdiv\u003e\u003cstrong\u003eDinked Edition #307:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul id=\"docs-internal-guid-57b8116c-7fff-e81e-01c6-ee301b8a61bf\"\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003eTransparent blue \u0026amp; white splatter vinyl\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003eBonus flexi disc with exclusive track\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003eSigned art print\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003eMachine numbered sleeve\u003c\/li\u003e\n\u003cli aria-level=\"1\" dir=\"ltr\"\u003eLimited to 1000 copies\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp id=\"docs-internal-guid-92693708-7fff-8684-b64e-bb7ce7fd7da2\" dir=\"ltr\"\u003eField Music announce ‘Limits of Language’, their first album of new music for almost four years. Back in 2022, the touring cycle for the ‘Flat White Moon’ album ended with a sense of finality. For the first time since the Mercury-nominated ‘Plumb’ ten years earlier, Peter and David had no plan for what, if anything, would come next. However, after six years of continuation, they were clear that if Field Music was to carry on then it would have to be different, in both sound and scope. \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eSolo projects followed with 2023 seeing the arrival of David’s quietly-jazzy ‘Soft Struggles’, the playful of electronica of Peter’s ‘Blowdry Colossus’ alongside a limited-issue brass collaboration LP ‘Binding Time’ and the vault-raiding ‘John Monroe EP’, made with original Field Music keyboard player Andrew Moore.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eIt was these albums that provided fresh impetus for what was to become the new Field Music record. Whilst Peter amassed the instrumental compositions which become ‘Blowdry Colossus’, he was also tinkering with a batch of songs which would form the basis of ‘Limits of Language’, songs which mixed synthesised textures with off-the-cuff flickers of guitar and layers of disorientating found-sound percussion.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eThese fleshed-out demos included ‘The Waitress of St Louis’, an ode to the now-closed Sunderland café ’Louis’, which featured on the cover of their 2007 album ‘Tones of Town’, and to the Maggiore family who ran this cherished institution.\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eDavid’s songs came from a different angle but leant into the same sonic palette and shared the same sense of a past becoming granulated. Album opener, ‘Six Weeks, Nine Wells’ pits the hazy ecstasies of school summer holidays against the fear and foreboding of a child peeking through into an adult world. \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003e‘Limits of Language’ sees Field Music continue with their astonishing, bloody-minded run of releases. A run which equates to an impressive twenty-one “Field Music Productions” in nineteen years as a band. \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Memphis Industries\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Dinked Edition Blue and White Splatter Vinyl","offer_id":48906628890792,"sku":"MI0806LPX1","price":27.99,"currency_code":"GBP","in_stock":false},{"title":"Limited Red Vinyl","offer_id":48906628923560,"sku":"MI0806LPX","price":22.99,"currency_code":"GBP","in_stock":false},{"title":"Black Vinyl","offer_id":48906628956328,"sku":"MI0806LP","price":19.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot_2024-07-09_at_16.13.32.png?v=1720538064"},{"product_id":"bananagun-why-is-the-colour-of-the-sky-lp","title":"Bananagun 'Why is the Colour of the Sky?' LP","description":"\u003cdiv\u003e\u003cstrong\u003eDinked Edition #310:\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\n\u003cul id=\"docs-internal-guid-d5e242e4-7fff-6c91-f822-93c9e11b2df8\"\u003e\n\u003cli style=\"font-weight: bold;\" aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cstrong\u003eDark Green with light green splatter vinyl \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: bold;\" aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cstrong\u003eAlternative artwork sleeve \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: bold;\" aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cstrong\u003eA3 collage poster designed by Nick van Bakel \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: bold;\" aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cstrong\u003eHand-numbered\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: bold;\" aria-level=\"1\" dir=\"ltr\"\u003e\n\u003cp role=\"presentation\" dir=\"ltr\"\u003e\u003cstrong\u003eLimited pressing of 500 \u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv data-testid=\"description-product\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\" id=\"docs-internal-guid-b8d1fce0-7fff-048b-c171-99539cda4bdd\"\u003eTo say that the intervening 4 years since the arrival of their debut album had been tumultuous for Melbourne\/Naarm’s Bananagun would be an understatement. Released during the height of lockdown in the summer of 2020, the group were forcibly “scattered” following the release of The True Story of Bananagun. Australia’s ultra-strict lockdown rules - declaring it illegal to travel beyond a 5km radius - made it nigh on impossible for the band to get together at all, with the only rehearsals requiring them to sneak past military checkpoints undetected.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eCoinciding with this too was a great period of personal change for the band’s guitarist\/vocalist\/flautist, and songwriter Nick van Bakel.“ \"I had a myriad of mountains to be crossed which was pretty challenging” he explains. “so I just cocooned into lots of spiritual side quests and soul seeking. Band members were travelling etc so it was ages before we got through the stop-start stop-start phase and regained some band momentum…”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eThis climate of  upheaval does not go unheard on the band’s long-awaited follow-up, ‘Why is the colour of the Sky?’. While it’s by no means a pessimistic work - far from it - it’s an album that departs from the ultra-slick bursts of sunshine-pop and afrobeat that defined ‘True Story… ‘, and muddies the waters with a heavy blend of incendiary jazz and freak-beat experimentation. It’s Bananagun alright, but braver, bolder and more mysterious than ever…\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eWith the only conscious musical dictum being that percussion and groove was brought “to the fore” - and, boy, is this album groovy - the band decamped to a Button Pusher studio Preston, Melbourne with equipment “on par with any 60's studio”, tracking with minimal takes - ‘warts’ n’ all’ -  battling through the temperaments of analogue mixing equipment late into the night under the assertion that these more traditional methods provided “the most, organic pure way to record”. Also imperative was to manipulate the social conditions in which the takes were performed and nail the ‘vibe’ during recording: “It was all “attitude towards life and esoteric stuff, natural law, how energy transfers, sounds, chemistry between people”, explains van Bakel, “trying to foster an environment together where we can make some magic, capture the phenomena of energy and soundwaves interacting with each other in the room. And that was definitely what we wanted it to sound like - pro human”\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eIn many ways, “pro-human” captures the radical quintessence that Why Is the Colour of the Sky? is fulsomely jazz-shuffling towards. For a record that recognises, in it’s every breath and sinew  the humbling, restorative and life-affirming power of collective creative endeavour - it’s also a work that resists an ever more technologically-driven and isolating world that can feel ever more dehumanising in its quests for ‘perfection’. A theme directly addressed in  ‘Children of the Man’ with it’s “Robo-sapien” lyric, it’s a thread that runs across the entire record:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e“I feel like a lot of human nature and tradition is worth preserving because we've probably evolved to be this way.”, van Bakel notes, “[Why is the Colour…] is all just about not losing your head and being over stimulated by the ‘goggle box’; the need for spirituality and nature; the need to be able to communicate and share ideas and adapt in a rapidly changing world without being judged and profiled. The preservation of human needs, so we don't all get homogenised and isolated and poisoned to stupidity and obedience. “\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eAnd what better way is there to feel human than by laying down a dynamite groove, or nine?\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cmeta charset=\"utf-8\"\u003e\u003cspan id=\"docs-internal-guid-7c650e12-7fff-4e29-4e86-17b46c5360d9\"\u003eFTH534LPDINKED\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Cashen Gap\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":49446774767784,"sku":"FTH534LPDINKED","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot_2024-08-28_at_10.11.23.png?v=1724836320"},{"product_id":"brooke-combe-dancing-at-the-edge-of-the-world-lp","title":"Brooke Combe 'Dancing At The Edge Of The World' LP","description":"\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003eDinked Edition: \u003c\/strong\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul id=\"docs-internal-guid-2f076d07-7fff-ec45-3d04-8eff1b922344\"\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003ePink vinyl\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003eBonus 7” - The Coral vs Brooke remix\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003eSigned A4 print\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003eLimited pressing of 750\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cspan\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #222222; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\" id=\"docs-internal-guid-7108ca99-7fff-91cd-a2b0-5e5a69769cb1\"\u003eBrooke Combe, a rising Scottish singer-songwriter, delves deep into her soulful roots with her new album \u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #222222; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eDancing at the Edge of the World\u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #222222; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e. This album, produced by The Coral’s James Skelley, marks her most authentic work yet, blending rich, emotive vocals with contemporary soul sounds. Brooke’s music captures the essence of heartbreak, empowerment, and self-discovery, resonating with a broad audience. \u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #222222; background-color: transparent; font-weight: 400; font-style: italic; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003eDancing at the Edge of the World\u003c\/span\u003e\u003cspan style=\"font-size: 11pt; font-family: Arial,sans-serif; color: #222222; background-color: transparent; font-weight: 400; font-style: normal; font-variant: normal; text-decoration: none; vertical-align: baseline; white-space: pre-wrap;\"\u003e is a powerful showcase of Brooke's artistry, highlighting her evolution as a leading voice in modern soul music.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\n\u003cspan\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/span\u003e\n\u003cp title=\"Page 13\"\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan class=\"cat_number\" id=\"variant_228464\" style=\"display: inline;\"\u003e\u003cbr\u003e\u003cspan class=\"cat_number\" id=\"variant_227435\" style=\"display: inline;\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp title=\"Page 13\"\u003eCondition: New\u003c\/p\u003e\n\u003cp title=\"Page 13\"\u003eLabel: Modern Sky\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"Universal","offers":[{"title":"Default Title","offer_id":49582681915560,"sku":"M9523UKLPPD","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot2024-09-05at08.09.41.png?v=1725520429"},{"product_id":"crows-reason-enough-lp-damaged-dinked-editions","title":"Crows 'Reason Enough' LP (DAMAGED DINKED EDITIONS)","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e***THESE COPIES HAVE TWO BANG\u003c\/strong\u003e\u003c\/span\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eED\/CREASED CORNERS ON THE GATEFOLD SLEEVE, SPLIT  AND BUMPED CORNERS ON INNER SLEEVE, SIGNED PRINTS ARE ALSO A BIT BANGED ON ONE OR TWO CORNERS***\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDinked Edition #304:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\n\u003cul id=\"docs-internal-guid-9da2afbf-7fff-10b9-b314-36ce3674e059\"\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\" style=\"font-weight: bold;\"\u003e\n\u003cstrong\u003e180g blue eco-mix vinyl \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\" style=\"font-weight: bold;\"\u003e\n\u003cstrong\u003eSigned 12” x 12” art insert \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\" style=\"font-weight: bold;\"\u003e\n\u003cstrong\u003eLarge fold-out poster \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\" style=\"font-weight: bold;\"\u003e\u003cstrong\u003eGatefold sleeve\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\" style=\"font-weight: bold;\"\u003e\n\u003cstrong\u003eHand-numbered \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\" style=\"font-weight: bold;\"\u003e\n\u003cstrong\u003eLimited pressing of 500 \u003c\/strong\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp dir=\"ltr\" id=\"docs-internal-guid-642f0f5d-7fff-287f-278d-527a18d3202c\"\u003eCrows have arrived. ‘Reason Enough’, their third studio album, is the one the band have taken the longest to write. Partly because they had to fit the exercise around working full-time jobs, but also because of the freedom that was afforded to them around this specific project, which takes the post-punk four piece’s historically adrenaline-fuelled sound into fresh territory. Though the band’s punk spirit remains intact, sonically, they’re more refined and cohesive than ever; it’s the most mature Crows have ever sounded, without compromising any of their intrinsic grit. Following 2022's 'Beware Believers' and their 2019 debut 'Silver Tongues', 'Reason Enough' lands September 27th 2024 via Bad Vibrations. \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eFor the occasion, James Cox (vocals), Steve Goddard (guitar), Jith Amarasinghe (bass) and Sam Lister (drums), swapped their usual rehearsal space, a small studio in Homerton, East London, for the cavernous walls of a “weird little studio” – as Goddard puts it – in Stroud, Gloucestershire. More specifically, a former Catholic church and convent where the band parked themselves up in the crypt, which was more conducive to inspiring the foundations for ‘Reason Enough’. “Having a more relaxed approach this time around meant we could explore different stuff,” Goddard says. “We don’t want to sound the same as we did before – this is our third album, we have to move on. And so we fucked around a bit more.” \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eArmed with dozens of ideas, they returned to London in a bid to finesse them all alongside Mercury Prize-nominated producer and master of the polished indie record Andy Savours (Black County, New Road, My Bloody Valentine). The result: a concise, 10-track album which goes a long way to show Crows’ sonic versatility. It’s more melodic work than what Crows have previously done, “rather than being all-out punk”, as Goddard puts it. “It feels less lo-fi, cleaner and more well-rounded as a result,” Cox adds. \u003c\/p\u003e\n\u003cbr\u003e\n\u003cp dir=\"ltr\"\u003eLyrically, Cox drew heavily from a difficult year, both personally and in terms of facing up to a heavy-going news cycle. “I went pretty unhappy with the lyrics and vocals,” he says. “I wanted to moan a bit. If the last album was angrier, this one is definitely sadder.” Indeed, a general sense of malaise, isolation, unease and a desire for growth in spite of it all permeate ‘Reason Enough’ – an album which strikes a satisfying balance between existentialism, soul-searching, and a discerning brand of indie-rock: “We’re doing the same thing, but a lot better. This is Crows in high definition.”\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Bad Vibrations\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Essential","offers":[{"title":"Default Title","offer_id":49847288692904,"sku":"BADVIBES15DNKD","price":18.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/CrowsDinkedEditionLP.jpg?v=1719830085"},{"product_id":"nadia-reid-enter-now-brightness-lp","title":"Nadia Reid 'Enter Now Brightness' LP","description":"\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eDinked Edition #316:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul id=\"docs-internal-guid-69c79458-7fff-6c26-a5f7-699884db0ae3\"\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003eTransparent \u0026amp; red splatter colour LP \u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003eAlternative artwork sleeve \u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003eBonus flexi disc - extra track 'Moment By' \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli dir=\"ltr\" aria-level=\"1\"\u003e\n\u003cp dir=\"ltr\" role=\"presentation\"\u003eLimited pressing of 500 \u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp dir=\"ltr\" id=\"docs-internal-guid-c6b8cd76-7fff-9abc-5756-c8529de9c5a1\"\u003e‘Enter Now Brightness’ feels different for Nadia. It is an album, she says, of departure and questioning, that has reminded her how songwriting can be “the most useful thing to do with pain and joy and thoughts and feelings and anger.” That through music we can find great change. “I’m so much better off now that it exists,” she says. “Now feels like a new time.” On this record, Reid moves ever further from her earlier folk inclinations, establishing a sound that is distinctly her own.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e‘Enter Now Brightness’ is a record of poise and great beauty, the sound of a cellular shift, of pain giving way to tenderness and joy. It takes its title from a passage in a book Reid was reading from a line that seemed to call out to her from the page: ‘Brightness entered the study.’ “It was the image of opening the curtain, or turning the light on, or of standing in the wings of a theatre and waiting to go on stage. It’s the idea of life beginning now.”\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\"[Nadia] embraces a full-bodied sound halfway between Haim’s sophisticated pop sparkle and Sharon Van Etten’s full-throated songcraft\" - The Guardian \u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Chrysalis\u003cbr\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Dinked Edition Splatter Vinyl with Alt Sleeve + Flexi Disc","offer_id":49976595316904,"sku":"BRVC265lpc1","price":9.99,"currency_code":"GBP","in_stock":false},{"title":"Standard Pink Vinyl","offer_id":49976595349672,"sku":"BRVC265lp","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/files\/Screenshot_2024-10-08_at_18.49.31.png?v=1728409811"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/collections\/BEAR_TREE.jpg?v=1536519122","url":"https:\/\/beartreerecords.com\/collections\/dinked-editions.oembed?page=9","provider":"Bear Tree Records","version":"1.0","type":"link"}