{"title":"Indie \/ Alternative","description":"","products":[{"product_id":"fuzz-ii-lp","title":"Fuzz 'II' 2xLP","description":"\u003cp\u003e\u003cstrong\u003eColoured Vinyl.\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFuzz has abandonment issues. Abandoning expectation. Abandoning reservation, consummation, resignation and trite dictation. Instinct is all there is when it comes to the divination of harsh salvation. Segall, Moothart and Ubovich are exploring all the blank-ations of what will be, or has always been, Fuzz II.\u003c\/p\u003e\n\u003cp\u003eTried and true methods mixed with tongue-twisting, teeth-shattering, seizure-inducing stabs at the norm. Who knows… maybe that’s wrong. Maybe it’s all done. Played out. Maybe it’s not for want of new but for lack of old. But probably not. Bathe in the heat wave that is Fuzz, and regret nothing in the time freeze. Necessity is the mother of creation; and devolution stakes its claim in the past as it continues to bind itself to the future.\u003c\/p\u003e\n\u003cp\u003eSan Francisco, Los Angeles, heaven, hell, lunar fields, subterranean hallucinations, traffic jams, sleepless days, hazy nights, recollection or blind reflection. It is all there and so should be you. 2015 and 2016 will bring a new surge of slime, fuzz and otherwise bittersweet concoctions of earthly lettering. It will be heavy, chaotically controlled, softly serpentine and blindingly barbaric. To translate the auditory from ethereal to saliva- soaked semantics is to shatter a promise as it’s made. In the meantime, Ty, Charles and Chad walk on. It is what it is. Just like everything else. And if you don’t know, now you know.\u003c\/p\u003e\n\u003cp\u003eThis message brought to you by In The Red Educational Services… as it was before and is it will be again.\u003c\/p\u003e\n\u003cp\u003eIncludes download card.\u003c\/p\u003e\n\u003cp\u003eCatalogue number: ITR286\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: In The Red\u003c\/p\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":3947512901,"sku":"ITR286","price":44.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/154605.jpg?v=1571438789"},{"product_id":"pulp-different-class-lp","title":"Pulp 'Different Class' LP","description":"\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cspan\u003eWhen two dogs (in this case, Blur and Oasis) fight over a bone, sometimes an unknown third can take the slot of Stone Roses no-shows at the Glastonbury festival and run away with the title of Best Britpop Band of 1995. Such was the case with Pulp, even if charismatic frontman Jarvis Cocker never liked the moniker. Pulp came, saw, and recorded one of the best albums of the genre with 1995’s Different Class.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe inspiration for the title came from a friend of Cocker who used the phrase \"different class\" to describe something that was \"in a class of its own\". Cocker liked the double meaning, with its allusions to the British social class system – a theme of some of the songs on the album. A message on the back of the record also references this idea:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"We don't want no trouble, we just want the right to be different. 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Breathe deep and equalize your today-ears to the new world of Divers… \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGood heavens—five years go by—what can one do? Dive, listener, knowing that diversions aplenty await: a wheeling circuit of sci-fi sea-shanties and cavalier ballads; a family of polysemic song-sets; a paranomasaic Liederkreis of harmonic sympathies and knotted hierarchies; a fanfare of brazen puns and martial lullabies, blazing in sorrow and horseplay and love, in turns symphonic and spare, joined by Mellotrons and Marxophones and Moogs, clavichords and celestas—and of course the harp, thrumming its threnodies of circadian invasions and avian irruptions and strange loops of Shepard-toned resonant-frequencies and something called goddamned Simulacreage…\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe music of Divers is a wonder of considered arrangements, immaculately sequenced for telescoped brevity. The music speeds with dissociative dread over montaged cityscapes; it hoofs with delight among the collaged quotations and sepia-toned codices of Popular Song; it ambles its carefree citational course through the public domain and down into the dustier corners of municipal parks, to lionize infamous airmen and anonymous Dutch Masters, to mourn pearl divers and Poorwills, and to elegize the ineluctable tragedy of relativity…\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAt the center of the mythos and the maelstrom is the woman. Divers reminds us that Newsom is a melodist, above all—an acolyte of melody and beauty in form, a crackerjack of emotional truth conveyed with undiluted immediacy. Here, at the aortic confluence of countless strings and wires, winking beneath the lacquered layers of instrumental nacre, biding quietly between the ranges of rhapsodic arrangement—including those by Nico Muhly, Ryan Francesconi, Dave Longstreth, and Newsom herself—there lies an intimacy seldom achieved, and simply heard. Divers dives forth with a pure love and respect for the traditions and mysteries of man, such that we can feel the surge of life itself passing over our bones as we hear the songs and sounds, the players and the arrangements; as basic maths are reviewed to uncover heights of joy and sorrow, all traced in triumphal arches and supernumerary rainbows through eternal amber, gleaming in analog entrapment—with that VOICE riding high atop—recorded with snow-bright, high-noon-verity by Steve Albini and Noah Georgeson, mixed in phantasmagoric, deep-sea-saturation by Noah and Joanna, and loosed, fuckin’ FINALLY, on October 23rd by Drag City Records. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWe have reached Peak Newsom. Divers is coming, to incline into your many and varied lifelines, for now and then and the rest of the moments that will always return in your lifetimes again.\u003c\/span\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCatalogue number: DC561\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eYear of release \/ Country of release: 2015 \/ US\u003c\/p\u003e\n\u003cp\u003eLabel: Drag City\u003c\/p\u003e","brand":"PIAS \/ Cinram","offers":[{"title":"Default Title","offer_id":7760030917,"sku":"DC561","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/154858.jpg?v=1571438789"},{"product_id":"grimes-art-angels-lp","title":"Grimes 'Art Angels' LP","description":"\u003cp\u003eSpanning over 14 tracks, the new album features collaborations with Janelle Monáe and newcomer, Taiwanese rapper Aristophanes. 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They've been one of the most critically acclaimed bands of the last 5 years; this is the record that backs all those words up.\u003c\/p\u003e\n\u003cp\u003e“Every day it starts, anxiety,” began the first song on 2014’s Content Nausea. 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For Have You in My Wilderness, Holter reached inward for inspiration.\u003c\/p\u003e\n\u003cp\u003e“I started writing a bunch of songs from my heart—warm, dark, and raw—with less emphasis on theatrical ideas and without an overall narrative, like I’ve sometimes used in the past,” she says. “All of these songs would come out of me while playing the piano very intuitively and quickly, without any planned concept. Many of the lyrics are stream-of-consciousness and surreal. Sometimes I would be surprised by the imagery that came out. Sometimes it was obvious, because of what I was feeling at the time. That’s what I love about something like this — that it’s almost automatic writing. But then there were months of molding the raw materials into something more dimensional—playing with the initial imagery that had poured out, and developing it just enough to feel excited about it. 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The focused warm sound and instrumentation — dense strings, subtle synth pads — adds to the effect. “I was going for a country album in a way,” she says, “centered on a warm sound, within which a variety of emotions could thrive.”\u003c\/p\u003e\n\u003cp\u003eLike Holter’s previous albums, Have You in My Wilderness is multi-layered and texturally rich, featuring an array of electronic and acoustic instruments played by an ensemble of gifted Los Angeles musicians. “I like to work with acoustic instruments, and capture the richness of their harmonics and noise,” Holter says.\u003c\/p\u003e\n\u003cp\u003eHave You In My Wilderness deals with dark themes, but it also features some of the most sublime and transcendent music Holter has ever written. 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Never a band to pay heed to industry wisdom, Yanqui was released shortly before xmas 2002 with little publicity, no press availability, no marketing plans, cross-promotions or brand synergies, adorned with now infamous back cover artwork diagramming the links between major record labels and the military-industrial complex. Like all GYBE albums, this one did just fine and ‘found it’s audience’: a passionate and committed fanbase galvanized by the group's sonic vision and its dedication to unmediated, unsullied musical communication. That such simple principles and goals have become harder to maintain and enact a decade later is an understatement. For all the contents and discontents – for all the “content”– of our present cultural moment, the idea of circumventing the glare of exposure or side-stepping the careful plotting of media cycles and identity management seems profoundly illadvised, if not futile. But Godspeed is looking to try all the same. 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The future looks dark indeed, but on the evidence of this new recording, Godspeed appears wholly committed to staring it down, channeling it, and fighting for some rays of sound (and flickers of light) that feel righteous, unflinching, hopeful and pure.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: CST081LP\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Constellation\u003c\/p\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":18533597445,"sku":"CST081LP","price":33.49,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/136781.jpg?v=1571438819"},{"product_id":"thee-oh-sees-castlemania-2xlp","title":"Thee Oh Sees 'Castlemania' 2xLP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.4;\"\u003e\u003cspan\u003ePurple vinyl repress.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.4;\"\u003e\u003cspan\u003eSan Francisco s incredibly prolific Thee Oh Sees are back with another full-length album of original tracks plus a smattering of covers. While the group s previous releases on In The Red, Help and Warm Slime, showcase their amped-up, reverb-drenched garage-psych pummel, on Castlemania, John Dwyer and company take a more lowkey approach. Dwyer himself describes Castlemania as summer-y and poppy ; on many of the tracks, electric guitars are jettisoned for acoustic, and the normally echo-laden vocals are a bit clearer. Happy pop melodies, sweet and somber tunes, psychedelic moves galore, cover versions of The Creation and the West Coast Pop Art Experimental Band, and at least one garage stomper all rub elbows on Thee Oh Sees sunshine pop album. Its release couldn t be more perfectly suited to the time of the year when the sunny skies return and the flowers start blooming.\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"item_artist_heading artist_first\"\u003e\u003cspan style=\"line-height: 1.4;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCatalogue number:\u003cspan\u003e ITR208RP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: In The Red\u003c\/p\u003e\n\u003c\/div\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":18710173701,"sku":"ITR208RP","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/125396.jpg?v=1571438820"},{"product_id":"pj-harvey-to-bring-you-my-love-lp","title":"PJ Harvey 'To Bring You My Love' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cspan style=\"color: #000000;\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003eReissue on vinyl of the third PJ Harvey studio album To Bring You My Love.  Produced by PJ Harvey with Flood and John Parish, and originally released in February 1995, To Bring You My Love features the singles ‘Down By The Water’, ‘C’mon Billy’ and ‘Send His Love To Me’.  The album – which celebrates its 25th Anniversary this year – received wide critical acclaim on release, with nominations for Grammy Awards and the Mercury Music Prize.  Reissue is faithful to the original recording and package, cutting by Jason Mitchell at Loud Mastering under the guidance of longtime PJ Harvey collaborator John Parish.\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cbr\u003e \u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCatalogue number: 0896473\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Island\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Universal","offers":[{"title":"Default Title","offer_id":18836649477,"sku":"0896473","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/112095.jpg?v=1571438822"},{"product_id":"thee-oh-sees-warm-slime-lp","title":"Thee Oh Sees 'Warm Slime' LP","description":"\u003cul class=\"ul1\"\u003e\u003c\/ul\u003e\n\u003cspan\u003eThe ridiculously prolific Bay Area band Thee Oh Sees areback with another full-length long-player. Warm Slime isguaranteed to please fans of their whacked-out garage \/psych \/ punk jams.Recorded by Sacramento sultan of sound Chris Woodhouse,Warm Slime carries on in the same tradition as thegroup s previous In The Red release, Help, showcasingtheir more electrified and rocking side, in comparison toother recent home-recorded releases. The centerpiece is undoubtedlythe mind-bending title track, which clocks in atnearly 14 minutes and takes up the entirety of the album sfirst side. It s a psychedelic epic of Inna Gadda Da Vida proportions! John Dwyer s guitar playing is at its quadraspazzedbest here, and the vocal interplay with Brigid Dawsongives it a B-52s-at-their-least-cheesy-crossed-with-the-Troggs vibe. The results are stunning. Thee Oh Sees incorporate the oft-referenced Nuggets stuffin a way that feels reverential. With grinding guitars andbah-bah-bah vocals, but with the punk and new-wave elementsalso at play, they don t feel trite or plagiarized. Thisis like meat and potatoes prepared by a master chef totallyfamiliar but utterly delicious. Pitchfork Recorded by Chris Woodhouse (Mayyors guitarist and producer for The A-Frames,Hospitals, Coachwhips, Erase Errata, etc.) This is one of the best sonic blasts you will trash your speakers with this year....Raw, and real! Opening track is 13 minutes long, yes, we'll take it...\u003c\/span\u003e\n\u003cul class=\"ul1\"\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCatalogue number: \u003cspan\u003eITR186\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: In The Red\u003c\/p\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":18860377605,"sku":"ITR186","price":29.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/115764.jpg?v=1571438822"},{"product_id":"thee-oh-sees-singles-vol-1-2-lp","title":"Thee Oh Sees 'Singles Vol 1+ 2' LP","description":"\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003eA double-LP collection of every single and compilation track THEE OH SEES have released to date, along with one previously unreleased gem. Tracks run the gambit from very mellow stuff with strings to completely fried burners. \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCatalogue number: CF007\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Castle Face\u003c\/p\u003e","brand":"forte","offers":[{"title":"Default Title","offer_id":18860502405,"sku":"ITR186","price":32.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/125271.jpg?v=1571438822"},{"product_id":"the-white-stripes-white-blood-cells-lp","title":"The White Stripes 'White Blood Cells' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cstrong\u003eBlack vinyl reissue.\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003eRepress of the third White Stripes album, their breakthrough album, featuring 'Dead Leaves and the Dirty Ground', 'Hotel Yorba', and 'Fell In Love With A Girl'. 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R.E.M. chose Don Gehman to produce the album, which was recorded at John Mellencamp's Belmont Mall Studios in Belmont, Indiana.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eCatalogue number: \u003cspan\u003e4785140\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eLabel: Universal\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Universal","offers":[{"title":"Default Title","offer_id":18960346885,"sku":"4785140","price":25.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0932\/6872\/products\/100804.jpg?v=1571438823"},{"product_id":"beck-odelay-lp","title":"Beck 'Odelay' LP","description":"\u003cdiv class=\"modal-body\"\u003e\n\u003cdiv class=\"modal-body\"\u003e\n\u003cp\u003eOdelay is Beck's classic 1996 album. On it’s release, Odelay received almost unanimous critical applause. Odelay was nominated for the Grammy award for album of the year and won a Grammy for best alternative music album in 1997 as well as a Grammy for Best Male Rock Vocal Performance for Where It’s At. Odelay was also ranked number 16 in Spin Magazines 100 Greatest albums (1985-2005).\u003c\/p\u003e\n\u003cp\u003eOdelay was awarded Album of the Year by Rolling Stone and was voted as the best album of the year by The Village Voice. 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